VIDEO: So You're Going to RWA 2014!

RWA is less than two weeks away (at least for those of us arriving on Tuesday), and I couldn't be more excited. At this point last year I was pretty deep into a month-long freak out about what to wear, who I would meet, and whether anyone would eat dinner with me. Turns out my clothing was fine, I met some women who have become my closest friends, and I never had to eat alone if I didn't want to. First Draught is doing a couple videos to get you ready for RWA. Right before the 4th of July we tackled our first about why you would even want to pony up all this cash for a conference. I also hope we put some newcomers at ease, letting them know that people will be friendly and want to talk to them. If anything, you can all come and talk to us!

This is the video of that first chat:

https://www.youtube.com/watch?v=gHsM5OLjROA

Next Tuesday, July 15th, we're talking about the practical side to RWA14. We'll go over what you should pack, how to handle your schedule, and why you should definitely hit up the hotel bar after dinner. You can RSVP to the live video chat by clicking on this link (and that's where you'll find the archive video too).

We hope to see you Tuesday, and if you're new and going to RWA know that it's going to be a great, overwhelming, inspiring experience.

VIDEO: Everything You Wanted to Know about Critique Partners (But Were Afraid to Ask)

There's something about the start of the summer that always sends me into a flurry of activity. This year between an international family move, a college reunion, and a friend's wedding all of of my energy focused on traveling. Unfortunately that meant letting some things go by the wayside. I was in London the week that I would normally tape First Draught with Alexis Anne and Mary Chris Escobar, so when we reconvened on June 3rd we decided to give you a nice, long video discussion. We tackled all of the questions we commonly get about critique partners. How do you get one? How do you keep one? When is it time to let your CP go?

http://www.youtube.com/watch?v=lhOnmH0Ns4E&feature=share&list=PLsjvuodQlH8tJEEQUAOWgsJHPx_0P0Nlt

If you have any follow-up question we'd love to hear them! Just leave a comment here or tweet us.

The First Kiss Blog Hop

FirstKiss-iconI couldn't be happier to be participating in the First Kiss Blog Hop! In March a video of strangers kissing for the first time went viral. It was sweet, sexy, and compelling. It turned out that those strangers were actors, but it inspired a group of more than 20 authors to write first kiss short stories of our own.

Today Mary Chris Escobar, Pieper Vaughn, and I are posting our installments of the First Kiss Blog Hop. I hope you enjoy this short story and check out all of the other authors too!

"Accidentally (On Purpose)"

It was official.

I was going to kill my roommate as soon as I got home.

I stood in the middle of an airy Brooklyn studio adorned with nothing more than a camera, tripod, and complicated rig of lights. My right hand smoothed up and down my left arm — a nervous, child-like gesture I’d never shaken— while I tried to calculate exactly how many seconds it would take me to sprint out of the metal double doors, through the lobby, and down to the comforting anonymity of the street below.

The click of a heavy boot on white-washed floorboards made my head snap up. I spun on my heel to see Jessalyn, filmmaker and my tormenter for the day, approach. Behind her followed the most beautiful man I’d even seen.

He wore his hair cropped as close to his head as the clippers could go which only served to bring out the sharpness of his cheekbones. His deep brown skin glowed like he was lit from within, and his eyes flashed with a spark of amusement behind a pair of thick, navy rimmed glasses. But it was his lips I couldn’t stop looking at. Full. Beautiful. Biteable.

Who are you?

I laced my hands together to keep from broadcasting my nervousness. This man was so far out of my league it was laughable. Whether he was Jessalyn’s assistant, colleague, or partner didn’t matter. He wasn’t for me.

But someone else was.

I swallowed hard as Jessalyn asked, “Are you ready to start, Meredith?”

“Su-sure,” I stammered.

The woman put a hand on my arm and smiled. “I promise you’ll forget the camera is here as soon as we get started.”

I very much doubted that. You see, I was about to kiss a total stranger. On camera. While it was rolling.

The thought made my stomach flip. Growing up I was the type of girl who threw up before going on stage during mandatory school musicals. Thankfully I’d grown into a slightly less tragic version of myself, but I still required a pep talk complete with notes before every phone call. I was the last person who should be doing this. And yet I had agreed to it.

I couldn’t tell if Jessalyn chose to ignore my obvious distress or really didn’t see it. Either way she turned to the god of a man standing next to her, and said, “This is Meredith.”

He stuck out a hand, his smile warm yet shy. As if I wasn’t a melted pool of woman already.

“I’m Jason.” The bass of his voice rumbled through me as we connected — palm to palm. I don’t know whether the voice or the touch made me shiver more.

“Great,” Jessalyn clapped her hands together. “Let’s get started. It’ll just take a minute to get the camera rolling.”

I glanced around me looking for my leading man before meeting Jason’s eyes accidentally (on purpose). He stuffed his hands in his pockets and rocked back on his heels. Suddenly it all dawned on me.

Jessalyn wanted me to kiss Jason.

Oh fuck.

The urge to run gripped me, but it didn't stop me from sending up a silent thank you.

“Is something wrong?” he asked.

A quick shake of my head and I squeaked out, “Nothing!”

Very convincing, Meredith.

We stared at each other in silence. Jason cracked first, the edges of his lips quirking up. “It’s kind of awkward isn’t it? The whole kissing on camera thing.”

I huffed out a breath. “Beyond awkward.”

He cocked his head to one side. “So why do it?”

He didn’t know me. I could have told him anything, but the truth was a lot easier than concocting some lie on the spot. “My roommate went to college with Jessalyn. It’s hard to say no to Becca, so when she said they needed volunteers for this project I just sort of agreed.” He started to nod, but that wasn’t everything. “And I might have been drunkish at the time.”

That got a full-fledged, from-the-belly laugh from Jason. My heart pounded a little faster. I liked that I’d been able to make him laugh like that.

“My sister got me. She thinks I don’t take enough risks,” he said.

“Older or younger?”

“Older. Of course. She always thinks she’s right.”

The words tumbled out before I could stop myself. “That’s probably because she is.”

"Don’t you ever tell my sister you said that,” he said.

“Your secret is safe with me.”

Now over the worst of my embarrassment, I'd apparently decided to try flirting with the man assigned to lock lips with me in a few moments. That was new for me, yet something about the fact that I knew we'd be kissing soon calmed me. I suddenly felt bolder than I had in a long time.

I could do this. I just had to kiss Jason. My task wasn’t exactly torturous, and no one would blame me if I enjoyed it.

That cool, collected attitude lasted until Jessalyn called out from behind the camera, “I’m rolling! Whenever you guys are ready.”

I froze.

Finally Jason reached out and touched me. He placed a gentle hand on mine to stop its anxious rubbing at my other arm. His fingers entwined with mine. He stepped forward and caught up my free hand, running his thumb over the pale skin of my wrist. My mind stopped racing. All I could focus on was him.

My gaze slid up to find that his dark, rich eyes had softened. “Is this okay?” he asked.

He was concerned about me. He wanted to know if this was really what I wanted.

Yes.

The answer hit me with such force it sent me reeling. I wanted to taste him. To feel his beautiful mouth under mine. To press flush against him while the power of that strong, tall body loomed over me. I wanted this stranger.

Screwing up my courage, I rose on my tip-toes and brushed my lips over his. He didn’t move, only tightened the grip on my hands a fraction. I took that as encouragement, a silent nod that this was okay. With a little less caution, I feathered his lips again before pulling back. His move.

With the utmost care, he traced his hands up my arms until they framed my face. Then Jason kissed me right.

His lips opened over mine, inviting me in. There were no sparks or symphonies — none of that movie stuff — only a deep, delicious burn that coursed through my entire body. I needed to feel more. Without thinking, I brought my hands to his biceps and dragged my body closer. His arms dropped to my waist to pull me in.

A low moan reverberated through his chest as he ran his tongue over my lower lip. I gasped my mouth open just enough for him to slide in and stroke me. He tasted of a hurried mint to mask a cup of coffee. I sighed and poured my hunger for this stranger into every suck of my lips and lick of my tongue. I let myself sink into the fantasy.

Just as quickly as the kiss started, it was over. Jason broke the connection before it crossed from slow and seductive to something more fiery. Regret sliced through me. I began to ease away, but he tightened his fingers at my hip and brushed his lips over mine once more. Only then did he release me, his hand lingering a moment longer than perhaps it should have.

I stepped back, stunned by the heat that rose up in my cheeks, as he fixed me with a smoldering stare.

“That was—“

“Yes,” I cut him off.

“Yeah.”

“That was great guys!” shouted Jessalyn from across the room.

The studio. The camera. The waiver I'd signed. It all came rushing back, forcing me into a reality I wasn't ready for.

“We’re done?” I tried my best to keep my voice neutral.

“That’s it. Easy, right?” asked Jessalyn.

“Easy,” I repeated.

“Okay then,” said Jason.

Jessalyn turned to me. “You have a coat?”

“I do.”

“Let me get that for you.”

Jason said a curt goodbye and strode out of the studio. I watched the metal doors bang behind him, signaling the end of all of those possibilities swirling in my head. Jessalyn pulled my bright yellow coat out of a closet and handed it over. I buttoned it against the lingering spring chill and tried to ignore the leaden feeling spreading through my chest.

In the building’s ancient elevator, I slumped against the wall and let my head fall back.

I should have done something. Asked him for his number. Asked him for a drink. Asked him to take me to bed. Anything. Now he was gone.

But I kissed him first. I opened my eyes as the elevator doors groaned apart. I made the first move. That — Becca would tell me — was progress.

I braced myself for the first brisk bite of air off the East River as I pushed open the building’s front door. With my hands stuffed into my jacket pockets, I put my head down and began to walk.

“Meredith!”

That voice sent butterflies backflipping in my stomach. I glanced over my shoulder to see Jason jogging towards me.

“You walk fast,” he said.

“What are you still doing here?” I blurted out.

He actually looked bashful. The beautiful specimen of a man who I’d just kissed in a weirdly manufactured fantasy moment was shy. Around me. The thought warmed me.

“I wanted to see if you wanted to get a drink sometime,” he said.

I didn’t even have to think about my answer. “Yes.”

He blinked. “Yes?”

Tendrils of anticipation stirred in me again. “I would like to see you again. A drink sounds great.”

He laughed and rubbed the back of his neck. “Well, I’m really glad to hear that.”

I sucked in a deep breath and said, “How about we get a drink now while we decide where you’re going to take me for a drink later?”

With a grin, he crooked an elbow. “I know just where to go.”

As I placed my hand on his arm I couldn’t help but think that this could be the start of something very good.

First Kisses

25 Romance Authors25 First Kisses simpleWhat is the best part of a new romance? I love the sparkling banter laced with flirtation and tension, but really we all know it's the first kiss. It's hoped for but not guaranteed, and when it finally happens everything slows. The world falls away, desire fires through you, and then -- when lips finally touch -- your mind goes blissfully blank. The first kiss is magical.

Starting today, 25 authors are writing about those first moments as part of an exciting spring blog hop. The stories are short -- around 1,500 words -- but they're big on passion and romance. The entire list of participating authors is at Audra North's website. My story "Accidentally (On Purpose)" goes live this Thursday, April 10th. I'm posting along with Mary Chris Escobar and Pieper Vaughn. I hope you enjoy reading your way through all of the stories and discover some wonderful, new authors in the process!

First Draught: Music as Muse

I love technology. It lets me write and edit so easily I often take it for granted. It's brought some incredible people into my life and helped me keep in touch with old friends and family. It's fantastic. Until it doesn't work.

That's what happened Tuesday when the women behind First Draught and I tried to talk about music and writing. Our chat experienced major technical difficulties both as we were trying to get on air and then while it was going. However we pushed through, and here it is in all its hot mess, hilarious glory.

http://youtu.be/dGTpYrISYBs

As always, comments and questions are welcome!

Listen While You Work

Tonight I'm talking music with the women of First Draught. I've been doing my homework before our live Google Hangout and going through all of my old writing playlists. I'll talk more about this tonight, but typically when I start a new project I begin pulling songs that either evoke a certain mood or have lyrics that fit with these love story I'm trying to write. Some songs pop up on my playlists over and over again. I've been dancing Swing, Lindy Hop, and Blues for a very long time, and I've always found those really expressive songs fit my playlists well. They show up on my all the time.

So here you go! 15 songs that I can't stop listening to whenever I write.

Ultimate Playlist

Make sure to watch tonight as Alexis Anne, Mary Chris Escobar, and I talking music with special guests Lashell Collins and Tracie Puckett. We'll be watching out for questions and comments on Twitter and Facebook, so be sure to let us know what you think!

Coming Up: April's First Draught Chat

photo2 On April 1st the ladies of First Draught will be talking about music and writing with a couple special guests! We'd love to hear from your comments and questions while we're broadcasting live! You can RSVP to the Google Hangout here. And be on the look out on Facebook and Twitter as we gear up for the big day.

The Writing Process Blog Hop of 2014

Why hello there. When my friend Alexandra Haughton tagged me in The Writing Process Blog Hop of 2014 I was thrilled. I love reading about other writers work, and I'm glad to get the chance to share. With a GIF or two. Because that's how I roll. I. What am I working on right now?

All the projects. I'm working on all the projects right now. Or at least that's what it feels like compared to how I used to work.

When I started writing I had one full-length historical I dedicated all my energy to. Since then I've finished two other manuscripts (one is junk and will never see the light of day and one is a sports romance I love that is in the hands of my wonderful agent right now). Currently I'm working on a second, full-length sports romance, a novella for an indie anthology with Alexis Anne, Alexandra Haughton, and Audra North, and some flash fiction for a blog hop (coming soon). I'm also in the research stages of a mystery based in 1920s New York City. That's a project that makes me so excited I'm practically vibrating like this...

However, I know that I'll come to hate it if I start it without a good research foundation, so I'm reading everything I can get my hands on and holding off on the writing for now.

II. How does my work differ from others of its genre?

Well isn't this an intimidating question? I write in two genres. Historical and contemporary. Let's tackle historical first.

I studied Victorian sexual and gender history in college. The women I found most fascinating were on the fringes of social acceptability. We're talking governesses, doctors, prostitutes -- all women who gained some form of economic independence and therefore pushed back against the constraints of patriarchy whether they knew it or not. Society typically categorized them as "abnormal" and often saw them as under or oversexed (whatever was most convenient). Those are the women I like to write about.

My first book is set in 1880s London and follows a poor relation who writes a book to earn money so she can strike out on her own. The book sells. A lot. Now she's in the awkward position of having an elevated -- although eccentric -- public persona while her relatives still treat her as a second-rate member of the family. Naturally there's a tall, dark, and handsome marquis who comes along and falls in love with her (you know this ends).

When it comes to contemporary, I want to tell stories about women I would happily grab a drink with. Right now I'm focusing on sports romances. What is more fun that turning the hyper-masculine world of professional sports on its head by dropping in a smart, confident female character who can go toe to toe with a hero? The heroine in my first contemporary romance is a sports agent. She's kind of a bad ass when it comes to the business side of things, however, she's not a "strong woman" (ie so perfect she's unrealistic). She has moments of doubt. She cries. She makes mistakes. I'm happy to see readers asking for strong female characters, but I want us to get to a point where we can have heroines as layered and complicated as our heroes.

III. Why do I write what I do?

I started writing romance as a relief from my masters thesis. I would get home from Columbia University's radio lab late at night exhausted and burnt out. I wanted a mental break, and a woman can only watch so much Dancing with the Stars. I needed a more creative outlet to keep my sanity, so I started writing what would become my first historical novel.

Now I write because I can't imagine doing anything else. I know that's such a cliché, but that doesn't make it any less true. On some level I want to tell those pro-female, sex-positive stories about those complex women I mentioned earlier, but I also just love romance. Some friends have asked me if writing stories that must end with a Happily Ever After is limiting. The answer is a very simple no. The characters dictate the way you get to that HEA, making each story unique. The HEA is just an expectation of the genre -- nothing more, nothing less.

IV. How does my writing process work?

My writing process has undergone some changes since I started scribbling scenes in graduate school. I used to be a pure pantser who wrote whenever the feeling moved her. Let me tell you, that is not an effective way for me to get anything done. I will always come up with something else to do. Then I went to the total opposite end of the spectrum and started to write every single day on an absolutely brutal, unrealistic word count schedule. This was a really stupid idea for someone who works in a high-stress job (producing TV news in New York City, hotbed of crazy). Learn from my mistakes and don't kill yourself. You'll just burn out and wind up curled up in a ball on the floor of your apartment.

Now I use Michael Hauge's "Six Stage Plot Structure" method to plot out character arcs. This isn't a strict, detailed outlining method so it offers me enough flexibility to get creative while still knowing the major turning points in plot and character. I write what I call a Fast Draft which is exactly what it sounds like. I get down whatever I can as quickly as possible. This is usually heavy on the dialogue since I write anchor scripts for a living.

My goal is to write 2,000 words a day Sunday through Thursday for my main work in progress. Anything extra counts as brownie points. If I'm working on a secondary project I'll switch my attention to that once I hit my main WIP word count. I'm out of the house at least 11 hours a day between working and commuting so I write everywhere I can. This includes on the subway and at the laundromat. I like working with background noise thanks to all my years in newsrooms and nearly as decade of babysitting/nannying before that. Don't tell my reporters, but producing and childcare overlap in more ways than one.

I'm the queen of laundromat writing.

I should also note that I've recently moved over to working in Scrivner, so part of my day is dedicated to learning a new program and pleading with it to like me.

After the Fast Draft I go back and do a First Draft 2.0. That's a pass through to fix any character inconsistencies and add in all of the emotional development that might have been lost in the Fast Draft.

Next is the long, slow process of revising. I'll usually do a second draft and then send the MS around to my critique partners. This gets another set of eyes on it and forces me to put it aside for a few weeks so I can better pinpoint problems later.

Next is a few rounds of fiddling with sentence structure and polishing. At some point I realize that by continuing to work on it I'm going to make the book worse rather than better. That's when it goes off to my agent to see what she thinks, and I feel like this for about a week:

Then I start the whole process over again with a new book.

It. Never. Ends.

So that's me in one very long blog post. I'm now tagging Audra North and Mary Chris Escobar. Audra's post is already live on her site (definitely check it out), and Mary Chris will be posting hers soon.

Thank you all, and good night.

Saying Yes

One of my journalism professors taught me the most valuable professional lesson I’ve learned. He stood at the head of the computer lab twirling his glasses around and around by the arm as was his habit and said, “Say yes.” We were all stressed graduate students willing to do anything to get out of class on time so we could catch a few minutes sleep on the radio lab couches. Staring at our professor in silence seemed like the best way to keep inching closer to naptime.

In his Texas Hill Country drawl he continued, “When someone asks you to apply for a job, say yes. When someone asks if you want to freelance for them, say yes. You never know where those opportunities will take you, but they’re going to get you moving and that’s a lot better than standing still.”

I didn’t really understand my professor’s message for a long time. Then I decided to approach writing as a career rather than a hobby, and things started to click. I finished polishing my book, queried, signed with my agent, and watched her shop my historical romance around to editors.

The book didn’t sell.

I continued to write, joined RWA, and attended the national conference in July. I met brilliant, passionate women who loved doing this writing thing too. We exchanged tweets, then emails, then ideas. When those ideas snowballed into potential projects I found myself faced with a question: should I focus on churning out my next book or say yes to joining those projects?

There were a lot of things to consider. I could probably dedicate more time to my current work in progress if I focused solely on that, but I’d miss out on the opportunity to get my name out there in the form of some indie projects. Moreover, I wanted to learn from these other women and push myself out of my comfort zone.

I pitched one of the ideas – an indie anthology set in Jackson Hole, Wyoming, with three other authors – to my agent. She backed up what I was instinctively thinking. I should say yes.

I can’t tell you how glad I am. There’s something reassuring about being an unpublished author trying to play the long, slow waiting game of traditional publishing who knows that she’s going to have work out in the near future. Now I’m looking for opportunities wherever they come up. I’ve said yes to regular, live Google Hangout chats with the other women of First Draught and blog hops about process and flash fiction. I’ve said yes when invited to panels and readings which have led to growing friendships with other authors. The best part is that all of this has reinforced my decision to make writing my profession and not my hobby.

My initial worries about these other projects sucking up time that could be spent on my WIP were valid. I understand how easily that could happen to anyone, but if anything I’ve found that saying yes has forced me to focus and allot my time more efficiently. Now I work on a strict Sunday through Thursday schedule. I have a word count for the WIP I will eventually send to my agent, and I hit it even if it feels like pulling teeth some nights. Any extra time gets tacked on to that main project or can be dedicated to one of my “Say Yes” projects. It’s incredible what you can do when you have limited time to execute things.

So I’m passing along the same advice I got: say yes. Agree to do things that take you outside of your WIP every once in awhile. Build relationships. Collaborate. Push yourself out of your comfort zone.

Yes can be a magical word if you take a chance on it.

Plotting vs. Pantsing

Hello all! I'm resurfacing during a crazy couple months of drafting new stories to share a new author chat with you. Yesterday four of my favorite fellow authors and I sat down to debate the merits of plotting vs. pantsing (ie planning it all out or writing spontaneously). We also shared our methods for finishing that draft. Take a listen and join the conversation by letting us know what works for you!

http://www.youtube.com/watch?v=NYplXVUQRPE&feature=share

photo-6

It's time for another chat with the First Draught ladies! Alexis Anne, Mary Chris Escobar, and I will be debating the merits of planning or writing off the cuff.

When: Tuesday, March 4th, 8:15 PM

Where: Check out our Google On Air page ahead of the chat and leave us a comment about your writing style.

So what are you? A plotter or a pantser?

VIDEO: The Balance Myth

Happy belated new year everyone! I took some time away from blogging and writing to be with family, but now I'm back at it for 2014. Of course, that means figuring out how to fit writing in around a very busy season at my day job. That makes the most recent chat that Alexis Anne, Mary Chris Escobar, and I did particularly topical. Check out our Google Hangout talking all about the myth of balance in a writer's life and whether we think male authors ever get asked how they "do it all." http://www.youtube.com/watch?v=Dl-rv8bKOX8

As always, I'd love to hear what you think. Leave a comment about balance, writing, or your goals for the new year below. You can also reach out on Facebook, Twitter, and Tumblr.

Happy writing!

Comfort Reading

I've got a hot date with this book, a cup of tea, and a blanket tonight. I can't promise that this post will make sense. That's because I'm fighting off a cold. It's nothing dramatic, but it's one of those pesky illnesses that leaves you foggy - like your brain has been replaced by cotton balls.

I'm pretty useless at writing when I feel this way.* Instead of working on my WIP, I'm going to be spending my nights curled up on my couch under a huge blue-grey knitted blanket. I might watch a bit of easy, popcorn TV like Hart of Dixie or Arrow**, but after a little while that will stop holding my attention. I'm going to need to make it until at least 9:30 PM or risk waking up at 4 AM unable to sleep. In order to do that I'll turn to my favorite comfort book.

For a long time I read Pride and Prejudice when I needed to escape. That was until I picked up Dodie Smith's I Capture the Castle. I was in college when my mother recommended the classic English coming of age story. I've loved it ever since.

Something about this book captures my attention all while wrapping me up in the soft, fuzzy familiarity of that wool blanket waiting for me on my couch. It features aspiring writing Cassandra who pens her observations about her quirky family. They all live in a sort of noble poverty in a crumbling castle in the English countryside. When a set of wealthy Americans move into the manor house, their lives are all thrown into chaos in such a delightfully English way.

Dodie Smith is better known in America as the author of The  One Hundred and One Dalmatians, but this more adult book holds a much bigger place in my heart. As always I'm curious to hear what your comfort books are. What do you turn to when you need to escape the real world?

----- *As this blog post may prove. **Don't judge a sick woman for her choice in TV shows (even if the acting is questionable).

VIDEO: Holidays Romances, Traditions, and Beer!

Authors Alexis Anne, Mary Chris Escobar, and I got together to talk holiday romances, writing about Thanksgiving and Christmas, and what we do to celebrate the season. Add in a dash of celebratory booze and you've got a pretty good chat. http://www.youtube.com/watch?v=qpHC6o9TwBA&feature=share

Do you have a favorite holiday tradition in your family?

VIDEO: NaNoWriMo Day 25

I'm almost done! It's been a month of ups and downs, but I'm about 1,500 words away from hitting 50K and must closer to having a completed novel. I couldn't be happier heading into the hectic holiday time. I want to hear how your writing challenge is going. You can leave a comment here or find me on Facebook, Twitter, Tumblr and Pinterest. Happy writing!

http://www.youtube.com/watch?v=7Sr1xNubBwg&feature=youtu.be

VIDEO: NaNoWriMo Day 22

Day 22 is here, and I'm back on track (thank goodness)! NaNoWriMoers, how are you guys doing with your own challenges? https://www.youtube.com/watch?v=LJgRgkdbZs8

This is the hero chat with Alexis Anne I mention in the video. And here's a link to the heroine chat too.

As always, you can find me on Facebook, Twitter, Tumblr and Pinterest. Happy writing!