Under the Pear Tree

***UPDATE: YOU CAN NOW DOWNLOAD THIS STORY TO YOUR KINDLE OR IBOOKS APP*** I have a present for you, dear reader. This holiday season I wanted to write a free short story to say thank you to everyone who has read my work and followed this blog throughout the year. Out of that came the idea for the 12 Days of Christmakwanzaka Blog Hop, hosted with my dear friend Alyssa Cole, and this Victorian-set historical. "Under the Pear Tree" is the story of two people taking a leap of faith to see if they can find their happily ever after together. 

Happy holidays, everyone! 

12 Days Revision

 

Under the Pear Tree

December 24, 1883

“We could play charades,” suggested Lady Hawley.

“Mamma, we played charades last night,” said her daughter, Margaret, in an indulgent tone. “It wouldn’t do to bore our guests. Don’t you agree, Eleanor?”

“Hmmm?” Eleanor asked, for she hadn’t been attention at all. Instead she’d been trying her best not to let her eyes fall on Lord Michael Hawley. Normally his rather handsome face would be a pleasant distraction, but not now. Not on this very disappointing Christmas Eve. “I’m sure whatever you pick will be quite enjoyable.”

Of course he was the reason for her disappointment, she thought as the other ladies went back to discussing the night’s agenda. He was the reason for everything. Sitting in spindly chairs at ball after endless ball, she and her London friends liked to dream of the day she became Lady Hawley—something that her family's annual trip to the Hawley family's home had confirmed would never happen. Ever.

Despite wearing her best dresses and putting on her brightest smiles, the baron had been nothing but polite and warm to her, almost brotherly. One afternoon she’d spotted a tiny package under the tree with her name on the tag, and her hopes had soared. Perhaps Michael had thought of her after all. But by evening it was gone again, no doubt mistakenly labeled for her by one of the servants.

Eleanor was coming to accept that difficult truth that all Michael saw when he looked at her was the little girl he'd once fished out of Blackburn Pond after her youngest sister, Charlotte, planted a frog in the bottom of Eleanor's rowboat. She'd capsized in all her humiliated glory as he and Julian lounged on the bank watching and laughing.

Now, Eleanor sat contemplating how she could quietly slip out of the drawing room and retire to her room. Perhaps she could beg off with a headache.

She nearly had her escape route planned when Charlotte called out from across the room, "Let’s have carols, Lady Hawley!"

"Charlotte." Her voice was a low warning that did little to hide her annoyance at her sister’s imperiousness.

Margaret clapped her hands, "That is just the thing!"

“I think that carols would be a lovely way to end the evening. Miss Morris,” Lady Hawley said, “will you accompany us? We all know you excel at the piano."

So does every other gently-born lady in Britain, she wanted to respond. But Eleanor rose anyway. When the Hawley matriarch asked something of you, you snapped to it.

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A dull pang throbbed in Michael's chest as he watched Eleanor move to take her seat at the piano. He raised a hand to surreptitiously rub at the spot even though nothing was going to ease the ache. The plain truth was that he wanted this woman. He'd wanted her since visiting the Morris after his Grand Tour with Julian two long years ago. Eleanor had breezed into the drawing room fresh from a walk in the park, and his heart had dropped through the floor. He'd never quite found it again.

No doubt Mrs. Morris would be as overjoyed as Julian would be horrified if her eldest daughter formed an understanding with a baron, but Michael wasn't sure how Eleanor felt. With friends and family she was all warmth, her joy radiating out with such brilliance that it was a wonder every man wasn't in love with her. Around him, however, her smile seemed brittle. She grew stiff, as though his very presence made her uncomfortable.

And yet, he refused to go down without a fight. In the pocket of his dinner jacket, he touched her present wrapped in red and gold paper. It was a frivolous thing, but the idea struck him a month before and he'd been unable to shake it. He'd told himself it didn't matter whether it pleased her or not, but it did. It mattered more than anything in all of England.

From his seat next to Julian’s, he watched Eleanor sit at the piano bench, the long skirts of her bustled dress fanned out behind her. Every instinct screamed at him to drag her up into his arms and finally claim her with a kiss. Enough of this waiting and watching, wondering if she could ever love him. He wanted answers.

Without another thought, Michael was on his feet and striding towards her. "Eleanor, you need someone to turn the pages for you."

He hadn't asked whether she wanted his assistance because he wouldn't entertain the thought that she might banish him back to the corner of his own drawing room.

She didn't look at him, instead turning her head slightly to expose the long, graceful slope of her neck. "Thank you."

The rest of the guests began to gather around the piano. Michael slipped a hand back into his pocket and grazed her present with his fingertips again.

Soon.

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Quiet had settled over Blackburn Manor by the time Eleanor opened the door of the room she shared with Charlotte and stole out into the corridor. Her back ached for she'd played late into the night. The merry little party sang every Christmas song and hymn she knew. "Deck the Halls", "O Come All Ye Faithful," even "Away in the Manger" although hardly any of them knew more than the first verse to the new carol. Despite her exhaustion, her whole body pulsed with energy.

She blamed Michael, of course. He'd stood so close to her, it was a wonder she’d been able to play at all. The scent of wool and spice enveloped her every time he reached over to turn the pages of her sheet music. Once he leaned a little too close and the cuff of his jacket brushed the bare skin of her neck. Awareness exploded through her body like fireworks, and her fingers missed a chord. She wanted to feel those sparks again.

Rather than stay in her room running through the evening over and over again in her head while her sister slept, she'd pulled on her dressing gown and slippers and escaped.

Eleanor crept along the corridor with nothing but the low flicker of gaslights to light her way to the library. There at least she could find comfort and distraction among the books. Softly, she twisted the doorknob and let herself in. The dying embers in the fireplace warmed the room, and the pine garlands that hung along the mantle scented the air. She closed her eyes to breath in deep. "Peace."

"Is that what you've come looking for?"

Eleanor's eyes snapped open, and she watched, stunned as Michael unfold himself from a wing-backed chair facing the fire. He wore no jacket or necktie. His shirt was undone at the collar, the sleeves pushed up to reveal forearms corded with muscle from years of riding.

It was all utterly indecent and thoroughly tempting.

Eleanor knew that she should turn around, march back upstairs, and hide under the counterpane. Instead, she swallowed her propriety and closed the door.

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Michael had cursed himself when he'd been unable to separate Eleanor from her family at the end of the night. They'd tumbled upstairs in a ball of mirth, leaving him alone in the drawing room, her present still in his pocket.

But now she stood before him with her hair tumbling down her shoulders like a Burne-Jones painting, ethereal and angelic. She'd cinched her pale green dressing gown tight around her waist, but it gapped open a little at the top giving him a glimpse of the embroidered edge of a white nightrail. He wanted to slip his fingers along the edge and feel the smooth skin underneath.

He shook his head to clear the fog of lust clouding his mind. "Were you unable to sleep?" he started again.

"Perhaps I'm too excited for Christmas Day," she said.

He grinned. "At least you're wearing slippers this time. I remember one year you were caught creeping downstairs in bare feet to look at the tree."

Her nose scrunched up. "How was I supposed to know that your father would keep to his early riding schedule even on Christmas?"

"He was like that."

Her face softened, and she looked up at him through thick, black lashes. "I'm sorry to have mentioned him. It must be difficult."

He shook his head. "We miss him, but we have your family with us."

"And we make a cacophony loud enough to distract anyone. I do apologize," she said in a wry tone as she brushed an errant strand of hair away from her face.

They stood there, the air humming with unspoken tension. Her state of dress was just this side of respectable, and he wasn’t much better. It should be so easy to just kiss her and find out whether she welcomed it, but there was something he had to do first.

Screwing up his courage, he stepped forward. "Eleanor, I have something for you."

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Eleanor froze as she watched Michael picked something up off of a low table next to his chair. It was a small, flat package wrapped in red and gold striped paper. The same one she’d spotted that afternoon and hoped was from him.

He held the present out, standing close enough that she could see the shadow of his beard coming in. She wanted to feel the rasp of his whiskers against her fingers. She could too if only she reached across the gap between them.

"I’ve been waiting to give this to you, but we’re so rarely alone,” he said, saving her from herself.

Excitement bubbled up in her. "Michael—"

"Take it. Please."

She took the package, undid the gold ribbon bow that held the paper together, and opened the box. Nestled on a bed of white tissue was a thin golden twig with a pin affixed to the back of it. Her heart beat a little faster. He'd given her a broach. A lovely broach.

"Do you remember coming to Blackburn Manor one summer when you were just sixteen?" he asked.

She turned the piece of jewelry over between her fingers. "Of course."

"You used to sit under a pear tree and read," he said in a rush as though he, Lord Michael Hawley, was nervous. "The tree was dying and had to be removed this autumn, but I asked the gardener to keep a little bit of it for me. I had it made up into a broach because it reminded me of you."

She blinked in surprise, hardly knowing what to say. It was such a little thing, and yet for him to remember...

"Michael, it's beautiful," she whispered.

He looked almost bashful now. "I hoped that you might like it."

She let out a low, long breath. Then, before she could stop herself, she went up on her tiptoes to kiss him on the cheek. Her lips brushed his skin, and she started to pull back but his hand caught her around the waist. He gathered her to him, tilted his head just the slightest bit to the left, and finally—after years of hoping he would—he kissed her.

Michael's lips worked over hers as she melted into him. He tasted like nothing she'd imagined. He was cool and fresh, and she opened for him just a little more so he could run his tongue over hers. The sensation left her just a little drunk on something she didn't know the name of. When he finally let go of her she had to lean into him for support.

"Was that okay?" he asked, his thumb coming up to trace the line of her jaw. She nudged her cheek into his fingers until his palm opened.

"That was exactly what I wanted for Christmas."

A low chuckle rumbled in his chest. "I've waited far too long to do that." Joy filling her so fully that she felt as though she might float out of the room. "I think I've loved you from the moment I saw you eating berries with your book beneath that tree."

Her breath caught in her throat. He loved her? All of those nights wondering if he would ever look at her as anything but Julian's sister evaporated. Toying with the fabric at his collar, she confessed, "I've loved you from afar for so long."

He dropped a kiss to her forehead. "I wasn't so very far away."

Her fingers clutched at the fabric. "It didn't feel that way."

That earned her another kiss, this one as breathless as the last.

"I want to court you, Eleanor," he murmured against her lips. "I would marry you tomorrow if I could."

"On Christmas Day?" she asked with a smile.

He laughed. "Happily, but not without dragging the archbishop out of bed for a special license and risking gossip. I want everyone to know how proud I am to have you for my wife when we wed. I don't want there to be any doubts that this is a love match."

She tilted her head to one side, contemplating his proposal as he ran his finger down the length of her neck. "Julian will be horrified."

"Julian will learn to like the idea. He’ll have to,” he said pulling her even closer to him. "Tomorrow I will ask your father's permission, and if he agrees we can be engaged soon."

Eleanor shot him a look. "Don't believe for a second that Mother will stand for being left out of that conversation."

He chuckled. "I learned long ago to fear the wrath of Mrs. Morris' displeasure as much as my own mother's. I will ask both your parents and then you can make up your mind about me."

This. This moment was the happiest she’d ever been. All of the disappointment and waiting, the wondering and doubt fell away. All she knew was what it felt to be in the arms of this man—the man she loved.

She draped her arms around his neck and tilted her head back to smile at him. "Michael, I made up my mind about you a long time ago."

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Thank you so much for reading! This is the first day of the 12 Days of Christmakwanzakah Blog Hop. I'm sharing the day with the talented Falguni Kothari. You can read her story by clicking here.

To see a full schedule of the authors coming up on the 12 Days Blog Hop, just click here or follow #12DaysHop on Twitter.

For more stories like this and to keep up to date with release dates, sign up for my newsletter.

The 12 Days of Christmakwanzakah

12 Days Revision

[UPDATE: Brief summaries of the stories have been added to help recap the first week. The remaining stories will have their blurbs added daily as the hop continues!]

Welcome to the 12 Days of Christmakwanzakah Blog Hop! From December 8th to December 19th, more than a dozen of your favorite authors are publishing free short stories about the winter holidays. You can expect fantastic stories from contemporary, historical, M/M, NA, and YA authors.

Here’s a schedule of authors and links to their work. Check back throughout the blog hop for live links to each of the stories, and tweet along with us using #12DaysHop.

 

December 8

Falguni Kothari

Starstruck – Things heat up when publicist Tania Coelho escapes from an industry Xmas party only to get trapped on a slow elevator ride fwith her client’s “fiance,” Bollywood heartthrob Veer Rana. Veer’s engagement is a sham, but could what he feels for Tania be the real thing?

Story Website | Facebook | Twitter

Julia Kelly

Under the Pear Tree – Eleanor has given up on the hope that Lord Michael Hawley will ever see her as anything other than his best friend’s little sister. Michael believes that Eleanor sees him as nothing more than her brother’s friend. When they’re bought together for a family Christmas gathering, they find that their friendship may have planted the seeds for the best gift of all.

Story | Website | Facebook | Twitter

 

December 9

Audra North

Shine A Little Light – What could drive a Sunday school teacher to drink before noon on Christmas Eve? When everything Graceanne thought she knew about her life, and her fiance, is shattered, she finds more than a stiff drink waiting for her at the bar—she finds solace, and a new chance at love.

Story Website Facebook | Twitter

Alexis Anne

Under the Bright Morning Light  – a Storm Inside short story – Jake and Eve have been trying for a baby, but are they ready to deal with the outcome if the stick shows a plus sign? Eve isn’t so sure.

Story Website | Facebook | Twitter

Shari Slade

Christmas Mess – a The Opposite of Nothing short story – Callie is bringing Tayber home to spend the holidays with her family for the first time. The fear that her family will drive Tayber away gnaws at her, but he finds a naughty way to remind her that nothing can change how he feels about her.

Story Website | Facebook | Twitter

 

December 10

Kate McMurray

Let Your Heart Be Light – Living in New York City is Milo’s dream, but dreams don’t come cheap. Unable to fly home to visit his family, Milo is resigned to spending the holidays alone until a night of karaoke turns into a chance at holiday romance.

StoryWebsite | Facebook | Twitter

Lashell Collins

A Kinky Kelly Little Christmas a Kelly Family short story – Doms Storm and Payne are checking items off of their Christmas list. What can Payne get for his sub to let her know how special she is to him?

StoryWebsite | Facebook | Twitter

 

December 11

Amber Belldene

An Almost True Story – Amelia Scola looks like a bad girl, but even bad girls get into the holiday spirit. When in a rush to get to a hospital where she’s playing the role of Mrs. Claus, she’s pulled over for speeding by Vic Lopez, known as the softie of the police force. Can a bad girl gone good and a cop who isn’t afraid to cry find holiday love?

Story Website | Facebook | Twitter

Tere Michaels

Fathers of the Bride – A Faith, Love, & Devotion short story – Matt and Evan experience the emotional roller coaster of their daughter Katie’s wedding day. In the midst of a mix of apprehension and joy, the two rely on their love for each other and their family to carry the day.

StoryWebsite Facebook Twitter

Mary Chris Escobar

Kiss, Continued – Jeff and Annie met while participating in a filmed kiss between strangers, but when they discovered he was her advisor they decided to call the relationship off. But sometimes a kiss isn’t just a kiss, and a holiday drink could lead to a second chance at love. 

StoryWebsite | Facebook | Twitter

 

December 12

K.M. Jackson

Holiday Longings – In this roaring 20s-set short, Rosemary will do anything to make sure her family stays afloat, even if it means putting herself at the mercy of the only man she;s ever loved. When she steps into Stone Donnelly’s speakeasy, she’s ready to sing for her supper, but she’s not prepared to lose her heart a second time.

StoryWebsite | Facebook | Twitter

Tamsen Parker

A Thrill of Hope – Sophie doesn’t mind the tall drink of blue-eyed scruffiness who falls asleep on her during their flight to New Orleans; he’s a welcome distraction from her lack of anticipation at visiting her family. When her seatmate offers to take her out for a drink, she leaves the morose Sophie her family expects behind and takes a chance at love.

Story Website | Facebook | Twitter

 

December 13

Lindsay Emory

A Room at the Inn – Annie’s flight gets delayed in Reykajavik on Christmas Eve. When all of the hotels are full, she anticipates a night spent on the floor of an Icelandic airport. Instead, she meets rock star Cord DeBose. Being a rock star has its perks—like hotels offering you presidential suites. Cord has a room, Annie doesn’t. What could have turned out to be Annie’s worse Christmas ever quickly becomes one she’ll never forget.

StoryWebsite | Facebook | Twitter

Rebekah Weatherspoon

Blessed – a FIT short story – Violet is feeling more Scrooge than Tiny Tim when she breaks her ankle right before Christmas, but her boyfriend/Dom Grant is determined to draw out her holiday spirit, even if it means being naughty instead of nice. 

StoryWebsite | Facebook | Twitter

 

December 14

Recap Day

 

December 15

Lena Hart

StoryWebsite | Facebook | Twitter

Jenny Holiday

StoryWebsite | Facebook | Twitter

 

December 16

Alyssa Cole

StoryWebsite | Facebook | Twitter

Rebecca Grace Allen

StoryWebsite | Facebook | Twitter

 

December 17

A.L. Parks

StoryWebsite | Facebook | Twitter

Dina Haynes

StoryWebsite Facebook | Twitter

 

December 18

Alexandra Haughton

StoryWebsite | Twitter

Kathryn J. Benson

StoryWebsite Twitter

 

December 19

Amy Jo Cousins

Story | Website | Facebook | Twitter

T.J. Kline

StoryWebsite | Facebook | Twitter

"Concert Interruptus" & "That Damn Donna Reed"

The Gilmore Girls Project

Yep. This post is late. Late late late. Sorry about that. It'll probably happen again sometime in the future.

A little housekeeping. If you live in the New York metro area, Videology in Williamsburg is hosting a Gilmore Girls watch party tonight. Details are here if you are so inclined.

"Concert Interruptus"

Air Date: February 15, 2001

Written By: Elaine Arata

Directed By: Bruce Seth Green

Other than a strong sense of satisfaction I got from seeing two bratty teenagers get smacked down, this episode didn't do a huge amount for me. Perhaps that would be different if the following episode, "That Damn Donna Reed", hadn't completely messed with my head. Jury's still out on that one. Anyway, you're getting a pretty basic recap on "Concert Interruptus".

Stars Hollow is having a rummage sale for charity. Since Lorelai has volunteered to collect for it, her entire home is overrun with everyone's stuff. Conveniently, Rory gets assigned to a group project for her history class. They're going to Rory's house to plan for it because Madeline's brother has measles, Paris' mother is redecorating post divorce, and Louise's mother is having an affair (no one blinks when that last one is mentioned). The group project meets up on the day that Sookie, Lorelai, and Rory are supposed to be going to a Bangles concert (I love you Susanna Hoff). Louise and Madeline are being nice to Rory, so in the spirit of buying her daughter friends, Lorelai suggests that they take the great concert tickets. Lorelai and Sookie wind up all the way at the back of the theater while the girls stand up front. Conveniently, the only two single, straight, college-aged boys ever to willingly go to a Bangles concert ever are standing behind them. Louise and Madeline go off with them to a NYC apartment party (not all they're cracked up to be, trust me, ladies). Paris and Rory bond over their mutual decision to enjoy the concert and not openly defy Lorleai. When Lorelai finds out that the girls have gone off to a party at 1st and Waverly, she tracks them down and unleashes her kickass mom superpowers on the boys and the wayward girls. The episode closes on the rummage sale.

Favorite Quote

"Take heart, my dear. Suffer today, party tonight." -Lorelai to Rory

Random Thoughts

-Lorelai's casual style seems to be, "If you can spangle it, I'll wear it." This makes her sometimes resemble a seven-year-old who has gone wild with her first Bedazzler.

-Tristan creepily macks on Rory in History class and gets called on it by his teacher. Then he goes up to Paris and openly flirts with her in front of Rory. Rory doesn't seem all that disturbed by this, but Tristan clearly thinks he's making a point. I'm half convinced he's going to grow up to stalk women.

-Is there anything worse than a high school group project? Probably, but I can't think of one right now because I'm blinded by all of the awful group project flashbacks running through my head.

-There's a whole subplot in this episode that deals with Lorelai enraging Luke by wearing his ex-girlfriend Rachel's sweatshirt. She pokes and prods to find out more information about Rachel, and Sookie and Patty paint this picture of an adventurous photographer who traveled the world. Eventually we come to learn that Luke's attachment to Stars Hollow was a breaking point for the relationship.

-Miss Patty is quickly solidifying herself as one of my favorite secondary characters. I love that she donates to the rummage sale the drum set she danced on at the Copacabana in 1969.

-I've always loved the "Hey look, a random band that has a CD to promote/is getting paid for an appearance" moment in TV shows. It's even better when the writers attempt to work the band into a story line and it kind of falls flat on its face. Sheryl Crowe in GCBs was my favorite, a reference which I realize that like .02% of the population is going to understand so here's the video:

https://www.youtube.com/watch?v=yOQOZLlOfpU

-Just for accuracy's sake, I'm going to tell you that Waverly and 1st doesn't exist in New York City. Don't go looking for it, Gilmore Girls fans.

"That Damn Donna Reed"

Air Date: February 22, 2001

Written By: Daniel Palladino, Amy Sherman-Palladino

Directed By: Michael Katleman

Gilmore Girls, you were so, so close to warming my little feminist heart. Sadly, you dropped the ball in "That Damn Donna Reed".

The episode opens with Lorelai, Rory, and Dean watching The Donna Reed Show. The ladies are making fun of the ridiculous 1950s standards that Donna is held to on the show, but then Dean steps in it:

Dean: She looks happy.

Lorelai: She's medicated.

This reveals Dean's belief that it would be nice to have a wife to come home to with dinner. It's what his mother has done for his father for years. Both of the women (and I) stared at him in disbelief.

Let me stop for a second here and talk about my own feelings on gender expectations. I'm a feminist, a very proud feminist of the third-wave variety. If a woman wants to make dinner for her husband and be a Donna Reed-esque housewife and she has a choice to do that, that's fine with me. The key word here is choice. What Dean does not seem to understand is that the character of Donna Reed* didn't have a choice. The expectation was that, as a housewife, she would be making her home a beautiful, pleasant place for her husband. Her own desire to live in a beautiful, pleasant home was secondary. Her husband has no expectation of contributing to the household except to go out and work, something Donna can't do because it would undermine his masculinity. Plus, you know, no jobs were really available to women of her social status. Yipie! Essentially, Donna Reed the character was constructed to reinforce the idea that this was the ideal situation for the middle class, American family. It is such, such bull.

https://www.youtube.com/watch?v=U-uh3XbUMfY

Back to Gilmore Girls. Rory is more than a little horrified by the idea that Dean would expect this from the woman he eventually marries. Rightly so. Dean, being a straight, white, American, male teenager, assumes that this is the way things will be. That assumption? It sucks, and Rory calls him out on it.

So I'm watching along, thinking, "Goodness, this is pretty progressive for a WB TV show at the turn of the millennium. Good for Gilmore Girls." Then the wheels fall off the train. Rory dresses up like Donna Reed, cooks Dean dinner, and then agrees that it's pretty great doing this for her husband-like figure. Gee, big surprise that Dean agrees.

Okay, I try not to be a hypocrite so a caveat. Rory chooses to cook Dean dinner (there's that choice word again). Awesome for you, Rory. I can't be mad about that. I do wish that it didn't happen right after a fight in which your boyfriend didn't seem to understand the issues with expecting that his wife have dinner waiting for him at the end of the day, but I can't get picky.

Except I'm going to.

You see, while Rory learns that there are different ways to express and perform femininity,** Dean doesn't seem to learn anything from this episode. The writers make a weak attempt at showing that the real life Donna Reed was a producer on her show, making her one of the first TV executives in the business, but we don't see a real change in attitude from Dean. He doesn't grow, and that frustrates me. I want a female-centric show with a lead who defies social norms by being a proud single mother to do better.

The rest of the episode focuses on Lorelai getting close to Luke. She convinces him to paint Luke's which throws them into a lot of situations where they're alone. Then, after nearly kissing him while hiding in Luke's (for ridiculous reasons), Lorelai calls him to find Rory's chick that has gotten loose. Conveniently, Rory is next door dressed up as Donna Reed, so the house is empty. Unfortunately, she really did mean it when she told Luke over the phone that she needed his help finding an escaped chicken. Later Sookie finds out that Luke came over and tells Lorelai that she's got to figure her feelings out for this guy. Emily does the same before going scary, judgmental mother on her.

All is well and good and then a dude rides up on a motorcycle...and of course it's the elusive Christopher! Rory's father plays Cool Dad, telling his daughter that she should go for a ride on the back of his bike. Oh, and by the way, he's going to be staying for awhile.

Fantastic. So we're going to have Rory's dad around, mucking everything up.

*throws up hands and collapses on couch*

I don't even known what to do with this episode...

Favorite Quote

Lorelai: Excuse me, do you even know what stenciling is?

Luke: Does Martha Stewart do it?

Lorelai: Yes.

Luke: No stenciling.

Reasons Luke is Bound to Break Julia’s Heart

Luke kills Lorelai's horrible lemon lamp in the hunt for the chick. He is a defender of good taste. Also, I sat through most of this episode screaming, "Kiss her! Kiss him!" at the screen (when I wasn't being annoyed at Dean, of course).

Random Thoughts

-There's a hilarious subplot in this episode about Emily and Richard not being able to get their usual house in Martha's Vineyard for the spring season. It involves the most incredible shocked silence ever seen on TV over the suggestion that they might not fly first class to Europe in the fall. Richard and Emily sometimes remind me of two actors on an old 40s radio play.

-Not going to lie, my first reaction to Rory dressing up at Donna Reed and having Dean over for Donna Reed Night was, "Oh god, this is twisted. But I love her dress."

They also talk about snatching up Martha's Vineyard houses from dead people like New Yorkers speak about snatching up apartments from their dead tenants

-During a transitional shot, there's a random guy playing a guitar and singing into a portable microphone amp thingy strapped to him. Who are you and what is the place called Stars Hollow?

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*Who was a white, middle class, cisgender female TV character.

**I'm going to say right here that I strongly believe that choosing to wear pearls, lipstick, and heels doesn't make you any less of a feminist.

What I Should Have Asked My Agent

Getting an agent was a tiring, emotionally draining process. I wanted to make the right move for my career, but how was I supposed to do that? I did some research and went through all of the steps you’re supposed to. I looked over the contract my agent sent me and asked a lot of questions. That was good, but now that I’ve had some time to develop relationships with other authors at different stages of their careers and heard the stories—good and bad—I realize that I’d missed some major points. I’m fortunate that I lucked into a good agent whom I trust, but if I could do it all over again, I would tell myself to ask the following questions before signing just to make sure we were on the same page.

  • How does your agent-to-be handle non-compete and option clauses? If she doesn’t tell you straight off the bat that she will do everything in her power to fight them or change the language so that it is less restrictive on you, you might want to look elsewhere.
  • How does your agent-to-be handle rights? Not only do you want to make sure you can get your rights back if your publisher folds, she also should know how to handle digital, foreign, movie, and merchandizing rights. If she works with another agent or lawyer in those negotiations, who is that person?
  • What if you want to be a hybrid author? For many writers, a clear delineation between traditional and indie publication doesn’t make sense for their careers. They do both. How does your agent-to-be feel about you working on indie projects? Would she want a cut of an indie book that she does not represent? Is she supportive of you going solo for part of your career?
  • Can you break up with your agent if you need to? No one wants to think about an agent/author relationship going south, but sometimes it happens. Read the clauses of your contract dealing with separation very carefully. If you have any doubts about your ability to understand contract language, get a lawyer. You do not want to wind up stuck in a contractual relationship that’s soured.
  • What is your agent-to-be’s style, and what do you want from her? I think this is one of the most important questions to ask yourself. Some agents will do serious, line-by -line developmental edits. Others would rather you work with critique partners to get your manuscript in shape so they can focus on selling. Some are very friendly with clients while others keep clients at a more professional distance. You don’t have to be best friends, but you should be working with someone whose style fits yours.

Don’t feel ashamed about asking your prospective agent lots of questions openly. You’re doing what you need to in order to help protect the health of your career. Be polite, but also be informed.

And when in doubt, talk to your friends. There’s a good chance that someone in your chapter or in your personal network of authors knows someone else who is represented by a particular agent. Be discrete and gracious, but make sure to get the answers you need before signing.

The Fandoms That Made You

The other day I was catching up on email when I came across Gail Carriger's monthly newsletter. I'm always interested in what she has to say (and what she's been wearing recently), so I clicked on a link called Gail Carriger's Origin Story. In this article, she outlines the five fandoms that made her the person she is now. Turns out that she was influenced by this article from The Nerdy Girlie. I immediately messaged my sister, and we started to hash out the five fandoms that made us who we were. This is what I came up with (in no particular order).

1. Victoriana. 

I'm in the middle of writing a trilogy of Victorian historical romances right now. The manuscript I used to get my agent was set in 1881 London. I don't think it's very surprising that Victoriana has been one of the biggest influences on my life both as an author and a consumer.

It started when I was in high school. I read pretty much every 19th century novel I could get my hands on. Besides Jane Austen and Fanny Burney (who really is late 18th century but I consider her a strong precursor to Austen), most of my reading centered around the Victorians. Elizabeth Gaskell and Anthony Trollope are still favorites when someone asks who my favorite authors are.

And then I went to college. Declaring a history major very early on gave me the freedom to run wild in the Victorian era. I wound up focusing my study on Victorian female sexuality (through a post-structuralist lens... super pretentious, I  know).* From clothing to calling and courtship practices to prostitution, all of it was fair game. I loved reading about social history and getting my hands on primary source material. I became best friends with my college's temperamental microfiche machines.

I'm not a scholar any longer, but I still read widely about the Victorians.** When you study history, so much of how you look at the world is influenced by the work you do. I can strongly say that my ideas about and appreciation of feminism was strongly influenced by my study. And also my writing which leads me to...

2. Romance novels. I've written before about the first romance novel I ever read. It was cracktastic, and I loved it. I fell into reading as many romance novels as I could, and then graduated from sweet Kensington Zebra Historicals to more explicit books (many of them had kilted highlanders on their covers).

I read romance novels all through high school and college without really finding anyone who felt the same way about these books. I loved falling into the narratives and swimming around in the characters' messy emotions. From Regency to contemporary, I read everything I could get my hands on. I'm still doing that now because my love of those books has only grown as I've started to write my own.

3. The X-Files. My first fandom. I was babysitting my sister when I was in seventh grade and flipping around the channels trying to find something to watch. It was the top of the hour, and I landed on Fox. Since there was a cute guy on the TV, I stayed on the show and proceeded to lose my mind over the course of the hour. I had stumbled upon the a re-airing of season one, episode one of the X-Files. After the episode was done, another came on. I binged watched before binge watching was a thing.

I watched episodes new and old loyally until the show got unredeemably bad. However, in those few years, I was hooked. Everything was X-Files. I clipped out episode recaps, got the now-defunct fanzine, read the novelizations. I read fanfic (my first!). While most girls were head over heels for Devon Sawa (and would soon discover the wonder that was Titanic-era Leo), I had it bad for Fox Mulder. I know there are geek girls out there who feel me on this one.

4. Doctor Who. In 2007 I was studying abroad in the north of England, and I had a lot of downtime on my hands. British universities require far less class time and fewer (if any) regular assignments from students. Compared to the work I did at my college back in the US, I had loads of unstructured time--and that was after doing the recommended reading for my various classes. So what does a 21-year-old with a bad habit of waking up early no matter how late she stayed out at the clubs the night before do? Consume as much British TV through streaming websites as possible.

I found Doctor Who out of necessity. I'd blown through Black Books, The Mighty Boosh, and Spaced not to mention seen all of the movies at the local movie theater I had a pass to. I'd heard of Doctor Who, but I always assumed it was a children's show that my mother watched when she was growing up. However, I decided to give it a try and proceeded to binge watch five episodes of the Christopher Eccleston reboot that night. I became obsessed.

In 2007, very few people were watching Doctor Who in the US because the availability was extremely limited.^ I tried describing the series to my sister who started watching along with so at least I had her to talk to, however it wasn't until 2008 that the show exploded in popularity thanks to BBC America's airings. Suddenly we were all fans of the Doctor, and that was just fine with me.

My love of Doctor Who has not kept up with the show's schedule. I have major problems with Stephen Moffat and his portrayals of women on this show. I suspect I'm also suffering from overexposure as I have no desire to watch through the last Matt Smith season and into the Peter Capaldi years despite a deep love for Malcolm Tucker. But despite all of that, Doctor Who will always exert a strong cultural influence on the things I love.

5. Film noir. I'd grown up reading mysteries with content well outside of my age range. My seventh grade English teacher actually pulled my parents aside to ask if they knew I was reading The Big Sleep by Raymond Chandler and L.A. Confidential by James Ellroy (likely due to prostitution story lines in both novels and a certain incident with a garbage disposal in the latter). I remember my mother blinking and then saying yes. If I could understand the content of the book, I could read it.

Perhaps it's no surprise then that I gleefully dove into film noir later that year. I'd been watching classic movies for years, but this genre was eye opening to me. Double Indemnity, The Lady from Shanghai, The Maltese Falcon, The Big Sleep, Chinatown, L.A. Confidential, The Big Easy, The Sweet Smell of Success, Sunset Boulevard -- I loved it all. And then I found Laura.

https://www.youtube.com/watch?v=mYYLquxN2zQ

I'm going to get on my soapbox here and say not enough people in this world have seen this movie. Otto Preminger directs Dana Andrews and Gene Tierney in this 1944 masterpiece. It ticks all my boxes: a grouchy New York City detective, a career woman more suited to movies in 2014 than 1944, Clifton Webb as his most acerbic, great clothes, a haunting score, a romance, a young Vincent Price, and Judith Anderson being her usual flinty, badass self. This movie wormed its way into my brain and planted itself there. Just... trust me on this one and watch it.

Time to tell me about the five fandoms that made you. Leave a comment or write a blog post of your own!

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*I could nerd out very, very hard right now but I'll save you all of that squee. Also, hopefully by now you've figured out that this is where my propensity for footnotes comes from.

**And fight the urge about every six months to go back and get a PhD or at least a masters in History.

^Read: mostly viewed through highly illegal means.

"Rory's Dance" & "Forgiveness and Stuff"

The Gilmore Girls Project This week is crazy. I've got NaNoWriMo going at full tilt, Election Day madness at the day job, a friend coming into town with whom I want to spend as much time as possible, and a beta reading pile as tall as I am. Plus my doctor tells me that, although I'm in excellent health, I should be working out at least five days a week because of "preventative health care" and stuff. I'm struggling for time here, so when Tuesday morning rolled around and I had a delayed start at the day job, I thought, "I'll pop in some Gilmore Girls because that will be fun. Oh god, guys. The writers of episodes 9 and 10 are not interested in a fun, pleasant romp in Stars Hollow like the last couple of weeks. They want to pull my heart out and force me to confront all of the messy, teenage worries about disappointing my parents.

Shit got real on the Gilmore Girls.

 "Rory's Dance"

Air Date:  December 20, 2000

Written By: Amy Sherman-Palladino

Directed By: Lesli Linka Glatter

This episode starts out innocently enough. Chilton's having a winter formal, and Rory want to go but doesn't want to go. I knew this struggle well in high school. You don't want the bother of the dress and shoes and date but you kind of really do.

At first, minor problems are presented and solved quickly. Rory needs a dress; Lorelai will make one. Rory is uncomfortable about asking Dean to the dance; Dean agrees although it is clear he'd really rather be doing anything else. Rory goes to the dance and gets bothered by both Tristan and Paris; Dean stands up for Tristan but won't stoop to fighting him because, "it would be like fighting an accountant," while Rory puts that annoying pest Paris in her place.

Okay, I'm thinking. This is all lovely and predictable teen TV.

And it all comes crashing down!

Rory and Dean fall asleep in Miss Patty's dance studio. They're woken up at 5:30 AM by Miss Patty's yoga class. Nothing has happened but clearly Rory's going to be in deep trouble because...teen mother and all that.

Sure enough, Emily wakes Lorelai up (she's been at the house taking care of Lorelai who threw out her back) and the two panic. They get into a massive fight after Miss Patty calls to tell them that Rory is okay. Insults are hurled, and for the first time we hear them air the real grievances in their decades-long fight. Lorelai is an unfit mother because she's letting her daughter run wild the same way she did. Emily smothered Lorelai, and if she doesn't trust Rory she can get out of the house.

Of course, Rory hears her mother defending her. When Emily leaves, she goes to thank her mother. Only problem is, Lorelai turns on Rory. Finally, Rory (who we are learning is not the sweet spot at one might assume) stops her mother and tells her that she's not going to take the blame for Lorelai feeling rotten that's she's been caught doing something characteristically "bad mom" in front of Emily. The issue with Rory staying out past her curfew isn't so much about her staying out past her curfew. It's about making her mother look bad in front of Emily.

A few episodes ago I talked about the poorly written outburst Lorelai has about a sweater. This fight is so different. It feels claustrophobic and it gets under your skin because it's a universal fight. It's about parental disappointment and expectations. Knowing my parents are disappointed in me is of the worst feelings. It's rooted in guilt and expectations. It's knowing that you didn't live up to the ideal someone set out for you even when you know that those ideals aren't right for you and your life. In transferring that over to Rory, Lorelai is essentially doing the same thing to her daughter that her mother did to her. It's gut-wrenching to watch, and that is a sign that it is one of the best pieces of writing and character development we've see so far.

Book Nerd Moments

I'm going to take a moment here to nerd out over the fact that Rory is reading The Portable Dorothy Parker in this episode. She even takes it to the formal with her in her purse (you're my girl, Rory). Parker is worth looking up if you haven't read any of her, but for quick reference you might know this famous quip:
I like to have a martini, Two at the very most. After three I’m under the table, after four I’m under my host.

Pop Culture References

98 Degrees, Tom Waits, Blanche from Golden Girls, VIP, Barbara Stanwyck, the Lambada, Emily Post

Julia Feels Old Moment

Favorite Quote

“All I ever said to her about dances is that you go, you dance, you have punch, you eat, you take a picture, and then you’re auctioned off to a biker gang from Sausalito.” –Lorelai

“Oh, hey…” Moment

Sookie is maybe kind of a hypochondriac pill popper before prescription drug about became a major point of discussion in this country. Watching her pull Vicodin and Valium and Percocet out of her purse in a casual manner that was supposed to be funny was an odd experience looking at it through 2014 eyes.

Reasons Luke is Bound to Break Julia’s Heart

This episode was sadly Lukeless

Random Thoughts

-One of the things that underscores how upsetting the fight at the end of this episode was is the fact that it happens right after Lorelai and Emily actually bonding for the first time. The smart writer Amy Sherman-Palladino gets us invested in the growing relationship between mother and daughter by showing Emily take care of Lorelai. They bond over Barbara Stanwyck movies and a disgusting looking type of toast thing that Emily made Lorelai when she was sick as a little girl. Then it all comes crashing down.

-This is a bad episode for Tristan. First Rory turns him down when he asks her to the dance saying that it would be stupid for him to ask her when he knows that she would say no and, “You are not stupid. Slimy and weasly, but not stupid.” Then, later in the episode, Tristan and Dean get into it at the high school formal. When Tristan demands they, "Take this outside," in perhaps the lamest throwdown ever, Dean tells him, “I’m not fighting you. It would be like fighting an accountant.” Go home, Tristan.

-The only person who might be having a worse night at the high school dance is Paris who inadvertently tells then entire high school that she couldn't get a date and had to bring her cousin. The cousin, by the way, tries to pick up Rory in the scuzziest display of douchebaggery ever displayed by a preppy teenage boy. One day he will sidle up to unsuspecting women in bars across Manhattan, order a Jagerbomb, and then tell them he's in I-Banking. He will likely be wearing a Brooks Brothers suit his mother chose for him. More often than not, he will go home alone.

-Rory and Dean cutely/awkwardly have the, "Are you my boyfriend?" talk. It doesn't get anymore enjoyable as you get older, kids. Let me tell you that right now.

"Forgiveness and Stuff"

Air Date: December 21, 2000

Written By: John Stephens

Directed By: Bethany Rooney

This episode aired right after "Rory's Dance" and right before Christmas, presumably to keep those who celebrate from being profoundly depressed over the holidays (not a verified fact).

We pick up with Rory and Lorelai not really speaking. Lorelai and Emily are definitely not speaking except that Emily still manages to uninvite Lorelai from the family Christmas dinner. During that dinner, Richard collapses. Lorelai finds out while she's eating at Luke's, panics, and Luke drives her to the hospital. Despite obviously being concerned for her father, Lorelai can't bring herself to go into his hospital room. After the family finds out that Richard is actually okay, Luke calls Lorelai on her fear of seeing her father in a hospital bed. She goes into the room, and the two of them nearly have a moment before everyone bustles in and the opportunity is lost. Lorelai asks Luke to drive Rory back home, and she stays at the hospital with her mother. For now at least it seems that the two Gilmores have a truce.

This whole episode centers around forgiveness (clearly, it's in the name). In it we see Lorelai accept Dean's apology for keeping Rory out until all hours. There's the understood forgiveness between Rory and Lorelai when they realize that Richard is in danger. And then there's the moment of forgiveness that doesn't quite happen when Lorelai is about to say something to her father before being cut off. It's a nice, Christmasy message but it's not really the heart of the episode. That comes during a brief scene between Richard and Emily.

Emily is doing her typical Emily thing of being demanding and high maintenance. When she swaps out the pillows for Richard, however, we get the sense that something else is going on. She's upset and being Type A is her way of coping with her husband being in the hospital. At some point he stops her from what she's doing and insists on telling her where the key to the family safe and his will are. She tells him he is not allowed to die.

Emily: I did not sign on to your dying. That is not going to happen. Not tonight. Not for a very long time. In fact, I demand to go first. Do I make myself clear?

Richard: Yes, Emily. You may go first.

The look of understanding and indulgence he gives her is both tender and heartbreaking. You understand that while we may not like everything about Emily, Richard, and the choices they've made about their family, they are partners. Their love runs very deep, and they need each other in their lives. 

Book Nerd Moments

Metamorphosis by Franz Kafka

Pop Culture References

Jimmy Hoffa, every Christmas song ever

Julia Feels Old Moment

Rory rocks a red, velvet dress for the Christmas dinner. I too once had a red, velvet dress like that. I'm not entirely sure it was advisable.

“Oh, hey…” Moment

Jane Lynch plays the nurse that goes head-to-head with Emily at the hospital.

Reasons Luke is Bound to Break Julia’s Heart

When this episode is not ripping my heart out, it's mostly constructed around Luke and Lorelai flirting like 16-year olds. They are so adorable, I want to shout, "Come on, guys!" Apparently Emily agrees with me because once Richard is out of danger at the hospital, she corners Luke for this little exchange:

Emily: So what exactly is going on between the two of you?

Luke: Nothing. Really. We’re friends. That’s it.

Emily: You two are idiots.

I mean, the guy makes her a Santa burger, guys!

Random Thoughts

-Rory reads The Financial Times to Richard in the hospital, confirming that he is the mos ridiculous TV grandfather and I do love him.

-Lorelai gives Luke a new hat at the end of the episode. We shall see whether he will actually wear it or not.

First Draught Takes On NaNoWriMo

Hi all! I will not be there for tonight's First Draught, but Mary Chris Escobar and Alexis Anne have brought in a ringer to take my place. Lindsay Emory will be joining us for this month's discussion on NaNoWriMo (that's National Novel Writing Month). You can RSVP by clicking on this link, and be sure to be watching at 8:30 PM EST tonight for a great NaNoWriMo break or a little inspiration to start writing fearlessly!

I Went to the Death Becomes Her Exhibit at the Met

Death Becomes Her, The Metropolitan Museum of Art. This Sunday was Marathon Day here in NYC. I, like many New Yorkers, live right near the route. While I love the marathon, sometimes the crowds can get a little rough. This year I cheered on some of the runners earlier in the day and then left the neighborhood to do something I never do. Dear Reader, I went to the Met on a Sunday and took a boatload of photographs.

Normally the Metropolitan Museum of Art is a mess on the weekends (even more so when it's raining). I try to avoid it as much as possible, but I was determined to see the museum's new exhibit Death Becomes Her: A Century of Mourning Attire. Victorian fashion? Death? Mourning? This is pretty much right in my wheelhouse, so off I went to a delightfully empty Met thanks to all of the crowds being diverted to the marathon.

Arriving so early, I had the gallery mostly to myself which was an incredible experience. The exhibit is small but incredibly details and representative of several trends in mourning attire. The curator's notes addressed some major themes:

  • Women bore the brunt of the responsibility when it came to mourning. Rules for men were much more flexible, but women were strictly regulated in what they could wear and when as well as the social activities they could partake in while in mourning.
  • The stages of mourning and the way that fabrics mirrored the gradual coming out of mourning. The exhibit discusses the use of crepe as well as the incorporation of more lustrous fabrics like silk moire and taffeta in the later stages. Color also comes into play.
  • The tension between fashion and grief. Especially in the later examples of the dresses, the curator's notes emphasizes that the wearer, despite being in a deep state of mourning, was still at the cutting edge of fashion when it came to silhouette.

And speaking of silhouette, I was delighted to see that the exhibit shows the progression of the Grecian-inspired dresses of the 1810s-1820s through the bell-shaped crinolines of the 1850s all the way to the princess cut dresses of the lat 1870s to early 1880s and then into the very late Victorian period (there's even an Edwardian dress or two in there). Oh! And one of Queen Victoria's dresses is on display (which I sadly did not photograph because I was overwhelmed by seeing one of Her Majesty's dresses in the flesh)!

 

 

If you have the chance to see this wonderful exhibit, definitely do. Sadly there is no museum catalog for Death Becomes Her, and photographs do not do these works of art justice (all of the detailing gets lost on black fabric, and these are rich with details).

Death Becomes Her is on until February 1, 2015.

 

October Reading Wrap Up

Sometimes you just need a good binge read. This month has been full of historical romances for me, and I've got a couple to recommend as well as a book that touches the paranormal, fantasy, literary, and romance genres.

The Duke and I

by Julia Quinn

duke_350

Amazon | B&N | iBooks

I bow down to the mistress of Regency romance dialogue. That is all.

The Wicked Wallflower

by Maya Rodale

17333913

Amazon | B&N | iBooks

Around mid-October I was looking for something fun to read. I picked up The Wicked Wallflower and subsequently binge read six of Maya Rodale's books in a row. I loved The Wicked Wallflower because it's fun, light, and features a pretty fantastic rake of a hero. There's also a Hunger Games-based house party which amused me to no end.

A Discovery of Witches

by Deborah Harkness

A Discovery of Witches

 

Amazon | B&N | iBooks

When a friend pops up on your gchat and demands that you read a book because she loved it so much and wants someone to gush about it to, you do. My friend Caitlin got lost in A Discovery of Witches, so I decided to give it a shot too. It follows a historian named Diana who is on a research trip to Oxford who calls up an enchanted manuscript. Diana is a witch and not happy about it, so she tries to ignore the manuscript but it sets a series of supernatural events into motion that she can't stop. Throw in an erudite, attractive, alpha vampire love interest and even I -- not known for being a huge vampire fan -- was sucked in. I bought the second volume in the trilogy on Tuesday and plan to use it as my post-NaNoWriMo reward.

A Love Letter to Libraries

Liverpool is close to my heart. It's where my mother is from. It's where most of the British side of my family still lives. It's a place I spent quite a lot of time in my early 20s. This morning I ran across an article on The Edge talking about the Save Liverpool Libraries campaign. 11 of Liverpool's 18 libraries are under threat from budget cuts. That means fewer opportunities for people living in the Liverpool metro area to check out books, get jobs services, and take computer courses.

Losing more than half of a city's branch libraries would be devastating anywhere, and it's particularly hard to think about in a city that means so much to my family and me. My mother has fond memories of the Walton Library on Evered Avenue. Going several times a week as a child helped solidified her life-long love of reading. The mass closure of libraries like these 11 in jeopardy makes our cities culturally, intellectually, and economically poorer.

Here in New York City, I've watched the City Council threaten to slash the New York Public Library's budget multiple times. In 2013, the preliminary city budget looked to cut funding to the NYPL, Queens Public Library, and Brooklyn Public Library by $106.7 million. That would have meant the end of Saturday service at branches across the city, one of the only days that many people (myself included) can get to the library. Happily that did not happen, but it was too close for comfort for patrons.

I've watched politicians praise NYC's branch libraries for making books available to kids, resume and job training to the unemployed, and technological education to seniors. Then some of those same people have turned around and tried to pass budgets that would dramatically slash those same library services. This has prompted me to do two things: vote for City Councilmembers who campaign on supporting the NYPL and have the voting record to prove it and open my checkbook each year to make a contribution (albeit small) to the library.

So what can you and I do for Liverpool's libraries? There is a campaign asking us to write love letters to the libraries to keep branches open. Supporters of library accessibility can contact the Mayor of Liverpool, Joe Anderson by clicking here. Authors David Nicholls, Caitlin Moran, Malorie Blackman and Carol Ann Duffy have already written their letters.

With campaigns like this, there is always a question of whether outside advocacy will make a difference. I strongly believe that if you care about library accessibility worldwide you have to do something. Even if your contribution to the effort to keep Liverpool's libraries safe from budget cuts is small, it matters.

If you would like to read more about the love letters to the Liverpool libraries, The Guardian recently write about it. I hope you'll join me in spreading the word because even a little nudge from each individual who cares about libraries can help.

"Kiss and Tell" & "Love and War and Snow"

The Gilmore Girls Project  

"Kiss and Tell"

Rory's first kiss, guys! (Everyone take a moment for collective warm fuzzy sighs of happiness).

No big surprise that "Kiss and Tell" is all about relationships and growing up. Dean, ever a romantic, kisses Rory near the soda fridges in the local supermarket where he is a bagger. Naturally, Rory's reaction is supremely awkward. She doesn't say anything, just runs out clinging to a box of cornstarch and goes to find Lane. Lane's mother overhears Rory's story, and Mrs. Kim tells Lorelai that her daughter's been kissing boys where people buy their food (the horror!). Lorelai is upset that Rory didn't tell her about the kiss so she goes off to stalk him in the grocery store. We get our first extended Lorelai and Luke scene, after which Lorelai confronts Rory about Dean. Lorelai thinks she's being helpful by inviting Dean to a movie night, but Rory fears being seen as lame for having her mother around. Finally Lorelai and Dean have the required, "Don't hurt my little girl," conversation, and she gives him her motherly blessing. Sort of.

This episode shows us that both Rory and Lorelai are growing up and changing. Rory hits a bunch of teenage firsts in this episode (first kiss, first date) while Lorelai struggles with the idea of her little girl getting older. The thing that seems to bother Lorelai the most isn't that Rory is dating. It's that Rory has secrets of her own now. Luke pinpoints exactly what Lorleai's problem is -- she's freaking out because she's not ready for this yet.

Lorelai seems to often walk the line between mother and best friend on this show. At times she's intensely maternal, slaying dragons for her daughter whether they be in the form of stodgy headmasters or her own mother's Junior League ambitions. During other moments she seems to be playing the child (see the horrible, ridiculous fight from "Kill Me Now"). She hates being left out and sometimes comes off as hating that her daughter might have an inner life of her own. And yet there are lovely moments like the one at the end of this episode with the two Gilmore girls gossiping about Dean after he leaves movie night. It's simple, sweet, and shows the strength of the mother/daughter bond. My hope for the show is that we're going to simultaneously see the growth of both characters throughout the series run.

Pop Culture References

Charlie and the Chocolate Factory (1971), The Way We Were, Boogie Nights, Magnolia, Elsa Klensch, James Dean, General Hospital, Liz Phair, Invasion of the Body Snatchers, "Pink Moon" by Nick Drake

https://www.youtube.com/watch?v=aXnfhnCoOyo

Favorite Quotes

“I got kissed… and I shoplifted.” –Rory

===

Luke: You’re not going to kill the bag boy.

Lorelai: Why not?

Luke: It’s double coupon day. You’ll bring down the town.

Reasons Luke is Bound to Break Julia's Heart <--- a new feature moving forward because, let's be totally honest here...

Lorelai runs into Luke when she's stalking Dean in the grocery story. Immediately he pinpoints why Dean bothers her so much: having a boyfriend and keeping secrets from her mother means that Rory is growing up. You are absolutely right, Luke. You know her so well! Oh god, this show is going to torment me with the "Will they? Won't they? Why did they screw it up?" tension for seasons, isn't it?

Random Thoughts

-I had no idea that Dean was also Sam Winchester on Supernatural. Mind. Blown.

-I want a Sookie in my life who just shows up with random desserts. Now that I think about it, I probably shouldn't complain because one of my coworkers brought in whipped pumpkin dip and cinnamon graham crackers on Wednesday...

-The Lorelai/Dean conversation when Rory steps out during movie night was one of the best Lorelai moments we've seen so far. It would be really easy to write Lorelai as the scary mother who just threatens Dean with bodily harm if he hurts her daughter. Instead, she tells Dean that the whole town of Stars Hollow loves Rory, and lets him figure out on his own how much trouble he'll be in if he's a jerk to her. Even better, Dean earns Lorelai's respect by standing up to her and promising not to hurt her daughter.

"Love and War and Snow"

"Love and War and Snow" hits so many of the right buttons for me. So much so that I'm not even doing a recap. Let's jump in:

1) The episode opens up with a town meeting whether no one can get along or get a word in. Randomly Luke starts picking a fight with the mayor about a reenactment of a seemingly non-significant (?) battle or something or another that happened in Stars Hollow during the Revolutionary War? Just go with it.

I do journalistic things in my day job, and this reminded me so much of Community Board meetings here in New York City. I mean, the last one I went to was about whether to allow a methadone clinic in one neighborhood so maybe not quite that intense...

Just watch this clip from Parks & Rec while I regain my train of thought.

https://www.youtube.com/watch?v=Ng_-HgRfGBY

2) Snow! It's nearly November, and a sick little part of me is excited for the first snowfall of the year. I feel you Lorelai. I love the first snow of the year.* I love the cleanness of the snow and the possibility it brings. I love the crisp air and my intense desire to wrap myself up in a blanket with a book and stare out the window. And you're right, Lorelai. The clothes are better.

Snow is also the background for one of my favorite romantic TV moments. I tried to find a YouTube clip of the Matthew and Mary moment from Season 2 of Downton Abbey (you know what I'm talking about, fans) but everything has a spoilery title to it. As I've mentioned before, we're keeping The Gilmore Girls Project as spoiler free as possible even when it comes to other shows.

3) My writer friends will tell you that snowed in romances are some of my favorites -- so much so that they've told me to just write the damn things myself and stop asking for books written to order.** How convenient is it that Max shows up in Stars Hollow right before a snow storm so he kind of has to maybe stay with Lorelai who happens to be solo that night because Rory went ahead to her grandparents' house and is snowed in up in Hartford? It's super convenient, except for the tiny complication of Lane also being at the Gilmore house. Speaking of which...

4) I feel for Lane in this episode, guys. She is all of the teenage angst rolled into one. She touches the hair of the boy she likes and is so embarrassed she runs (there are a lot of teen girls running away from boys in Gilmore Girls). Then she feels like she's losing touch with Rory who seems to be wrapped up in her own happiness with Dean. Even Lorelai's got a man in the house during this snow storm. All of this angst leads to a really lovely moment between Lorelai and Lane late in the episode.

5) Oh Max (formerly known as Mr. Good Hair). He's kind of a gamma isn't he? He's alphaish to let Lorelai know what he wants, but he's beta enough that he's willing to sit back and let her take the lead, especially in her own house. And he's fairly adorable sprawled out on the couch with a book on his chest the next morning. But obviously Lorelai needs to end up with Luke. Obviously.

So this episode wraps with Lorelai dating Max, Rory still dating Dean, and Rory promising to be a better friend to Lane. Hooray!

Literary References

Jane Austen, Hunter S. Thompson, Charlotte Bronte

Reasons Luke is Bound to Break Julia's Heart

Oh god, guys. This show is setting me up to break me. Luke hands out coffees to the reenactment soldiers even though he finds them morally reprehensible. Then he spots Lorelai kissing Max on the street (because of course), and he just looks so crushed. After they had such a good moment in the last episode! Ugh.

Random Thoughts

-Lorelai listens back to a voicemail from Max over and over again in the beginning of this episode prompting the question: has texting ruined that part of dating? The part where you save and relistened to messages because the relationship was still new and you were excited to hear their voice. I love the immediacy of texting, but there's something about that voicemail scene that makes me a little nostalgic.

-Lane reminds me of a couple people I knew in high school who seemed completely out of sync with the people around them. They wanted more. The knew that the world was bigger than what they were being shown (in Lane's case Korean Bibles and boys her parents set her up with). I hope that she winds up being that type of character who heads off to college and only comes home for holidays.

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*Or at least I did until I became a journalist. Sadly, there are no snow days in news. Instead, those are the days you often work the hardest. There's a strange, sick sense of satisfaction in that which makes me begrudgingly enjoy them (albeit in a very different way).

**Obviously that defeats the purpose of having friends to write books for you.

There is now a special tab section on my website for The Gilmore Girls Project. That's the place to go if you want to catch up and watch along with me. If you want to leave me a comment, you can do that here, on Facebook, or by tweeting at me using #GilmoreGirlsProject

Go Forth & NaNoWriMo

For my little band of writer friends, the end of October isn't a time to ask, "What are you and/or your kids going to be for Halloween," but rather, "Are you going to do NaNoWriMo?"

I've done National Novel Writing Month three times and "won" it once. Each time I've gotten something valuable out of the experience.

Sure, it's meant putting aside some basic human necessities like laundry and food that takes more than 10 minutes to prepare.* Hitting a 50,000 word count in the space of a month that also has holidays like Thanksgiving rolled into it is tough. But here's the thing. You're going to have 50,000 words of editable work if you win. Even if you don't, you're going to have something on a page and that's a lot easier to craft and edit than a blank Word document. .

After winning NaNoWriMo for the first time last year, I also noticed an unexpected side benefit: I write more. Rather than the 1K I was cranking out a night after my day job, my numbers started ticking up. If you break NaNoWriMo's word count down into equal parts, you wind up with 1,667 words a day.** Now I routinely write between 2,000 and 3,000 words a day, five days a week. That's a whole lot of words that I can directly attribute to NaNoWriMo ratcheting up my productivity.

So, to all of you who are on the fence about NaNoWriMo or anyone who has always wanted to write a novel but didn't know how to go about it, I'm challenging you to write along with me. The words you get out on the page don't have to be good. They just have to be words, and I want you to write them fearlessly.

Now go forth and NaNoWriMo!

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*I basically live off of pesto and grilled chicken during the month of November.

**Once you write to that 1,667 words a day goal for a month, you will never be able to forget that magic number.

"Cinnamon's Wake" & "Rory's Birthday Parties"

The Gilmore Girls Project Wordpress decided to glitch on this post while I was trying to schedule it on Sunday morning, so email followers might have gotten an earlier, perfectly fine version of it. Now, I was scheduling during the ridiculous last 3 minutes of the Liverpool 3-2 win over Queens Park Rangers, so maybe Wordpress was just overwhelmed by the insane soccer.

Last week you might remember that we encountered some weaker Gilmore Girls offerings. The show was clearly struggling to figure out its place. It had moments of sweetness or intelligence, but they got bogged down in characters who felt more like stereotypes than real, multi-layered people. I'm happy to say that this week I really started to feel like the writers understand who they want the characters (especially Lorelai) to be. But more on that in a bit.

Before we start, I should say that there is now a special tab section on my website for The Gilmore Girls Project. If you are coming into this article series cold, thank you! You can catch up and watch along with me or just jump in wherever you like. If you want to leave me a comment, you can do that here, on Facebook, or by tweeting at me using #GilmoreGirlsProject

"Cinnamon's Wake"

One of the things that people trying to sell me on Gilmore Girls have told me over and over again is how charming the community of Stars Hollow is (I've been promised I will want to move there eventually). This is the episode where we really see what community means to these people, and how they come together in times of need.

I don't really need to do too much of a wrap up on this episode because really only two things happen. Max* and Lorelai agree to go on a date after a "pre-date" at a Hartford coffee shop. Then Cinnamon, the cat owned by the Gilmores' neighbors Babette and Morty, dies. Lorelai forgets about her real date with Max during the wake. Naturally, Max shows up and Rory realizes that her mother and her teacher are interested in each other.

Cinnamon dies, and the same afternoon the entire town of Stars Hollow descends on Babette's charmingly small house to celebrate the life of her beloved cat. Both Sookie and Luke bring food, Dean shows up with drinks from the store, Miss Patty is there to be Miss Patty. When Max comes, Lorelai tries to explain that they're having a wake for her neighbor's cat. While he clearly thinks that's kind of crazy, it's totally normal to the residents of Stars Hollow. One of their own is hurting so they group together to show their love. Outsiders might not understand, but this is what these people do. It's a lovely sentiment, and one I'm guessing that we'll see revisited throughout the show.

Pop Culture References

M. Night Shyamalan, Valley of the Dolls**, Iran-Contra Affair, Angelina Jolie and Billy Bob Thorton, Rancid's "Time Bomb"

https://www.youtube.com/watch?v=DhKHAopx7D0

Favorite Quote

"I'm attracted to pie. Doesn't mean I feel the need to date pie." -Lorelai to Max

"Lorelai, I don't know how many French people you've met over the years, but most of them are insufferable." -Michel

Random Thoughts

-While watching this episode, I messaged my friend Matt about it. Matt has been a very vocal supporter of The Gilmore Girls Project, which is probably why he drunkenly text messaged me every line in the show's theme song. On Monday, he followed up via gchat^:

Matt:  so after i drunkenly texted you the gilmore girls theme song
me: which was my favorite part of Saturday

Matt:  i went home and mainlined a few episodes

Matt: (and also ate an entire pizza)
me: you are a champion

-The M. Night Shyamalan reference killed me. Clearly this show was shot in 2000. The Sixth Sense was released in 1999 and Unbreakable was released in November of 2000 (which means it's quite possible that it wasn't even out yet when this episode when to air). How different things are now...

-Chilton must have the most twee school bake sale ever

-The scene between Lorleai and Max when they're walking through the school grounds shows us just how far quality has come in TV. The sound mixing is atrocious in this scene

-This show relies heavily on silver eyeshadow... like much of the early 2000s. I just can't wait for everyone to start wearing frosted blue eyeshadow next season.

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*Previously called Mr. Good Hair by me

**Loved that cracktastic book when I read it many years ago (probably well before it was appropriate for me to read it)

^Edited lightly so that you all don't have to pick through the mess of a gchat conversation between two friends who have known each other for years

"Rory's Birthday Parties"

Finally all of our hard work as viewers pays off in this wonderful episode. The writers manage to pack a whole bunch of themes into "Rory's Birthday Parties" including:

  • The relationships between generations of mothers and daughters and coping with realizing that parents and children begin to miss out on each others' lives as children age
  • The division of classes as illustrated between Rory's two birthday shindigs
  • Families that are not tied together by blood

Really though, I don't want to talk about any of those things (except maybe in the Random Thoughts section). That's because something more exciting happened this episode. Luke won me over.

Here's a quick rundown of our action. Emily decides she is going to throw Rory a classy birthday party on their usual Friday dinner night even though Lorelai wants to throw her one the same night. Lorelai winds up taking Saturday for an alternative birthday. Emily reaches out to Lorelai for help buying Rory a birthday present, and they have a not awful shopping experience. Rory sees that her grandmother and mother hung out without fighting and doesn't want to tell her mother that Emily has invited all of the awful people at school to her birthday including Tristan (formally called Smarmy Prep School Guy on The Gilmore Girls Project). The classy party is, naturally, a disaster, and Rory fights with Emily. The alternative birthday with seemingly all of Stars Hollow is a huge success until Emily and Richard show up and it gets awkward. There is a touching moment when Emily realizes that she doesn't know that Lorelai broke her leg three years ago. Rory and Emily make up. Emily tells Richard that she doesn't really know her daughter after all.

*gasps for breath*

Okay, fine. Now Luke.

So I acknowledge that I have a soft spot for grouchy heroes. Just to clarify, not every grumpy character qualifies as a grouchy hero. He needs to exhibit some heroic qualities (even if they are small, subtle ones) to elevate him. In this episode, Luke does.

The writers use a three-beat to develop Luke throughout the episode and give us a deeper look at the backwards baseball cap-wearing coffee shop owner. First, Lorelai plops herself down at his counter and we get this exchange.

Luke: Will you marry me?

Lorelai: What?

Luke: Just looking for something to shut you up.

The way that Lorelai grins at him afterwards tells us that this is not to be taken personally. This is just Luke being Luke. And yet we as viewers get the sense that Luke isn't entirely joking (go ahead and squee, fangirls).

The second beat with Luke gives us a nice look at his relationship with Rory. On her birthday, she also plops down at the counter with Lane when Luke walks up.

Luke: Wrong table.

Rory: Since when is there a right table?

Luke: Since the coffee cake I baked for you and the balloons I blew up for you are at that table [points]... I count to three and it's gone.

Later we see that there's a pink candle stuck in the coffee cake and the balloons have "Happy birthday Rory!" hand-written on them in Sharpie. In this very quick exchange we learn a lot about Luke. He knows Rory's birthday and goes out of his way to do something special for her. He not only bakes, he blows up balloons and decorates them for her. Underneath the grouchy exterior, he cares for the 16-year-old. These are the little things that let us know that this man isn't just a grump. These are the very quiet markers of the good guy hero.

Rounding out our three-beat, Luke shows up at Rory and Lorelai's house at just the right time. The party has run out of ice, and Lorelai is just about to run out for more when he shows up on their doorstep with two bags because everyone always needs ice. She launches herself at him, hugging him full-on, and we know that this is a big deal for Luke even if Lorelai doesn't realize it. In his own, quiet way, Luke cares. He cares about Rory, and he's clearly romantically interested in Lorelai even if something is holding him back.

TV shows are great at the slow burn. If I'm reading this right and Luke is going to be the man we know that Lorelai should be with, it's going to take them like five seasons to finally get together. The "will they, won't they" romantic relationship gets helped along with these tiny moments of revelation brought to us to three-beats like this. We're learning more about our characters and becoming invested in them at the same time. Until he does something to ruin that for me (which he probably will because, again, it's a TV show), I'll be rooting for Luke, the grouchy hero.

Book Nerd Moments

Edith Wharton

Pop Culture References

Madonna, Elvis, Jim Morrison, the Vulcan Death Grip, The Fly (but which version?), The Waltons, Cosmopolitan Magazine

Favorite Moment

How can I not list Luke's exchange with Rory about her birthday coffee cake.

Favorite Quote

"She did agree to get the string quartet to learn 'Like a Virgin.'" -Lorelai on Emily, party planning monster

Random Thoughts

-Emily and Richard's idea of a rager of a night is sticking Post-It Notes on objects around the house so that Rory and Lorelai can claim them as part of their inheritance (although it does beg the question, who else would inherit?)

-Emily calls Lorelai and when they are on the phone I realized that Emily is sitting next to a needlepoint pillow depicting Raphael's Madonna del Prato. It feels so tacky and yet so perfect after asking her daughter to stick Post-It Notes on household objects

-There are a few lovely scenes that reveal more about the relationship between Lorelai and Emily in this episode. First we have the shopping trip for Rory. Then Emily finds out that Lorelai broke her leg, but Emily never knew. And finally, Emily has a moment in the car when she tells Richard, "She's right. I don't know my daughter at all."

-I adore Richard. Rory sets him up on the porch with an issue of Comso and later in the episode he proudly announces that he is an autumn

-Does Dean own a change of clothes? Every time I see him he is in the same green striped sweater, jeans, and leather jacket. Every. Single. Time.

-Speaking of Dean...continuing the sweet, awkwardness of the last episode, Dean and Rory have a moment at the end of "Rory's Birthday Parties" when he gives her a charm bracelet he made. Lorelai sees this out the window and we know that she doesn't quite know how to process this. She tries to be the cool mom, but at the same time, there's a boy around her daughter. I'm sure that we'll be seeing more of floppy-haired Dean and Lorelai's uncertainty about him soon

-I want all the pink feather boas at my next birthday party

Love is Love: An Essay for Queer Romance Month

QRM Author badge_300A version of this article appeared as a part of Queer Romance Month. I met Jonathan and Andrew* when I was a little girl. My parents were very involved in the Los Angeles art world, and both men were talented artists. Jonathan was a classical musician and Andrew was a painter and animator. They were a part of my parents’ life, and since my parents often brought my sister and me along to concerts, cocktail parties, and dinners, that meant Jonathan and Andrew were part of my life too.

While the adults chatted at cocktail parties, I explored Jonathan and Andrew’s home. It was one of those dark, shingled Hollywood houses up in the hills complete with a kitschy mosaic driveway (my mother told me they loved the ironic tackiness of it). Andrew adored cats. I have very clear memories of wandering the hallways in an uncomfortable, formal dress with white stockings and shiny shoes, peering up at the endless feline drawings brought to life with the swipe of a pencil or the curve of a brush.

There was never any question in my young mind that Jonathan and Andrew were a couple. I thought they were married just like my parents until I reached my teenage years. In freshman health and sex education class, I learned that only straight people could be wed in California—or anywhere in the United States at the time. I was stunned at the realization that I could get married as soon as I turned 18, but Jonathan and Andrew couldn’t.

That was the moment I became an ally.

Given my age, Jonathan and Andrew never shared with me whether they wanted to be able to get married. I do know that from the outside looking in they were devoted to one another in the same way that my parents are. The same way my aunts are uncles are. The same way that my friends who are now tying the knot are. They radiated a quiet comfort that spoke to the deep love that ran between them.

I went off to college, and I saw Jonathan and Andrew less and less. On occasion a party would fall on my winter or summer breaks, and I would be swept up in the old crowd for an evening. Now instead of handing me sodas, everyone snuck me glasses of wine and asked how my History major was progressing. Jonathan wanted to know about my plans to intern in journalism, and Andrew would walk me around to look at the cat pictures I’d loved as a little girl.

I moved to New York for graduate school and got my first job in broadcast journalism. I went home to Los Angeles even less often. One day after working a grueling morning shift, I got a call from my mother. She caught me up on the family gossip before becoming rather quiet in the way she does when she has bad news. Andrew had cancer. He’d been diagnosed some time ago, and their group of friends was only just finding out now because he could no longer hide the strain that chemo was taking on his body. Chemo that wasn’t working. My first thought was for Jonathan—his partner and the man he looked for whenever he walked into a room.

Andrew died shortly after my mother called me. I was still thousands of miles away and could not attend the funeral, but I’m told it was both quiet and beautiful, just as I remember their love. A violinist played in Andrew’s honor, and Jonathan was surrounded by the friends and family who loved him most in the world.

I chose to share a little bit of Jonathan and Andrew’s story because their love matters. Romance authors write about love at all stages, from the first flush of attraction to the comfort of a committed relationship, until death do us part. Those stories are not the sole property of white, heterosexual couples. Queer romance, multicultural romance—all of these books are important because the thrill of new love feels the same no matter what form it comes in. And when that love is taken away, it hurts just the same.

Love is love.

*The names have been changed out of respect for the privacy of the real Jonathan and Andrew.

A Closer Look: The Natural Form

When you're a historical author, you do a lot of research. Pair all of the book-specific research with a degree in Victorian British History with a focus on gender and sexuality, and I've got more random facts kicking around in my head than I know what to do with. Today I'm taking a closer look at one of the defining fashion trends of the Victorian era.

"The ideal at present is the greatest possible flatness and straightness: a woman is a pencil covered in raiment."

(Harper's Bazar, October 23, 1875)

I've spent quite a bit of time writing about Britain in the early 1880s. It's a really interesting time in history, and it marks a very visible change in women's fashion as well. The silhouette of the typical dress completely changes from the "natural form" of the 1875-1882 to the bustles that dominated fashion plates from 1883 to 1890. Today I'm looking at those natural form dresses, and trust me when I say that it was anything but natural.

Courtesy Emily Hudson - Costume Construction http://emilyjanehudson.blogspot.com/2011/04/research-undergarments-from-period.html

Starting in 1875, women's clothing goes through a transformation. The dresses of the previous era were characterized by larger skirts held out from the body first by crinolines (example A) and then by bustles (example B). I've seen the style of dress popular in the 1860s and early 1870s described as festooned and confection-like, and it's not a bad description. If you can put lace or a ribbon on it, you better believe that evening dress is going to be covered in lace and ribbon.

Evening dress, 1865 (Courtesy Royal Armory and Hallwyl Museum) If that's not a confection-like dress, I don't know what is.

Example A: Day dress and vest circa 1860 Look at that crinoline!

    Example B: Seaside ensemble in cotton, circa 1870 (Courtesy LACMA). Note the soft bustle at the back of the skirt that holds the dress away from the hips.

Starting in 1875, the silhouette of women's clothing in Britain and America began to change. Skirts slimmed way down and that crinoline that we associate with much of mid-Victorian fashion went away. Now, rather than emphasizing the waist, skirts clung to the hips and the thighs. This shows off the body in a new way.

Toilette by Jules James Rougeron, 1877

Fashion plate, 1882. Here you can see good examples of some of the biggest trends of the era including the slim skirts, the long, ruffled trains, and asymmetry in draping.

It's no surprise that the natural form was achieved by completely artificial means. Long corsets that ran from the upper torso down over the hips were needed to achieve the right line for the long-waisted cuirass bodices* and slender princess cut dresses.

images

Petticoats made trains fall correctly, and you often see gathers of fabric at the back of women's undergarments or pads to give a little bit of support to those heavy skirts.

Ball gown, circa 1880 (Courtesy of The Metropolitan Museum of Art)

If you think that slender fashion makes women's clothing in any way more practical than the mid-Victorian styles, you're sorely mistaken. The line of women's dresses became so slim that it greatly restricted their ability to move (sometimes skirts only allowed for a six-inch step when walking).** Also, that large train was heavy and got in the way of pretty much all movement. All of this adds up to clothing that is highly impractical for any women who has to move during her day. Like many of the beautiful fashions that we love in historical romances, we are talking about the clothing of a select few who could afford both the clothing and the lifestyle that went along with this sort of fashion.

Women's tan open-weave linen dress, circa 1880 (Courtesy Charleston Museum)

Some other trends that went along with the natural form include asymmetry in trimming and draping, full-length outerwear with Eastern European and Siberian touches (think fur, fringe, and braid), decorative pockets on dresses, and the lawn tennis apron.

Mourning dress from Mme Roger, 1878

One of the reasons I chose to write about the 1880s is because I adore the natural form. I love the silhouette of these dresses. The very finest dresses from this era are works of art. Researching them is a real pleasure, so much so that I actually created a Tumblr dedicated to historical fashion. It's called Really Old Frocks, and I update it with some regularity.

If you'd like to do some reading and looking on your own, I highly recommend Victorian Fashion and Costumes from Harper's Bazar, 1867-1898 edited by Stella Blum. It's an incredible resource with full, original descriptions of the fashion plates including fabrics.

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*The cuirass bodice is form-fitting, often boned, and ends below the hips. It didn't make sense to me until I realized that the name comes from the long piece of armor that covers a knight from chest to hip.

**I'm reading over my notes right now and laughing because I actually wrote, "greatly restricted the ability to run." Who the hell is running in one of these dresses?

First Draught: The Old is New

I'm zooming along the rails of the mid-Atlantic to make my way to Richmond for a little retreat with Mary Chris Escobar and Alexis Anne. They're probably going to be sick of my voice by the end of this weekend because this past Tuesday we got together thanks to the power of the interwebs for a First Draught chat about going back to abandoned manuscripts. https://www.youtube.com/watch?v=2LsgcyrCEN0

We're always happy for suggestions of what to talk about, so if you've got a topic you'd like us to explore just let us know by leaving a comment!

What We Talked About This Month...

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