How to Organize Your Writing Life: Maximizing Your Calendar

Espresso Shot (1)When you're a writer, the struggle to stay organized is real. Different drafts. Different books. Different projects. Release days. Blog posts. Facebook parties. No matter the stage of your career, we all have responsibilities pulling us in different directions. Organization is key to making sure that everything gets done when it should without leaving you feeling completely overwhelmed.

Every Wednesday throughout the month of May, I'm sharing some of the tips and tricks that I used to keep my writing life in order starting with the basics: your calendar.
Keeping Your Calendar
I shouldn't have to say this, but I suspect that it's necessary. If you're going to take your writing career seriously, you're going to need a dedicated calendar. Just like you have to keep track of deadlines in a day job, you've got to keep things straight when it comes to your writing.
I use separate calendars for my writing, day job, and life events. They're loaded into my iCal that syncs to my phone and Mac. I do this because I'm never without my phone, and I can always keep it updated on the fly. I color code my writing calendar in blue so that it's easy to find at a glance, and I can uncheck the other calendars to isolate it when I need a writing overview.
Deadlines 
Whether these are set by your publisher or by you, you need to take your deadlines seriously. You're a professional. You wouldn't blow off a big presentation at work. Your manuscript isn't any different. But even when you take those dreaded deadlines seriously, sometimes they get away from us, making them a whole lot scarier when you finally remember them. If you use it correctly, your calendar can minimize the changes of that happening.
Here's what I consider a deadline in my own writing calendar:
  • Each draft of my book. For my latest indie release, One Week in Hawaii, that meant my first, second, and third drafts. Then, once copy edits came back, my final draft. I was working with anthology partners so I also included the dates I had to get them back first and second draft critiques back. If you're working with a traditional publisher, you want to note the dates that you need to get all of your various edits back.
  • Blurbs and cover copy
  • Updates to back matter
  • Cover art and formatting if I'm publishing independently
  • Marketing rollout
  • Cover reveal
  • Release date
  • Blog posts, articles, and other things I owe other people. This includes publisher blog obligations as well as blog tours and the occasional Facebook party.
I input each of these things into my calendar in all caps as soon as I find out about them. This means that I'm positive I have the most up to date information about what I owe who and when. If there is a change of date, the first thing I do when I find out about it is update my deadline in my calendar. My apartment could be on fire, and I probably would still stop to make a calendar adjustment. If I don't, there's  a 25% chance I will forget.
Writing Life
Your writing life is everything else that takes up your time or you need a reminder about. Some people block out time on their calendars for their daily word count to make sure that they know that's a permanent appointment. These are their office hours.
Since I have a day job and I write when and where I can, I don't keep office hours. I do, however, write down just about everything else I do related to my writing career. Here are some of them:
  • Conferences
  • Workshops and signings
  • Articles for my blog
  • Website updates
  • Teasers, excerpts, and other materials for any upcoming releases
  • Swag/business card order reminders
  • RWA chapter meetings
  • Writing dates with other authors
  • Broadcast dates for First Draught, the writing talk show I co-host
I use my writing life calendar in conjunction with my to do list which includes emails I owe people, social media post reminders, maintenance on sites like Goodreads and Amazon's author page, and little day-to-day things that need to get done. Just like I mentioned in deadlines, the moment something comes up that will require my attention it goes on the calendar and possibly the to do list too.
Using Your Calendar
Writing all of this down is just half the battle. Now you actually have to put that beautiful (possibly color-coded) calendar to good use. I open mine every day and look at two views: the daily view and the monthly view. I'm looking for any red flag, deadlines, or projects that may have slipped my mind. I also try to do a three month look ahead once a week so I know that I'm looking ahead to. This helps minimize deadlines creeping up on me (especially blog posts I've promised to other people as those have a nasty habit of lurking in the shadows of my calendar).
Hopefully this gives you some jumping off ideas about how you might start managing your writing calendar to make it work harder for you. Now it's your turn to share. What advice can you give to writings looking to optimize their calendars and stay organized?

One Week in Hawaii Book Trailer

  cover

I'm getting really excited that One Week in Hawaii is almost here! One of my anthology partners in crime, Alexandra Haughton put together a gorgeous teaser for us. You can see the full trailer with excerpts by clicking here: adobe.ly/1EUrKgN

And don't forget that One Week in Hawaii is in preorder now! It releases on May 19th on all platforms including Barnes & Noble and print.

Amazon: http://amzn.to/1DYCvrI iBooks: http://ow.ly/Mnv85 Kobo: http://bit.ly/1HL9oxF

 

Upcoming Workshop

Boston Conference LogoJust a quick invitation for those you going to the New England Chapter RWA Let Your Imagination Take Flight Conference. Audra North and I will be teaching a workshop about the ins and outs of building indie box sets and anthologies. What: How to Publish a Boxed Set or Anthology: A Practical Workshop

When: Friday, April 24, 2:30 PM

Where: NECRWA Let Your Imagination Take Flight Conference, Boston Marriott in Burlington, MA

There are some fantastic speakers at this conference like Loretta Chase, Sabrina Jeffries, Lauren Dane, and Megan Frampton. Check out the full schedule online now. We can't wait to see you Friday!

Do You Have to Get to "I Love You?"

One Week in WyomingAn earlier version of this post appeared on the Contemporary Romance Writer's blog and in the RWA-NYC April Keynotes. One of the cardinal rules of romance is that a story has to end with a happily ever after. But does that mean a couple has to say, “I love you,” at the end of every romance? Maybe not.

It’s a question I asked myself when I wrote “Seduction in the Snow”. The story unfolds over a week at a ski resort. Both Evan and Lydia tell themselves that their sexy hot tub encounters are just a vacation fling. Lydia is particularly tough to sell on the idea of love. Having seen relationship after relationship fall apart after a few short months, she’s scared of the big “L” word.

Of course, this is a romance so we all know where the story’s heading—for the happily ever after—but given Lydia’s resistance to the very idea of love, I didn’t feel that a big, “I love you,” exchange at the end of the novella would be fitting with her character. Instead, I decided that Lydia and Evan should show us their deep commitment and potential for future happiness in a different way.

As authors we have a responsibility to really get to know our characters. What are their fears? How can we push them out of their comfort zones? Would they actually say the words that we’re writing on the page? While “I love you,” is the backbone of many happily ever afters, it doesn’t have to be if it doesn’t fit with your character’s personality.

Another thing to consider is your book’s timeline. Romance authors tell stories that unfold over decades, months, weeks, days. There’s such vast variation in the timelines in our genre that a one-size-fits-all approach to the happily ever doesn’t always work. If a character is more in touch with their emotions and open to the idea of falling in love, the, “I love you,” exchange rings true. But we know our heroes and heroines will continue to grow after our stories are complete. If that’s the case, “I love you,” may realistically take them longer to get to.

Whether you decide to have your hero and heroine say, “I love you,” or not, the most important thing to remember is that it’s our job as authors to write a convincing love story. That means you’re not just telling the reader that the hero and heroine love each other. You’re showing their deep commitment through the actions and emotions. Write your story with that in mind, and you’ll have your readers falling in love.

My novella "Seduction in the Snow" appears in the sexy, contemporary romance anthology One Week in Wyoming. For more posts like this one, follow my blog or sign up for my newsletter.

Cover Reveal: One Week in Hawaii

One Week in Hawaii Cover It's here! One Week in Hawaii's gorgeous cover is now out in the world, and, ahead of its May 19th release date, the book is up for presale at retailers too! I can't begin to tell you how excited I was when Book Beautiful sent us the draft of this cover. She got it in one shot, capturing all of the sexy, steamy, beachiness of this book.

Here's a little look at what you can expect from this seriously hot anthology:

Sun, sand, and seduction.

This summer, Alexis Anne, Audra North, Julia Kelly, and Alexandra Haughton sweep you away to paradise for One Week in Hawaii.

A wedding planner breaks all the rules to have just one night of pleasure, only to find that a stolen moment might hold the key to forever.

A movie star falls hard for her sexy co-star…who just happens to be her best friend.

A former black sheep risks falling from grace again when she seduces a handsome stranger with a dark history.

An artist has to choose between dating a guy who will please her parents and one who will please…and pleasure…her.

Sex on the beach is so much more than a drink in these four sizzling contemporary novellas by the authors who brought you One Week in Wyoming.

Preorder is now live!!!

Amazon: http://amzn.to/1NH2mKe

iBooks: http://apple.co/1GlNTTh

Kobo: http://bit.ly/1CCzIqC

The book will retail at Barnes & Noble on May 19th. One Week in Hawaii will also retail in paperback on Amazon.

Keep checking back in the run up to our May 19th release date for sneak peeks, excerpts, and more! And don't forget to sign up for my newsletter for the very latest about this and other new releases!

Author Branding on First Draught Tomorrow!

A quick reminder for you that First Draught is coming up tomorrow at 8:30 PM EST! Alexis, Mary Chris, and I are very happy to be welcoming Laura von Holt and Amy Jo Cousins on for a discussion about building your author brand. We'll talk about why branding is important, how you should go about creating your online and in real life presence, and why it's important to start now even if you don't have a book out. RSVP to our live event to be sure you don't miss a minute of our live conversation. If you can't make it on Tuesday, you can subscribe to our YouTube channel or check out our brand-new First Draught website!

Laura Von Holt HeadshotLaura von Holt is a marginally famous writer and performer from Hawai’i who lives in New York. She writes paranormal romances about mermaids, and literary fantasy about the dark side of fairytales. She is also a Pulitzer-nominated playwright and the Co-Artistic Director of Little Lord, a Brooklyn-based theater company. Laura is best known as her pinup and performance artist alter ego, von Hottie. When Laura is not on the ground, she is in the air as the sparkly half of the international aerial comedy duo, Flaming Mermaid Broken Star, which creates and performs "stunning feats of how-dare-they" on the regular.

Visit Laura's website: vonhottie.com

Subscribe to Laura's newsletter: http://eepurl.com/OqvlD

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Amy Jo Cousins writes contemporary romance and erotica about smart people finding their own best kind of smexy. She lives in Chicago with her son, where she tweets too much, sometimes runs really far, and waits for the Cubs to win the World Series.

Fun facts: Amy Jo can get back into a kayak in the open water if she falls out of it, taught herself and her son how to say I love you in seventeen languages, and once ran the table in a game of eight ball.

Visit Amy Jo's website: http://amyjocousins.com/

Subscribe to Amy Jo's newsletter: http://bit.ly/1CriI2U

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Hot for Friday: Book Boyfriends Cafe

Hey there, blog hoppers! Today I'm participating in the Book Boyfriends Cafe Hot for Fridays. This week they've asked us to share a swoon worthy line from our hero. I'm road testing a little sneak peek of my upcoming book One Week in Hawaii and introducing you to Chris and Annie. He's a hot, young chef from LA who is a guest at the wedding that she's planned. And it turns out both of them have a taste for moonlight beaches, classic movies, and champagne. 

 

Chris wasn’t ready when Annie said, “No one’s ever brought me champagne before.”

He stared at her. How was that even possible? “Then I’m glad I’m the first.”

“It’s part of being a wedding planner,” she gave him that small smile again, as though the admission were an apology. “We’re usually the ones coordinating the big gestures.”

“Well, tonight you get champagne.” He pulled the glasses out of his pockets and handed them to her. “Do you mind?”

She took them from him with a raised eyebrow. “Not at all.”

He set about peeling the foil off the champagne’s cage.

“Does this make you William Holden?” she asked after a moment’s silence.

His hand stilled. “William Holden winds up with glass in his ass. I’m Humphrey Bogart.”

“You know Sabrina?” she asked, a little incredulous as he stuffed the cage into his pocket and eased the cork out of the bottle. It sighed—one of the best sounds in the world.

“I know Bogey. A man’s man.” He poured out her glass with a flourish before moving on to the other one. “Besides, there’s a whole culinary school b-story in Sabrina. It’s practically required watching.”

When he glanced up at her, she was smiling. A real smile that lit up her whole face. “You could just admit you love the movie.”

He laughed, clinking the edge of his glass against hers. “Or I could just admit I love the movie.”

 

If you liked this little preview of Chris and Annie, sign up for my newsletter. That way I can let you know as soon as the book (and its sexy cover) are up for preorder and sale. And don't forget to check out Book Boyfriends Cafe for all of the swoon worthy heroes you can handle!

Boston Romance Workshop

Boston Conference LogoI'm thrilled to announce that I will be presenting at the Let Your Imagination Take Flight Conference hosted by the New England Chapter of Romance Writers of America! Audra North and I will be presenting "How to Publish a Boxed Set or Anthology: A Practical Workshop." We'll teach you everything you need to know about idea creation, organization, preorders, marketing, royalty distribution, and taxes. This workshop will also be a great guide for anyone who wants a down and dirty overview of what it takes to put together a self-published book.

What: 2015 Let Your Imagination Take Flight Conference

When: Friday, April 24 - Saturday, April 25

Where: Boston Marriott in Burlington, MA

And don't forget, the best way to keep up to date on updates, release dates, and exclusive excerpts is by signing up for my newsletter!

First Draught & The "I Love You"

Just a few quick things to tell you about today. Read

I'm over on the Contemporary Romance Writers' blog talking about why your characters don't always have to say, "I love you," at the end of your romance.

Meet

I will be speaking at the NECRWA "Let Your Imagination Take Flight" conference from April 24-25. Audra North and I are presenting a practical guide to self-publishing an anthology or box set with great tips about idea creation, organization, and royalties distribution. I'll have more details on that appearance in the coming weeks, but if you plan to be there please say hello and introduce yourself.

Watch

The women of First Draught are back at it again talking about problematic heroines. Why can it be so tough to get a heroine just right? Are we harder on our heroines than our heroes in romance? Plus we dish on the heroine tropes we just can't stand.

https://www.youtube.com/watch?v=Yh4xBxK2Pws

Also keep an eye out for updates about One Week in Hawaii, the next anthology in the One Week in Love series featuring novellas by Audra North, Alexis Anne, Alexandra Haughton, and myself. We're getting ready to release our very sexy cover and get this book up on preorder.

If you would like to be the first to see that cover and help us spread the word about One Week in Hawaii, check out this quick form.

And don't forget to sign up for newsletter for the very latest preorder and release date information as well as exclusive excerpts!

The TBR Problem

I, Julia Kelly, have a problem. I have a To Be Read pile that just doesn't quit. It's the best kind of problem to have that a lot of readers share, but it's a problem nonetheless. I live in a New York studio apartment so even with two large bookshelves (that are double and triple-stacked in places) my home is bursting with books I haven't read. My bedside table isn't so much a table but a repository for the books I think I might read next. Romances, history, classics, mysteries, biographies, I've got it all. I've instituted a rule that if I don't read a book I picked up at a conference within two years, it gets sent to a friend or donated. It's a great rule, but it's not really helping me get through the books that are queued up and waiting to be read. The books I really want to read. So today I'm asking for your help. How do you guys handle an out of control TBR? Reading challenges? Quotas? Leave me a comment with your tried and true methods (or just join me in the book storage struggle).

A Closer Look: James Miranda Stuart Barry

When you’re a historical author, you do a lot of research. Pair all of the book-specific research with a degree in Victorian British History with a focus on gender and sexuality, and I’ve got more random facts kicking around in my head than I know what to do with. I've always been fascinated by women in medicine. Today I'm taking a closer look at the unusual life and work of James Miranda Stuart Barry.

James Miranda Stuart Barry

"The good doctor wore three-inch lifts in his shoes, carried a parasol, and traveled the world with a milk goat. And he had a lousy temper. But James Barry earned the highest rank a doctor could achieve in the British army."

James Miranda Stuart Barry is a problematic, but important place to start when looking at first generation of female doctors to earn medical degrees in the United Kingdom. That's because Barry lived for decades as a man, and it was not until his death that people discovered that he was biologically female.*

James Barry was born Margaret Ann Bulkley between 1789 and 1791 to unknown parents. What we do know is that Bulkley would grow up and want to be a doctor. In the early 19th century, that was a profession barred to women. Florence Nightengale and the professionalization of nursing had not yet happened, and the only way for a woman to really be involved in the medical profession was through midwifery. Stuart, however, had a plan.

In 1809, Bulkley assumed the name of James Barry to gain entrance to Edinburgh University (Women). Not much is known about Barry's time at the university, but he successfully kept his gender under wraps and graduated in 1812 (Karlekar). Not satisfied with secretly smashing one barrier, he joined the British Army--an organization completely off limits to women--and was appointed Medical Inspector of South Africa.

By all accounts, Barry was not easy to get along with. He was, "bombastic, opinionated and tactless." He criticized local officials in South Africa for inadequate water systems that he insisted on being upgraded. After his work in South African, he took his crusade for better sanitary conditions and nutrition for soldiers to India, the Caribbean, and Canada (Women). In Canada, he would eventually be elevated to Inspector-General of Military Hospitals in Canada (Karlekar). Barry also has the distinction of performing one of the first Caesarean sections in the British Empire.

Barry died in 1865. The woman who prepared his body made what must have been the shocking discovery that the doctor was in fact biologically female (Women).^ It was a secret he had kept for 56 years all to maintain a life dedicated to medicine.

If you are interested in more articles like this or would like to stay up to date on release dates and other news, please subscribe to my newsletter!

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*I'm a strong believer in respecting self-identification. While biologically Barry was female, he lived the majority of his life as a man. We don't know whether this decision was rooted in necessity because he wanted to practice medicine and would have been barred for his sex or whether Barry identified as male. Since we cannot ask Barry himself, I've chosen with great respect to identify him as male since that is the way he presented to society.

^While most sources seem to agree that Barry was biologically female, there are some people who dispute that claim. It is possible that Barry was a male hermaphrodite with breast development and external genitalia.

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Sources

"Her-Story: Then James Barry/Miranda Stuart," Women in Science, Technology, Engineering, and Mathematics On the Air!

Karlekar, Malavika, "An Anatomy of a Change: Kadambini Ganguly and the Seven Before Her",  The Telegraph India, July 8, 2007

Roland, Charles G., "Barry, James"Dictionary of Canadian Biography, vol. 9, University of Toronto/Université Laval.

Tropical Dreams (Coming This Spring!)

Waikiki-Beach-Hawaii-485x728 I've got some exciting news today. I just turned in the first draft of my novella The Wedding Week that is set to appear in the anthology One Week in Hawaii!

All four authors behind One Week in Wyoming are taking you to the tropics for our latest book featuring four sexy contemporary romances set in Hawaii. It's been the perfect antidote to living in the frozen Northeast, and we can't wait to share it with you. It's set to release in the spring with updates coming soon.

Keep an eye out on this site, Facebook, and Twitter for ongoing updates about release dates, or sign up for my newsletter for news, special content ,and giveaways straight to your inbox!

 

A Closer Look: Crinolines in the 1850s

When you're a historical author, you do a lot of research. Pair all of the book-specific research with a degree in Victorian British History with a focus on gender and sexuality, and I've got more random facts kicking around in my head than I know what to do with. Today we're taking a closer look at a game changing fashion trend in Victorian Britain. Courtesy Emily Hudson - Costume Construction http://emilyjanehudson.blogspot.com/2011/04/research-undergarments-from-period.html

Of all of the fashions that jump to mind when one says "Victorian England", the crinoline is probably the most distinctive. The massive, bell-shaped skirts of the late 1850s are iconic in both their size and impracticality (sitting in one of those must require great skill and a well-timed prayer that the hoops didn't go flying over your head). They are romantic because nothing we wear now bears much resemblance to the floor-length skirts that ladies adopted during this era.

Fashion plate from Le Monde Elégant, 1859 (from thecostumersmanifesto.com)

Skirt Size and the Development of the Artificial Crinoline

Undergarments are what makes much of women's fashion in the 1800s possible. The crinoline is no exception.

Horsehair crinoline, Mid-19th Century (Courtesy The Metropolitan Museum of Art)

In the first half of the 1850s, women relied upon layers upon layers of petticoats to hold out their skirts. Check out 0:26 of this clip from Gone with the Wind. Scarlet pulls on a petticoat made of layers and layers of flounces.

https://www.youtube.com/watch?v=92kLpKuRJfo

Often horsehair warp or wool weft was use, but the problem was that these material are both heavy and hot. Women were quite literally weighed down by their undergarments not to mention the yards of fabric required to make up their actual dresses.

The artificial crinoline was a game changer. It's essentially a large cage of wire hoops held together by vertical tapes, and it did away with the need to layer petticoats on in order to fill out a dress. That in turn kept the layers of fabric forming a woman's skirts out of her way, allowing her greater mobility (Cunnington, 188).

Cage Crinoline, Mid-19th Century, American or European (Courtesy The Metropolitian Museum of Art)

There are conflicting stories about who introduced the artificial crinoline into society. Elizabeth Ewing credits the Princess Eugenie, the wife of Napolean III, with both wearing one and bringing a grey one covered in black lace and pink bows as a present for Queen Victoria on a visit to Windsor (Ewing, 47). C. Willet Cunnington disagrees, claiming that it was in use before Princess Eugenie got her hands on the style and that she is simply the most prominent early adopter.

Whoever is responsible for the crinoline, that woman changed the silhouette and undergarments of Western women for decades.

Taken at a recent trip to the Victoria & Albert Museum

A word about typical trends in crinoline-reliant dresses. From 1857-1859, fashion favored dome-shaped skirts. Dressmakers did away with the flounces, tucks, and fussy details of an earlier era (they did not suit the new line of the skirt that thrust out into space on its own). Instead, double and treble-layered skirts with vertical trimmings were commonly seen. Short corsets with a highly defined waist and little hip definitions were also common in this era.

Day Dress, ca. 1860 (Courtesy Christies)

Crinolines, Class, and Gender

First advertised in England in 1856, the crinoline exploded in popularity in a few short years. Looking at the dresses made to accommodate this kind of undergarment, you might think that this would be a fashion exclusively worn by wealthy women. Dresses could reach four or five yards in circumference and required 18 yards of expensive fabric to construct a dress. But as Cunnington writes, "It served as a barrier against the aggression of the Lower Orders, who were kept at arms' length--until even the Lower Orders themselves adopted the fashion" (170).

Women went crazy for crinolines. An often-cited fact to show the popularity of the crinoline is that in 1863, Staffordshire potteries lost 200 pounds worth of product due to the wide skirts of working women accidentally sweeping shelves clear (Willet & Cunnington, 154). That is a lot of smashed pottery, but it didn't persuade workers to leave off their crinolines.

Woman's Dress, 1855, France (Courtesy LACMA)

Aside from the fact that crinolines kept women's skirts clear from their legs and relieved them from the burden of petticoats to hold out their dresses, historians argue that the fashion gains popularity during an era when women were demanding greater recognition in public life. Much of the rhetoric around women's roles at this time talks about the separation of the public (male) and private (female) spheres. A woman was expected to be the Angel in the House and leave things like commerce and politics to her husband. Yet in the 1830s, the men and women behind the early suffrage movement forced British politicians to debate the idea of a woman's right to vote during the Great Reform Act of 1832. Women wouldn't win the right to vote for decades, but they continued to make small but significant strides in the meantime. The Matrimonial Causes Act of 1857 granted women the right to divorce and abolished adultery as a criminal act.*

1857, Blackwood's Lady Magazine

Red Crinoline, Taken at a recent trip to the Victoria & Albert Museum

Some historians of fashion argue that as women asserted themselves in the public sphere, they also asserted themselves through their choice of these massive, crinoline-enabled dresses. The skirts literally take up more space, demanding that people watch out and make way for their wearer. It's impossible to ignore a woman walking down the street or gliding into a ballroom when she has a five-yard circumference. She demands attention.

Dress, ca. 1857, probably American (Courtesy The Metropolitian Museum of Art)

Walking dresses, 1855 France, Journal des Demoiselles

The Fall of the Crinoline

"The notion that ease and comfort must be sacrificed in order to express social rank, had previously governed the design of fashionable clothing. Now, at last, it seemed too great a price to pay." (Willet and Cunnington, 152)

American, cotton, 1873 (Courtesy The Metropolitan Museum of Art)

As with every fashion, the crinoline had its heyday and then was set aside for another trend. First, the crinoline was reshaped. In the 1860s and 1870s, it starts to push towards the back, putting more emphasis on the fanned back as opposed to the large, domed sides. Then, skirts eventually slim down. The crinoline was simply too big to be practical.**

If you are interested in more articles like this or would like to stay up to date on release dates and other news, please subscribe to my newsletter!

More Victorian fashion is available on my Tumblr ReallyOldFrocks.

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*Up until 1857, obtaining a divorce was a difficult, expensive, embarrassing task. It required an Act of Parliament, and few people had the means to pursue a case. Unsurprisingly, it was also doubly difficult for women to successfully petition for divorce. A woman had to prove two complaints against her husband such as adultery, abuse, and neglect. A man? He just had to prove one of those complaints during the proceedings. Making such a case would be embarrassing, but he had the chance to bounce back socially. A divorce case would almost guarantee a woman's ruin whether she was the party at fault or not.

**The physical dangers of the crinoline range from the very real to the ridiculous. There are anecdotes about skirts catching fire and women falling over only to wind up with their skirts over their heads (one story even includes the Duchess of Manchester). Even with quilted petticoats draped over the cages, in the winter the skirts were drafty with nothing hanging around legs legs to keep them warm. There was also a problem of propriety. If you sat down the wrong way in a crinoline, the entire drawing room got a very clear look at your undergarments. This was not an era where anyone got to look at a lady's undergarments. How scandalous!

Sources

Cunnington, C. Willett, English Women's Clothing in the Nineteenth Century: A Comprehensive Guide with 1,117 Illustrations, Dover Publications, 1937

Cunnington, C. Willett & Phillis Cunnington, The History of Underclothes, Dover Publications, 1951

Ewing, Elizabeth, Fashion in Underwear: From Babylon to Bikini Briefs, Dover Publications, 1971

Books for All!

So yeah, that was a longer blog hiatus than I meant to take. Sorry about that, everyone. The good news is that amid all of the day job and professional writer craziness, holidays, and family time, I actually got a lot of reading done. Several transatlantic flights will do that to a girl.

So here's a big, long list of what I've read recently and am happy to recommend.

Romance & Erotica

Agnes Moor's Wild Knight Agnes Moor's Wild Night

by Alyssa Cole

Amazon

Short and deliciously not sweet. This is a multi-cultural historical erotic romance set in Scotland, and I can't gush enough about it. The rafters of a great hall never saw so much action...

carina_0215_9781426899638_radiosilence

Radio Silence

by Alyssa Cole

Amazon | B&N | iBooks

I'm shamelessly plugging an Alyssa Cole that you can't read yet (sorry, not sorry). It's on pre-order until February 2nd, but I got an ARC and guys. Guys. I had no idea that I was into post-apocalyptic romance with hot Korean doctors, but I am. I really am.

Blamed

Blamed: A Blood Money Novel

by Edie Harris

Amazon | B&N | iBooks

A little bit James Bond, a lot of hot romance with a sexy British hero. What more do you need?

stripped-1-down

Stripped (Volume 1)

by Alexis Anne

Amazon

We're several volumes into this very sexy rockstar romance from Alexis Anne. This is another I've been getting sneaky early reads of, and it's hot. Very hot. The hero, Travis, also has a knack for being sexy and tender at the same time. Perfect.

23952355

How to Fall

by Mary Chris Escobar

Amazon | B&N | iBooks

If erotic romance and rockstars aren't your thing, take a look at this book. It's a women's fiction with a sweet, slow burn romance that develops over a summer.

Literary Fiction

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Dept. of Speculation

by Jenny Offill

Amazon | B&N | iBooks

I went on a depressing reading streak somewhere in late December-early January, and that's when I read this book. Yes, it's depressing (it's about the rise and fall of a marriage), but, man, is it good.

dear-committee-members

Dear Committee Members

by Julie Schumacher

Amazon | B&N | iBooks

An epistolary novel told entirely in letters of recommendation written by a cynical, sardonic, egotistical English professor at a second tier university. This book is a masterful send-up of academic life.

Nonfiction

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My Salinger Year

by Joanna Rakoff

Amazon | B&N | iBooks

My Salinger Year manages to capture the feeling of being a twentysomething year old woman living in New York City, broke but hopeful (and in a terribly dysfunctional relationship with a man you know you won't wind up with). The writing is masterful. My sister and I both reached the 40 page mark before realizing that this is a memoir and not a novel. I didn't want it to end.

Outliers

Outliers: The Story of Success

by Malcolm Gladwell

Amazon | B&N | iBooks

To say that Outliers is out of my comfort zone is an understatement. Normally I would never pick this book up, but it was recommended so ardently that I took a chance. I thoroughly enjoyed it. Gladwell has an easy way with narrative, and his work makes you think about how you look at the world.

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Inheritance: The Story of Knole and the Sackvilles

by Robert Sackville-West

Amazon | iBooks

I'm a sucker for family histories of the English aristocracy. There's enough scandal and bad behavior in this book to make parts of it read like a novel, and it has added interest in being tied in with the history of the house.

bad-feminist-roxane-gay

Bad Feminist: Essays

by Roxane Gay

Amazon | B&N | iBooks

 I love Roxane Gay's collection of essays on everything from feminism and culture to Scrabble and questionable adult life choices. Some of the essays work better than me for others. I tend to get the most from her personal anecdotes or reviews of works I've engaged with (The Hunger Games books and movies). Although Gay doesn't believe in trigger warnings, I will say that if you're sensitive to rape accounts you're going to want someone one to screen some of the essays in the Gender and Sexuality section.

Under the Pear Tree

***UPDATE: YOU CAN NOW DOWNLOAD THIS STORY TO YOUR KINDLE OR IBOOKS APP*** I have a present for you, dear reader. This holiday season I wanted to write a free short story to say thank you to everyone who has read my work and followed this blog throughout the year. Out of that came the idea for the 12 Days of Christmakwanzaka Blog Hop, hosted with my dear friend Alyssa Cole, and this Victorian-set historical. "Under the Pear Tree" is the story of two people taking a leap of faith to see if they can find their happily ever after together. 

Happy holidays, everyone! 

12 Days Revision

 

Under the Pear Tree

December 24, 1883

“We could play charades,” suggested Lady Hawley.

“Mamma, we played charades last night,” said her daughter, Margaret, in an indulgent tone. “It wouldn’t do to bore our guests. Don’t you agree, Eleanor?”

“Hmmm?” Eleanor asked, for she hadn’t been attention at all. Instead she’d been trying her best not to let her eyes fall on Lord Michael Hawley. Normally his rather handsome face would be a pleasant distraction, but not now. Not on this very disappointing Christmas Eve. “I’m sure whatever you pick will be quite enjoyable.”

Of course he was the reason for her disappointment, she thought as the other ladies went back to discussing the night’s agenda. He was the reason for everything. Sitting in spindly chairs at ball after endless ball, she and her London friends liked to dream of the day she became Lady Hawley—something that her family's annual trip to the Hawley family's home had confirmed would never happen. Ever.

Despite wearing her best dresses and putting on her brightest smiles, the baron had been nothing but polite and warm to her, almost brotherly. One afternoon she’d spotted a tiny package under the tree with her name on the tag, and her hopes had soared. Perhaps Michael had thought of her after all. But by evening it was gone again, no doubt mistakenly labeled for her by one of the servants.

Eleanor was coming to accept that difficult truth that all Michael saw when he looked at her was the little girl he'd once fished out of Blackburn Pond after her youngest sister, Charlotte, planted a frog in the bottom of Eleanor's rowboat. She'd capsized in all her humiliated glory as he and Julian lounged on the bank watching and laughing.

Now, Eleanor sat contemplating how she could quietly slip out of the drawing room and retire to her room. Perhaps she could beg off with a headache.

She nearly had her escape route planned when Charlotte called out from across the room, "Let’s have carols, Lady Hawley!"

"Charlotte." Her voice was a low warning that did little to hide her annoyance at her sister’s imperiousness.

Margaret clapped her hands, "That is just the thing!"

“I think that carols would be a lovely way to end the evening. Miss Morris,” Lady Hawley said, “will you accompany us? We all know you excel at the piano."

So does every other gently-born lady in Britain, she wanted to respond. But Eleanor rose anyway. When the Hawley matriarch asked something of you, you snapped to it.

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A dull pang throbbed in Michael's chest as he watched Eleanor move to take her seat at the piano. He raised a hand to surreptitiously rub at the spot even though nothing was going to ease the ache. The plain truth was that he wanted this woman. He'd wanted her since visiting the Morris after his Grand Tour with Julian two long years ago. Eleanor had breezed into the drawing room fresh from a walk in the park, and his heart had dropped through the floor. He'd never quite found it again.

No doubt Mrs. Morris would be as overjoyed as Julian would be horrified if her eldest daughter formed an understanding with a baron, but Michael wasn't sure how Eleanor felt. With friends and family she was all warmth, her joy radiating out with such brilliance that it was a wonder every man wasn't in love with her. Around him, however, her smile seemed brittle. She grew stiff, as though his very presence made her uncomfortable.

And yet, he refused to go down without a fight. In the pocket of his dinner jacket, he touched her present wrapped in red and gold paper. It was a frivolous thing, but the idea struck him a month before and he'd been unable to shake it. He'd told himself it didn't matter whether it pleased her or not, but it did. It mattered more than anything in all of England.

From his seat next to Julian’s, he watched Eleanor sit at the piano bench, the long skirts of her bustled dress fanned out behind her. Every instinct screamed at him to drag her up into his arms and finally claim her with a kiss. Enough of this waiting and watching, wondering if she could ever love him. He wanted answers.

Without another thought, Michael was on his feet and striding towards her. "Eleanor, you need someone to turn the pages for you."

He hadn't asked whether she wanted his assistance because he wouldn't entertain the thought that she might banish him back to the corner of his own drawing room.

She didn't look at him, instead turning her head slightly to expose the long, graceful slope of her neck. "Thank you."

The rest of the guests began to gather around the piano. Michael slipped a hand back into his pocket and grazed her present with his fingertips again.

Soon.

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Quiet had settled over Blackburn Manor by the time Eleanor opened the door of the room she shared with Charlotte and stole out into the corridor. Her back ached for she'd played late into the night. The merry little party sang every Christmas song and hymn she knew. "Deck the Halls", "O Come All Ye Faithful," even "Away in the Manger" although hardly any of them knew more than the first verse to the new carol. Despite her exhaustion, her whole body pulsed with energy.

She blamed Michael, of course. He'd stood so close to her, it was a wonder she’d been able to play at all. The scent of wool and spice enveloped her every time he reached over to turn the pages of her sheet music. Once he leaned a little too close and the cuff of his jacket brushed the bare skin of her neck. Awareness exploded through her body like fireworks, and her fingers missed a chord. She wanted to feel those sparks again.

Rather than stay in her room running through the evening over and over again in her head while her sister slept, she'd pulled on her dressing gown and slippers and escaped.

Eleanor crept along the corridor with nothing but the low flicker of gaslights to light her way to the library. There at least she could find comfort and distraction among the books. Softly, she twisted the doorknob and let herself in. The dying embers in the fireplace warmed the room, and the pine garlands that hung along the mantle scented the air. She closed her eyes to breath in deep. "Peace."

"Is that what you've come looking for?"

Eleanor's eyes snapped open, and she watched, stunned as Michael unfold himself from a wing-backed chair facing the fire. He wore no jacket or necktie. His shirt was undone at the collar, the sleeves pushed up to reveal forearms corded with muscle from years of riding.

It was all utterly indecent and thoroughly tempting.

Eleanor knew that she should turn around, march back upstairs, and hide under the counterpane. Instead, she swallowed her propriety and closed the door.

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Michael had cursed himself when he'd been unable to separate Eleanor from her family at the end of the night. They'd tumbled upstairs in a ball of mirth, leaving him alone in the drawing room, her present still in his pocket.

But now she stood before him with her hair tumbling down her shoulders like a Burne-Jones painting, ethereal and angelic. She'd cinched her pale green dressing gown tight around her waist, but it gapped open a little at the top giving him a glimpse of the embroidered edge of a white nightrail. He wanted to slip his fingers along the edge and feel the smooth skin underneath.

He shook his head to clear the fog of lust clouding his mind. "Were you unable to sleep?" he started again.

"Perhaps I'm too excited for Christmas Day," she said.

He grinned. "At least you're wearing slippers this time. I remember one year you were caught creeping downstairs in bare feet to look at the tree."

Her nose scrunched up. "How was I supposed to know that your father would keep to his early riding schedule even on Christmas?"

"He was like that."

Her face softened, and she looked up at him through thick, black lashes. "I'm sorry to have mentioned him. It must be difficult."

He shook his head. "We miss him, but we have your family with us."

"And we make a cacophony loud enough to distract anyone. I do apologize," she said in a wry tone as she brushed an errant strand of hair away from her face.

They stood there, the air humming with unspoken tension. Her state of dress was just this side of respectable, and he wasn’t much better. It should be so easy to just kiss her and find out whether she welcomed it, but there was something he had to do first.

Screwing up his courage, he stepped forward. "Eleanor, I have something for you."

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Eleanor froze as she watched Michael picked something up off of a low table next to his chair. It was a small, flat package wrapped in red and gold striped paper. The same one she’d spotted that afternoon and hoped was from him.

He held the present out, standing close enough that she could see the shadow of his beard coming in. She wanted to feel the rasp of his whiskers against her fingers. She could too if only she reached across the gap between them.

"I’ve been waiting to give this to you, but we’re so rarely alone,” he said, saving her from herself.

Excitement bubbled up in her. "Michael—"

"Take it. Please."

She took the package, undid the gold ribbon bow that held the paper together, and opened the box. Nestled on a bed of white tissue was a thin golden twig with a pin affixed to the back of it. Her heart beat a little faster. He'd given her a broach. A lovely broach.

"Do you remember coming to Blackburn Manor one summer when you were just sixteen?" he asked.

She turned the piece of jewelry over between her fingers. "Of course."

"You used to sit under a pear tree and read," he said in a rush as though he, Lord Michael Hawley, was nervous. "The tree was dying and had to be removed this autumn, but I asked the gardener to keep a little bit of it for me. I had it made up into a broach because it reminded me of you."

She blinked in surprise, hardly knowing what to say. It was such a little thing, and yet for him to remember...

"Michael, it's beautiful," she whispered.

He looked almost bashful now. "I hoped that you might like it."

She let out a low, long breath. Then, before she could stop herself, she went up on her tiptoes to kiss him on the cheek. Her lips brushed his skin, and she started to pull back but his hand caught her around the waist. He gathered her to him, tilted his head just the slightest bit to the left, and finally—after years of hoping he would—he kissed her.

Michael's lips worked over hers as she melted into him. He tasted like nothing she'd imagined. He was cool and fresh, and she opened for him just a little more so he could run his tongue over hers. The sensation left her just a little drunk on something she didn't know the name of. When he finally let go of her she had to lean into him for support.

"Was that okay?" he asked, his thumb coming up to trace the line of her jaw. She nudged her cheek into his fingers until his palm opened.

"That was exactly what I wanted for Christmas."

A low chuckle rumbled in his chest. "I've waited far too long to do that." Joy filling her so fully that she felt as though she might float out of the room. "I think I've loved you from the moment I saw you eating berries with your book beneath that tree."

Her breath caught in her throat. He loved her? All of those nights wondering if he would ever look at her as anything but Julian's sister evaporated. Toying with the fabric at his collar, she confessed, "I've loved you from afar for so long."

He dropped a kiss to her forehead. "I wasn't so very far away."

Her fingers clutched at the fabric. "It didn't feel that way."

That earned her another kiss, this one as breathless as the last.

"I want to court you, Eleanor," he murmured against her lips. "I would marry you tomorrow if I could."

"On Christmas Day?" she asked with a smile.

He laughed. "Happily, but not without dragging the archbishop out of bed for a special license and risking gossip. I want everyone to know how proud I am to have you for my wife when we wed. I don't want there to be any doubts that this is a love match."

She tilted her head to one side, contemplating his proposal as he ran his finger down the length of her neck. "Julian will be horrified."

"Julian will learn to like the idea. He’ll have to,” he said pulling her even closer to him. "Tomorrow I will ask your father's permission, and if he agrees we can be engaged soon."

Eleanor shot him a look. "Don't believe for a second that Mother will stand for being left out of that conversation."

He chuckled. "I learned long ago to fear the wrath of Mrs. Morris' displeasure as much as my own mother's. I will ask both your parents and then you can make up your mind about me."

This. This moment was the happiest she’d ever been. All of the disappointment and waiting, the wondering and doubt fell away. All she knew was what it felt to be in the arms of this man—the man she loved.

She draped her arms around his neck and tilted her head back to smile at him. "Michael, I made up my mind about you a long time ago."

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Thank you so much for reading! This is the first day of the 12 Days of Christmakwanzakah Blog Hop. I'm sharing the day with the talented Falguni Kothari. You can read her story by clicking here.

To see a full schedule of the authors coming up on the 12 Days Blog Hop, just click here or follow #12DaysHop on Twitter.

For more stories like this and to keep up to date with release dates, sign up for my newsletter.

The 12 Days of Christmakwanzakah

12 Days Revision

[UPDATE: Brief summaries of the stories have been added to help recap the first week. The remaining stories will have their blurbs added daily as the hop continues!]

Welcome to the 12 Days of Christmakwanzakah Blog Hop! From December 8th to December 19th, more than a dozen of your favorite authors are publishing free short stories about the winter holidays. You can expect fantastic stories from contemporary, historical, M/M, NA, and YA authors.

Here’s a schedule of authors and links to their work. Check back throughout the blog hop for live links to each of the stories, and tweet along with us using #12DaysHop.

 

December 8

Falguni Kothari

Starstruck – Things heat up when publicist Tania Coelho escapes from an industry Xmas party only to get trapped on a slow elevator ride fwith her client’s “fiance,” Bollywood heartthrob Veer Rana. Veer’s engagement is a sham, but could what he feels for Tania be the real thing?

Story Website | Facebook | Twitter

Julia Kelly

Under the Pear Tree – Eleanor has given up on the hope that Lord Michael Hawley will ever see her as anything other than his best friend’s little sister. Michael believes that Eleanor sees him as nothing more than her brother’s friend. When they’re bought together for a family Christmas gathering, they find that their friendship may have planted the seeds for the best gift of all.

Story | Website | Facebook | Twitter

 

December 9

Audra North

Shine A Little Light – What could drive a Sunday school teacher to drink before noon on Christmas Eve? When everything Graceanne thought she knew about her life, and her fiance, is shattered, she finds more than a stiff drink waiting for her at the bar—she finds solace, and a new chance at love.

Story Website Facebook | Twitter

Alexis Anne

Under the Bright Morning Light  – a Storm Inside short story – Jake and Eve have been trying for a baby, but are they ready to deal with the outcome if the stick shows a plus sign? Eve isn’t so sure.

Story Website | Facebook | Twitter

Shari Slade

Christmas Mess – a The Opposite of Nothing short story – Callie is bringing Tayber home to spend the holidays with her family for the first time. The fear that her family will drive Tayber away gnaws at her, but he finds a naughty way to remind her that nothing can change how he feels about her.

Story Website | Facebook | Twitter

 

December 10

Kate McMurray

Let Your Heart Be Light – Living in New York City is Milo’s dream, but dreams don’t come cheap. Unable to fly home to visit his family, Milo is resigned to spending the holidays alone until a night of karaoke turns into a chance at holiday romance.

StoryWebsite | Facebook | Twitter

Lashell Collins

A Kinky Kelly Little Christmas a Kelly Family short story – Doms Storm and Payne are checking items off of their Christmas list. What can Payne get for his sub to let her know how special she is to him?

StoryWebsite | Facebook | Twitter

 

December 11

Amber Belldene

An Almost True Story – Amelia Scola looks like a bad girl, but even bad girls get into the holiday spirit. When in a rush to get to a hospital where she’s playing the role of Mrs. Claus, she’s pulled over for speeding by Vic Lopez, known as the softie of the police force. Can a bad girl gone good and a cop who isn’t afraid to cry find holiday love?

Story Website | Facebook | Twitter

Tere Michaels

Fathers of the Bride – A Faith, Love, & Devotion short story – Matt and Evan experience the emotional roller coaster of their daughter Katie’s wedding day. In the midst of a mix of apprehension and joy, the two rely on their love for each other and their family to carry the day.

StoryWebsite Facebook Twitter

Mary Chris Escobar

Kiss, Continued – Jeff and Annie met while participating in a filmed kiss between strangers, but when they discovered he was her advisor they decided to call the relationship off. But sometimes a kiss isn’t just a kiss, and a holiday drink could lead to a second chance at love. 

StoryWebsite | Facebook | Twitter

 

December 12

K.M. Jackson

Holiday Longings – In this roaring 20s-set short, Rosemary will do anything to make sure her family stays afloat, even if it means putting herself at the mercy of the only man she;s ever loved. When she steps into Stone Donnelly’s speakeasy, she’s ready to sing for her supper, but she’s not prepared to lose her heart a second time.

StoryWebsite | Facebook | Twitter

Tamsen Parker

A Thrill of Hope – Sophie doesn’t mind the tall drink of blue-eyed scruffiness who falls asleep on her during their flight to New Orleans; he’s a welcome distraction from her lack of anticipation at visiting her family. When her seatmate offers to take her out for a drink, she leaves the morose Sophie her family expects behind and takes a chance at love.

Story Website | Facebook | Twitter

 

December 13

Lindsay Emory

A Room at the Inn – Annie’s flight gets delayed in Reykajavik on Christmas Eve. When all of the hotels are full, she anticipates a night spent on the floor of an Icelandic airport. Instead, she meets rock star Cord DeBose. Being a rock star has its perks—like hotels offering you presidential suites. Cord has a room, Annie doesn’t. What could have turned out to be Annie’s worse Christmas ever quickly becomes one she’ll never forget.

StoryWebsite | Facebook | Twitter

Rebekah Weatherspoon

Blessed – a FIT short story – Violet is feeling more Scrooge than Tiny Tim when she breaks her ankle right before Christmas, but her boyfriend/Dom Grant is determined to draw out her holiday spirit, even if it means being naughty instead of nice. 

StoryWebsite | Facebook | Twitter

 

December 14

Recap Day

 

December 15

Lena Hart

StoryWebsite | Facebook | Twitter

Jenny Holiday

StoryWebsite | Facebook | Twitter

 

December 16

Alyssa Cole

StoryWebsite | Facebook | Twitter

Rebecca Grace Allen

StoryWebsite | Facebook | Twitter

 

December 17

A.L. Parks

StoryWebsite | Facebook | Twitter

Dina Haynes

StoryWebsite Facebook | Twitter

 

December 18

Alexandra Haughton

StoryWebsite | Twitter

Kathryn J. Benson

StoryWebsite Twitter

 

December 19

Amy Jo Cousins

Story | Website | Facebook | Twitter

T.J. Kline

StoryWebsite | Facebook | Twitter

"Concert Interruptus" & "That Damn Donna Reed"

The Gilmore Girls Project

Yep. This post is late. Late late late. Sorry about that. It'll probably happen again sometime in the future.

A little housekeeping. If you live in the New York metro area, Videology in Williamsburg is hosting a Gilmore Girls watch party tonight. Details are here if you are so inclined.

"Concert Interruptus"

Air Date: February 15, 2001

Written By: Elaine Arata

Directed By: Bruce Seth Green

Other than a strong sense of satisfaction I got from seeing two bratty teenagers get smacked down, this episode didn't do a huge amount for me. Perhaps that would be different if the following episode, "That Damn Donna Reed", hadn't completely messed with my head. Jury's still out on that one. Anyway, you're getting a pretty basic recap on "Concert Interruptus".

Stars Hollow is having a rummage sale for charity. Since Lorelai has volunteered to collect for it, her entire home is overrun with everyone's stuff. Conveniently, Rory gets assigned to a group project for her history class. They're going to Rory's house to plan for it because Madeline's brother has measles, Paris' mother is redecorating post divorce, and Louise's mother is having an affair (no one blinks when that last one is mentioned). The group project meets up on the day that Sookie, Lorelai, and Rory are supposed to be going to a Bangles concert (I love you Susanna Hoff). Louise and Madeline are being nice to Rory, so in the spirit of buying her daughter friends, Lorelai suggests that they take the great concert tickets. Lorelai and Sookie wind up all the way at the back of the theater while the girls stand up front. Conveniently, the only two single, straight, college-aged boys ever to willingly go to a Bangles concert ever are standing behind them. Louise and Madeline go off with them to a NYC apartment party (not all they're cracked up to be, trust me, ladies). Paris and Rory bond over their mutual decision to enjoy the concert and not openly defy Lorleai. When Lorelai finds out that the girls have gone off to a party at 1st and Waverly, she tracks them down and unleashes her kickass mom superpowers on the boys and the wayward girls. The episode closes on the rummage sale.

Favorite Quote

"Take heart, my dear. Suffer today, party tonight." -Lorelai to Rory

Random Thoughts

-Lorelai's casual style seems to be, "If you can spangle it, I'll wear it." This makes her sometimes resemble a seven-year-old who has gone wild with her first Bedazzler.

-Tristan creepily macks on Rory in History class and gets called on it by his teacher. Then he goes up to Paris and openly flirts with her in front of Rory. Rory doesn't seem all that disturbed by this, but Tristan clearly thinks he's making a point. I'm half convinced he's going to grow up to stalk women.

-Is there anything worse than a high school group project? Probably, but I can't think of one right now because I'm blinded by all of the awful group project flashbacks running through my head.

-There's a whole subplot in this episode that deals with Lorelai enraging Luke by wearing his ex-girlfriend Rachel's sweatshirt. She pokes and prods to find out more information about Rachel, and Sookie and Patty paint this picture of an adventurous photographer who traveled the world. Eventually we come to learn that Luke's attachment to Stars Hollow was a breaking point for the relationship.

-Miss Patty is quickly solidifying herself as one of my favorite secondary characters. I love that she donates to the rummage sale the drum set she danced on at the Copacabana in 1969.

-I've always loved the "Hey look, a random band that has a CD to promote/is getting paid for an appearance" moment in TV shows. It's even better when the writers attempt to work the band into a story line and it kind of falls flat on its face. Sheryl Crowe in GCBs was my favorite, a reference which I realize that like .02% of the population is going to understand so here's the video:

https://www.youtube.com/watch?v=yOQOZLlOfpU

-Just for accuracy's sake, I'm going to tell you that Waverly and 1st doesn't exist in New York City. Don't go looking for it, Gilmore Girls fans.

"That Damn Donna Reed"

Air Date: February 22, 2001

Written By: Daniel Palladino, Amy Sherman-Palladino

Directed By: Michael Katleman

Gilmore Girls, you were so, so close to warming my little feminist heart. Sadly, you dropped the ball in "That Damn Donna Reed".

The episode opens with Lorelai, Rory, and Dean watching The Donna Reed Show. The ladies are making fun of the ridiculous 1950s standards that Donna is held to on the show, but then Dean steps in it:

Dean: She looks happy.

Lorelai: She's medicated.

This reveals Dean's belief that it would be nice to have a wife to come home to with dinner. It's what his mother has done for his father for years. Both of the women (and I) stared at him in disbelief.

Let me stop for a second here and talk about my own feelings on gender expectations. I'm a feminist, a very proud feminist of the third-wave variety. If a woman wants to make dinner for her husband and be a Donna Reed-esque housewife and she has a choice to do that, that's fine with me. The key word here is choice. What Dean does not seem to understand is that the character of Donna Reed* didn't have a choice. The expectation was that, as a housewife, she would be making her home a beautiful, pleasant place for her husband. Her own desire to live in a beautiful, pleasant home was secondary. Her husband has no expectation of contributing to the household except to go out and work, something Donna can't do because it would undermine his masculinity. Plus, you know, no jobs were really available to women of her social status. Yipie! Essentially, Donna Reed the character was constructed to reinforce the idea that this was the ideal situation for the middle class, American family. It is such, such bull.

https://www.youtube.com/watch?v=U-uh3XbUMfY

Back to Gilmore Girls. Rory is more than a little horrified by the idea that Dean would expect this from the woman he eventually marries. Rightly so. Dean, being a straight, white, American, male teenager, assumes that this is the way things will be. That assumption? It sucks, and Rory calls him out on it.

So I'm watching along, thinking, "Goodness, this is pretty progressive for a WB TV show at the turn of the millennium. Good for Gilmore Girls." Then the wheels fall off the train. Rory dresses up like Donna Reed, cooks Dean dinner, and then agrees that it's pretty great doing this for her husband-like figure. Gee, big surprise that Dean agrees.

Okay, I try not to be a hypocrite so a caveat. Rory chooses to cook Dean dinner (there's that choice word again). Awesome for you, Rory. I can't be mad about that. I do wish that it didn't happen right after a fight in which your boyfriend didn't seem to understand the issues with expecting that his wife have dinner waiting for him at the end of the day, but I can't get picky.

Except I'm going to.

You see, while Rory learns that there are different ways to express and perform femininity,** Dean doesn't seem to learn anything from this episode. The writers make a weak attempt at showing that the real life Donna Reed was a producer on her show, making her one of the first TV executives in the business, but we don't see a real change in attitude from Dean. He doesn't grow, and that frustrates me. I want a female-centric show with a lead who defies social norms by being a proud single mother to do better.

The rest of the episode focuses on Lorelai getting close to Luke. She convinces him to paint Luke's which throws them into a lot of situations where they're alone. Then, after nearly kissing him while hiding in Luke's (for ridiculous reasons), Lorelai calls him to find Rory's chick that has gotten loose. Conveniently, Rory is next door dressed up as Donna Reed, so the house is empty. Unfortunately, she really did mean it when she told Luke over the phone that she needed his help finding an escaped chicken. Later Sookie finds out that Luke came over and tells Lorelai that she's got to figure her feelings out for this guy. Emily does the same before going scary, judgmental mother on her.

All is well and good and then a dude rides up on a motorcycle...and of course it's the elusive Christopher! Rory's father plays Cool Dad, telling his daughter that she should go for a ride on the back of his bike. Oh, and by the way, he's going to be staying for awhile.

Fantastic. So we're going to have Rory's dad around, mucking everything up.

*throws up hands and collapses on couch*

I don't even known what to do with this episode...

Favorite Quote

Lorelai: Excuse me, do you even know what stenciling is?

Luke: Does Martha Stewart do it?

Lorelai: Yes.

Luke: No stenciling.

Reasons Luke is Bound to Break Julia’s Heart

Luke kills Lorelai's horrible lemon lamp in the hunt for the chick. He is a defender of good taste. Also, I sat through most of this episode screaming, "Kiss her! Kiss him!" at the screen (when I wasn't being annoyed at Dean, of course).

Random Thoughts

-There's a hilarious subplot in this episode about Emily and Richard not being able to get their usual house in Martha's Vineyard for the spring season. It involves the most incredible shocked silence ever seen on TV over the suggestion that they might not fly first class to Europe in the fall. Richard and Emily sometimes remind me of two actors on an old 40s radio play.

-Not going to lie, my first reaction to Rory dressing up at Donna Reed and having Dean over for Donna Reed Night was, "Oh god, this is twisted. But I love her dress."

They also talk about snatching up Martha's Vineyard houses from dead people like New Yorkers speak about snatching up apartments from their dead tenants

-During a transitional shot, there's a random guy playing a guitar and singing into a portable microphone amp thingy strapped to him. Who are you and what is the place called Stars Hollow?

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*Who was a white, middle class, cisgender female TV character.

**I'm going to say right here that I strongly believe that choosing to wear pearls, lipstick, and heels doesn't make you any less of a feminist.