Cover Reveal: One Week in Hawaii

One Week in Hawaii Cover It's here! One Week in Hawaii's gorgeous cover is now out in the world, and, ahead of its May 19th release date, the book is up for presale at retailers too! I can't begin to tell you how excited I was when Book Beautiful sent us the draft of this cover. She got it in one shot, capturing all of the sexy, steamy, beachiness of this book.

Here's a little look at what you can expect from this seriously hot anthology:

Sun, sand, and seduction.

This summer, Alexis Anne, Audra North, Julia Kelly, and Alexandra Haughton sweep you away to paradise for One Week in Hawaii.

A wedding planner breaks all the rules to have just one night of pleasure, only to find that a stolen moment might hold the key to forever.

A movie star falls hard for her sexy co-star…who just happens to be her best friend.

A former black sheep risks falling from grace again when she seduces a handsome stranger with a dark history.

An artist has to choose between dating a guy who will please her parents and one who will please…and pleasure…her.

Sex on the beach is so much more than a drink in these four sizzling contemporary novellas by the authors who brought you One Week in Wyoming.

Preorder is now live!!!

Amazon: http://amzn.to/1NH2mKe

iBooks: http://apple.co/1GlNTTh

Kobo: http://bit.ly/1CCzIqC

The book will retail at Barnes & Noble on May 19th. One Week in Hawaii will also retail in paperback on Amazon.

Keep checking back in the run up to our May 19th release date for sneak peeks, excerpts, and more! And don't forget to sign up for my newsletter for the very latest about this and other new releases!

Author Branding on First Draught Tomorrow!

A quick reminder for you that First Draught is coming up tomorrow at 8:30 PM EST! Alexis, Mary Chris, and I are very happy to be welcoming Laura von Holt and Amy Jo Cousins on for a discussion about building your author brand. We'll talk about why branding is important, how you should go about creating your online and in real life presence, and why it's important to start now even if you don't have a book out. RSVP to our live event to be sure you don't miss a minute of our live conversation. If you can't make it on Tuesday, you can subscribe to our YouTube channel or check out our brand-new First Draught website!

Laura Von Holt HeadshotLaura von Holt is a marginally famous writer and performer from Hawai’i who lives in New York. She writes paranormal romances about mermaids, and literary fantasy about the dark side of fairytales. She is also a Pulitzer-nominated playwright and the Co-Artistic Director of Little Lord, a Brooklyn-based theater company. Laura is best known as her pinup and performance artist alter ego, von Hottie. When Laura is not on the ground, she is in the air as the sparkly half of the international aerial comedy duo, Flaming Mermaid Broken Star, which creates and performs "stunning feats of how-dare-they" on the regular.

Visit Laura's website: vonhottie.com

Subscribe to Laura's newsletter: http://eepurl.com/OqvlD

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Amy Jo Cousins writes contemporary romance and erotica about smart people finding their own best kind of smexy. She lives in Chicago with her son, where she tweets too much, sometimes runs really far, and waits for the Cubs to win the World Series.

Fun facts: Amy Jo can get back into a kayak in the open water if she falls out of it, taught herself and her son how to say I love you in seventeen languages, and once ran the table in a game of eight ball.

Visit Amy Jo's website: http://amyjocousins.com/

Subscribe to Amy Jo's newsletter: http://bit.ly/1CriI2U

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Hot for Friday: Book Boyfriends Cafe

Hey there, blog hoppers! Today I'm participating in the Book Boyfriends Cafe Hot for Fridays. This week they've asked us to share a swoon worthy line from our hero. I'm road testing a little sneak peek of my upcoming book One Week in Hawaii and introducing you to Chris and Annie. He's a hot, young chef from LA who is a guest at the wedding that she's planned. And it turns out both of them have a taste for moonlight beaches, classic movies, and champagne. 

 

Chris wasn’t ready when Annie said, “No one’s ever brought me champagne before.”

He stared at her. How was that even possible? “Then I’m glad I’m the first.”

“It’s part of being a wedding planner,” she gave him that small smile again, as though the admission were an apology. “We’re usually the ones coordinating the big gestures.”

“Well, tonight you get champagne.” He pulled the glasses out of his pockets and handed them to her. “Do you mind?”

She took them from him with a raised eyebrow. “Not at all.”

He set about peeling the foil off the champagne’s cage.

“Does this make you William Holden?” she asked after a moment’s silence.

His hand stilled. “William Holden winds up with glass in his ass. I’m Humphrey Bogart.”

“You know Sabrina?” she asked, a little incredulous as he stuffed the cage into his pocket and eased the cork out of the bottle. It sighed—one of the best sounds in the world.

“I know Bogey. A man’s man.” He poured out her glass with a flourish before moving on to the other one. “Besides, there’s a whole culinary school b-story in Sabrina. It’s practically required watching.”

When he glanced up at her, she was smiling. A real smile that lit up her whole face. “You could just admit you love the movie.”

He laughed, clinking the edge of his glass against hers. “Or I could just admit I love the movie.”

 

If you liked this little preview of Chris and Annie, sign up for my newsletter. That way I can let you know as soon as the book (and its sexy cover) are up for preorder and sale. And don't forget to check out Book Boyfriends Cafe for all of the swoon worthy heroes you can handle!

Boston Romance Workshop

Boston Conference LogoI'm thrilled to announce that I will be presenting at the Let Your Imagination Take Flight Conference hosted by the New England Chapter of Romance Writers of America! Audra North and I will be presenting "How to Publish a Boxed Set or Anthology: A Practical Workshop." We'll teach you everything you need to know about idea creation, organization, preorders, marketing, royalty distribution, and taxes. This workshop will also be a great guide for anyone who wants a down and dirty overview of what it takes to put together a self-published book.

What: 2015 Let Your Imagination Take Flight Conference

When: Friday, April 24 - Saturday, April 25

Where: Boston Marriott in Burlington, MA

And don't forget, the best way to keep up to date on updates, release dates, and exclusive excerpts is by signing up for my newsletter!

First Draught & The "I Love You"

Just a few quick things to tell you about today. Read

I'm over on the Contemporary Romance Writers' blog talking about why your characters don't always have to say, "I love you," at the end of your romance.

Meet

I will be speaking at the NECRWA "Let Your Imagination Take Flight" conference from April 24-25. Audra North and I are presenting a practical guide to self-publishing an anthology or box set with great tips about idea creation, organization, and royalties distribution. I'll have more details on that appearance in the coming weeks, but if you plan to be there please say hello and introduce yourself.

Watch

The women of First Draught are back at it again talking about problematic heroines. Why can it be so tough to get a heroine just right? Are we harder on our heroines than our heroes in romance? Plus we dish on the heroine tropes we just can't stand.

https://www.youtube.com/watch?v=Yh4xBxK2Pws

Also keep an eye out for updates about One Week in Hawaii, the next anthology in the One Week in Love series featuring novellas by Audra North, Alexis Anne, Alexandra Haughton, and myself. We're getting ready to release our very sexy cover and get this book up on preorder.

If you would like to be the first to see that cover and help us spread the word about One Week in Hawaii, check out this quick form.

And don't forget to sign up for newsletter for the very latest preorder and release date information as well as exclusive excerpts!

The TBR Problem

I, Julia Kelly, have a problem. I have a To Be Read pile that just doesn't quit. It's the best kind of problem to have that a lot of readers share, but it's a problem nonetheless. I live in a New York studio apartment so even with two large bookshelves (that are double and triple-stacked in places) my home is bursting with books I haven't read. My bedside table isn't so much a table but a repository for the books I think I might read next. Romances, history, classics, mysteries, biographies, I've got it all. I've instituted a rule that if I don't read a book I picked up at a conference within two years, it gets sent to a friend or donated. It's a great rule, but it's not really helping me get through the books that are queued up and waiting to be read. The books I really want to read. So today I'm asking for your help. How do you guys handle an out of control TBR? Reading challenges? Quotas? Leave me a comment with your tried and true methods (or just join me in the book storage struggle).

A Closer Look: James Miranda Stuart Barry

When you’re a historical author, you do a lot of research. Pair all of the book-specific research with a degree in Victorian British History with a focus on gender and sexuality, and I’ve got more random facts kicking around in my head than I know what to do with. I've always been fascinated by women in medicine. Today I'm taking a closer look at the unusual life and work of James Miranda Stuart Barry.

James Miranda Stuart Barry

"The good doctor wore three-inch lifts in his shoes, carried a parasol, and traveled the world with a milk goat. And he had a lousy temper. But James Barry earned the highest rank a doctor could achieve in the British army."

James Miranda Stuart Barry is a problematic, but important place to start when looking at first generation of female doctors to earn medical degrees in the United Kingdom. That's because Barry lived for decades as a man, and it was not until his death that people discovered that he was biologically female.*

James Barry was born Margaret Ann Bulkley between 1789 and 1791 to unknown parents. What we do know is that Bulkley would grow up and want to be a doctor. In the early 19th century, that was a profession barred to women. Florence Nightengale and the professionalization of nursing had not yet happened, and the only way for a woman to really be involved in the medical profession was through midwifery. Stuart, however, had a plan.

In 1809, Bulkley assumed the name of James Barry to gain entrance to Edinburgh University (Women). Not much is known about Barry's time at the university, but he successfully kept his gender under wraps and graduated in 1812 (Karlekar). Not satisfied with secretly smashing one barrier, he joined the British Army--an organization completely off limits to women--and was appointed Medical Inspector of South Africa.

By all accounts, Barry was not easy to get along with. He was, "bombastic, opinionated and tactless." He criticized local officials in South Africa for inadequate water systems that he insisted on being upgraded. After his work in South African, he took his crusade for better sanitary conditions and nutrition for soldiers to India, the Caribbean, and Canada (Women). In Canada, he would eventually be elevated to Inspector-General of Military Hospitals in Canada (Karlekar). Barry also has the distinction of performing one of the first Caesarean sections in the British Empire.

Barry died in 1865. The woman who prepared his body made what must have been the shocking discovery that the doctor was in fact biologically female (Women).^ It was a secret he had kept for 56 years all to maintain a life dedicated to medicine.

If you are interested in more articles like this or would like to stay up to date on release dates and other news, please subscribe to my newsletter!

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*I'm a strong believer in respecting self-identification. While biologically Barry was female, he lived the majority of his life as a man. We don't know whether this decision was rooted in necessity because he wanted to practice medicine and would have been barred for his sex or whether Barry identified as male. Since we cannot ask Barry himself, I've chosen with great respect to identify him as male since that is the way he presented to society.

^While most sources seem to agree that Barry was biologically female, there are some people who dispute that claim. It is possible that Barry was a male hermaphrodite with breast development and external genitalia.

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Sources

"Her-Story: Then James Barry/Miranda Stuart," Women in Science, Technology, Engineering, and Mathematics On the Air!

Karlekar, Malavika, "An Anatomy of a Change: Kadambini Ganguly and the Seven Before Her",  The Telegraph India, July 8, 2007

Roland, Charles G., "Barry, James"Dictionary of Canadian Biography, vol. 9, University of Toronto/Université Laval.

Tropical Dreams (Coming This Spring!)

Waikiki-Beach-Hawaii-485x728 I've got some exciting news today. I just turned in the first draft of my novella The Wedding Week that is set to appear in the anthology One Week in Hawaii!

All four authors behind One Week in Wyoming are taking you to the tropics for our latest book featuring four sexy contemporary romances set in Hawaii. It's been the perfect antidote to living in the frozen Northeast, and we can't wait to share it with you. It's set to release in the spring with updates coming soon.

Keep an eye out on this site, Facebook, and Twitter for ongoing updates about release dates, or sign up for my newsletter for news, special content ,and giveaways straight to your inbox!

 

A Closer Look: Crinolines in the 1850s

When you're a historical author, you do a lot of research. Pair all of the book-specific research with a degree in Victorian British History with a focus on gender and sexuality, and I've got more random facts kicking around in my head than I know what to do with. Today we're taking a closer look at a game changing fashion trend in Victorian Britain. Courtesy Emily Hudson - Costume Construction http://emilyjanehudson.blogspot.com/2011/04/research-undergarments-from-period.html

Of all of the fashions that jump to mind when one says "Victorian England", the crinoline is probably the most distinctive. The massive, bell-shaped skirts of the late 1850s are iconic in both their size and impracticality (sitting in one of those must require great skill and a well-timed prayer that the hoops didn't go flying over your head). They are romantic because nothing we wear now bears much resemblance to the floor-length skirts that ladies adopted during this era.

Fashion plate from Le Monde Elégant, 1859 (from thecostumersmanifesto.com)

Skirt Size and the Development of the Artificial Crinoline

Undergarments are what makes much of women's fashion in the 1800s possible. The crinoline is no exception.

Horsehair crinoline, Mid-19th Century (Courtesy The Metropolitan Museum of Art)

In the first half of the 1850s, women relied upon layers upon layers of petticoats to hold out their skirts. Check out 0:26 of this clip from Gone with the Wind. Scarlet pulls on a petticoat made of layers and layers of flounces.

https://www.youtube.com/watch?v=92kLpKuRJfo

Often horsehair warp or wool weft was use, but the problem was that these material are both heavy and hot. Women were quite literally weighed down by their undergarments not to mention the yards of fabric required to make up their actual dresses.

The artificial crinoline was a game changer. It's essentially a large cage of wire hoops held together by vertical tapes, and it did away with the need to layer petticoats on in order to fill out a dress. That in turn kept the layers of fabric forming a woman's skirts out of her way, allowing her greater mobility (Cunnington, 188).

Cage Crinoline, Mid-19th Century, American or European (Courtesy The Metropolitian Museum of Art)

There are conflicting stories about who introduced the artificial crinoline into society. Elizabeth Ewing credits the Princess Eugenie, the wife of Napolean III, with both wearing one and bringing a grey one covered in black lace and pink bows as a present for Queen Victoria on a visit to Windsor (Ewing, 47). C. Willet Cunnington disagrees, claiming that it was in use before Princess Eugenie got her hands on the style and that she is simply the most prominent early adopter.

Whoever is responsible for the crinoline, that woman changed the silhouette and undergarments of Western women for decades.

Taken at a recent trip to the Victoria & Albert Museum

A word about typical trends in crinoline-reliant dresses. From 1857-1859, fashion favored dome-shaped skirts. Dressmakers did away with the flounces, tucks, and fussy details of an earlier era (they did not suit the new line of the skirt that thrust out into space on its own). Instead, double and treble-layered skirts with vertical trimmings were commonly seen. Short corsets with a highly defined waist and little hip definitions were also common in this era.

Day Dress, ca. 1860 (Courtesy Christies)

Crinolines, Class, and Gender

First advertised in England in 1856, the crinoline exploded in popularity in a few short years. Looking at the dresses made to accommodate this kind of undergarment, you might think that this would be a fashion exclusively worn by wealthy women. Dresses could reach four or five yards in circumference and required 18 yards of expensive fabric to construct a dress. But as Cunnington writes, "It served as a barrier against the aggression of the Lower Orders, who were kept at arms' length--until even the Lower Orders themselves adopted the fashion" (170).

Women went crazy for crinolines. An often-cited fact to show the popularity of the crinoline is that in 1863, Staffordshire potteries lost 200 pounds worth of product due to the wide skirts of working women accidentally sweeping shelves clear (Willet & Cunnington, 154). That is a lot of smashed pottery, but it didn't persuade workers to leave off their crinolines.

Woman's Dress, 1855, France (Courtesy LACMA)

Aside from the fact that crinolines kept women's skirts clear from their legs and relieved them from the burden of petticoats to hold out their dresses, historians argue that the fashion gains popularity during an era when women were demanding greater recognition in public life. Much of the rhetoric around women's roles at this time talks about the separation of the public (male) and private (female) spheres. A woman was expected to be the Angel in the House and leave things like commerce and politics to her husband. Yet in the 1830s, the men and women behind the early suffrage movement forced British politicians to debate the idea of a woman's right to vote during the Great Reform Act of 1832. Women wouldn't win the right to vote for decades, but they continued to make small but significant strides in the meantime. The Matrimonial Causes Act of 1857 granted women the right to divorce and abolished adultery as a criminal act.*

1857, Blackwood's Lady Magazine

Red Crinoline, Taken at a recent trip to the Victoria & Albert Museum

Some historians of fashion argue that as women asserted themselves in the public sphere, they also asserted themselves through their choice of these massive, crinoline-enabled dresses. The skirts literally take up more space, demanding that people watch out and make way for their wearer. It's impossible to ignore a woman walking down the street or gliding into a ballroom when she has a five-yard circumference. She demands attention.

Dress, ca. 1857, probably American (Courtesy The Metropolitian Museum of Art)

Walking dresses, 1855 France, Journal des Demoiselles

The Fall of the Crinoline

"The notion that ease and comfort must be sacrificed in order to express social rank, had previously governed the design of fashionable clothing. Now, at last, it seemed too great a price to pay." (Willet and Cunnington, 152)

American, cotton, 1873 (Courtesy The Metropolitan Museum of Art)

As with every fashion, the crinoline had its heyday and then was set aside for another trend. First, the crinoline was reshaped. In the 1860s and 1870s, it starts to push towards the back, putting more emphasis on the fanned back as opposed to the large, domed sides. Then, skirts eventually slim down. The crinoline was simply too big to be practical.**

If you are interested in more articles like this or would like to stay up to date on release dates and other news, please subscribe to my newsletter!

More Victorian fashion is available on my Tumblr ReallyOldFrocks.

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*Up until 1857, obtaining a divorce was a difficult, expensive, embarrassing task. It required an Act of Parliament, and few people had the means to pursue a case. Unsurprisingly, it was also doubly difficult for women to successfully petition for divorce. A woman had to prove two complaints against her husband such as adultery, abuse, and neglect. A man? He just had to prove one of those complaints during the proceedings. Making such a case would be embarrassing, but he had the chance to bounce back socially. A divorce case would almost guarantee a woman's ruin whether she was the party at fault or not.

**The physical dangers of the crinoline range from the very real to the ridiculous. There are anecdotes about skirts catching fire and women falling over only to wind up with their skirts over their heads (one story even includes the Duchess of Manchester). Even with quilted petticoats draped over the cages, in the winter the skirts were drafty with nothing hanging around legs legs to keep them warm. There was also a problem of propriety. If you sat down the wrong way in a crinoline, the entire drawing room got a very clear look at your undergarments. This was not an era where anyone got to look at a lady's undergarments. How scandalous!

Sources

Cunnington, C. Willett, English Women's Clothing in the Nineteenth Century: A Comprehensive Guide with 1,117 Illustrations, Dover Publications, 1937

Cunnington, C. Willett & Phillis Cunnington, The History of Underclothes, Dover Publications, 1951

Ewing, Elizabeth, Fashion in Underwear: From Babylon to Bikini Briefs, Dover Publications, 1971

Books for All!

So yeah, that was a longer blog hiatus than I meant to take. Sorry about that, everyone. The good news is that amid all of the day job and professional writer craziness, holidays, and family time, I actually got a lot of reading done. Several transatlantic flights will do that to a girl.

So here's a big, long list of what I've read recently and am happy to recommend.

Romance & Erotica

Agnes Moor's Wild Knight Agnes Moor's Wild Night

by Alyssa Cole

Amazon

Short and deliciously not sweet. This is a multi-cultural historical erotic romance set in Scotland, and I can't gush enough about it. The rafters of a great hall never saw so much action...

carina_0215_9781426899638_radiosilence

Radio Silence

by Alyssa Cole

Amazon | B&N | iBooks

I'm shamelessly plugging an Alyssa Cole that you can't read yet (sorry, not sorry). It's on pre-order until February 2nd, but I got an ARC and guys. Guys. I had no idea that I was into post-apocalyptic romance with hot Korean doctors, but I am. I really am.

Blamed

Blamed: A Blood Money Novel

by Edie Harris

Amazon | B&N | iBooks

A little bit James Bond, a lot of hot romance with a sexy British hero. What more do you need?

stripped-1-down

Stripped (Volume 1)

by Alexis Anne

Amazon

We're several volumes into this very sexy rockstar romance from Alexis Anne. This is another I've been getting sneaky early reads of, and it's hot. Very hot. The hero, Travis, also has a knack for being sexy and tender at the same time. Perfect.

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How to Fall

by Mary Chris Escobar

Amazon | B&N | iBooks

If erotic romance and rockstars aren't your thing, take a look at this book. It's a women's fiction with a sweet, slow burn romance that develops over a summer.

Literary Fiction

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Dept. of Speculation

by Jenny Offill

Amazon | B&N | iBooks

I went on a depressing reading streak somewhere in late December-early January, and that's when I read this book. Yes, it's depressing (it's about the rise and fall of a marriage), but, man, is it good.

dear-committee-members

Dear Committee Members

by Julie Schumacher

Amazon | B&N | iBooks

An epistolary novel told entirely in letters of recommendation written by a cynical, sardonic, egotistical English professor at a second tier university. This book is a masterful send-up of academic life.

Nonfiction

18630531

My Salinger Year

by Joanna Rakoff

Amazon | B&N | iBooks

My Salinger Year manages to capture the feeling of being a twentysomething year old woman living in New York City, broke but hopeful (and in a terribly dysfunctional relationship with a man you know you won't wind up with). The writing is masterful. My sister and I both reached the 40 page mark before realizing that this is a memoir and not a novel. I didn't want it to end.

Outliers

Outliers: The Story of Success

by Malcolm Gladwell

Amazon | B&N | iBooks

To say that Outliers is out of my comfort zone is an understatement. Normally I would never pick this book up, but it was recommended so ardently that I took a chance. I thoroughly enjoyed it. Gladwell has an easy way with narrative, and his work makes you think about how you look at the world.

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Inheritance: The Story of Knole and the Sackvilles

by Robert Sackville-West

Amazon | iBooks

I'm a sucker for family histories of the English aristocracy. There's enough scandal and bad behavior in this book to make parts of it read like a novel, and it has added interest in being tied in with the history of the house.

bad-feminist-roxane-gay

Bad Feminist: Essays

by Roxane Gay

Amazon | B&N | iBooks

 I love Roxane Gay's collection of essays on everything from feminism and culture to Scrabble and questionable adult life choices. Some of the essays work better than me for others. I tend to get the most from her personal anecdotes or reviews of works I've engaged with (The Hunger Games books and movies). Although Gay doesn't believe in trigger warnings, I will say that if you're sensitive to rape accounts you're going to want someone one to screen some of the essays in the Gender and Sexuality section.

Under the Pear Tree

***UPDATE: YOU CAN NOW DOWNLOAD THIS STORY TO YOUR KINDLE OR IBOOKS APP*** I have a present for you, dear reader. This holiday season I wanted to write a free short story to say thank you to everyone who has read my work and followed this blog throughout the year. Out of that came the idea for the 12 Days of Christmakwanzaka Blog Hop, hosted with my dear friend Alyssa Cole, and this Victorian-set historical. "Under the Pear Tree" is the story of two people taking a leap of faith to see if they can find their happily ever after together. 

Happy holidays, everyone! 

12 Days Revision

 

Under the Pear Tree

December 24, 1883

“We could play charades,” suggested Lady Hawley.

“Mamma, we played charades last night,” said her daughter, Margaret, in an indulgent tone. “It wouldn’t do to bore our guests. Don’t you agree, Eleanor?”

“Hmmm?” Eleanor asked, for she hadn’t been attention at all. Instead she’d been trying her best not to let her eyes fall on Lord Michael Hawley. Normally his rather handsome face would be a pleasant distraction, but not now. Not on this very disappointing Christmas Eve. “I’m sure whatever you pick will be quite enjoyable.”

Of course he was the reason for her disappointment, she thought as the other ladies went back to discussing the night’s agenda. He was the reason for everything. Sitting in spindly chairs at ball after endless ball, she and her London friends liked to dream of the day she became Lady Hawley—something that her family's annual trip to the Hawley family's home had confirmed would never happen. Ever.

Despite wearing her best dresses and putting on her brightest smiles, the baron had been nothing but polite and warm to her, almost brotherly. One afternoon she’d spotted a tiny package under the tree with her name on the tag, and her hopes had soared. Perhaps Michael had thought of her after all. But by evening it was gone again, no doubt mistakenly labeled for her by one of the servants.

Eleanor was coming to accept that difficult truth that all Michael saw when he looked at her was the little girl he'd once fished out of Blackburn Pond after her youngest sister, Charlotte, planted a frog in the bottom of Eleanor's rowboat. She'd capsized in all her humiliated glory as he and Julian lounged on the bank watching and laughing.

Now, Eleanor sat contemplating how she could quietly slip out of the drawing room and retire to her room. Perhaps she could beg off with a headache.

She nearly had her escape route planned when Charlotte called out from across the room, "Let’s have carols, Lady Hawley!"

"Charlotte." Her voice was a low warning that did little to hide her annoyance at her sister’s imperiousness.

Margaret clapped her hands, "That is just the thing!"

“I think that carols would be a lovely way to end the evening. Miss Morris,” Lady Hawley said, “will you accompany us? We all know you excel at the piano."

So does every other gently-born lady in Britain, she wanted to respond. But Eleanor rose anyway. When the Hawley matriarch asked something of you, you snapped to it.

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A dull pang throbbed in Michael's chest as he watched Eleanor move to take her seat at the piano. He raised a hand to surreptitiously rub at the spot even though nothing was going to ease the ache. The plain truth was that he wanted this woman. He'd wanted her since visiting the Morris after his Grand Tour with Julian two long years ago. Eleanor had breezed into the drawing room fresh from a walk in the park, and his heart had dropped through the floor. He'd never quite found it again.

No doubt Mrs. Morris would be as overjoyed as Julian would be horrified if her eldest daughter formed an understanding with a baron, but Michael wasn't sure how Eleanor felt. With friends and family she was all warmth, her joy radiating out with such brilliance that it was a wonder every man wasn't in love with her. Around him, however, her smile seemed brittle. She grew stiff, as though his very presence made her uncomfortable.

And yet, he refused to go down without a fight. In the pocket of his dinner jacket, he touched her present wrapped in red and gold paper. It was a frivolous thing, but the idea struck him a month before and he'd been unable to shake it. He'd told himself it didn't matter whether it pleased her or not, but it did. It mattered more than anything in all of England.

From his seat next to Julian’s, he watched Eleanor sit at the piano bench, the long skirts of her bustled dress fanned out behind her. Every instinct screamed at him to drag her up into his arms and finally claim her with a kiss. Enough of this waiting and watching, wondering if she could ever love him. He wanted answers.

Without another thought, Michael was on his feet and striding towards her. "Eleanor, you need someone to turn the pages for you."

He hadn't asked whether she wanted his assistance because he wouldn't entertain the thought that she might banish him back to the corner of his own drawing room.

She didn't look at him, instead turning her head slightly to expose the long, graceful slope of her neck. "Thank you."

The rest of the guests began to gather around the piano. Michael slipped a hand back into his pocket and grazed her present with his fingertips again.

Soon.

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Quiet had settled over Blackburn Manor by the time Eleanor opened the door of the room she shared with Charlotte and stole out into the corridor. Her back ached for she'd played late into the night. The merry little party sang every Christmas song and hymn she knew. "Deck the Halls", "O Come All Ye Faithful," even "Away in the Manger" although hardly any of them knew more than the first verse to the new carol. Despite her exhaustion, her whole body pulsed with energy.

She blamed Michael, of course. He'd stood so close to her, it was a wonder she’d been able to play at all. The scent of wool and spice enveloped her every time he reached over to turn the pages of her sheet music. Once he leaned a little too close and the cuff of his jacket brushed the bare skin of her neck. Awareness exploded through her body like fireworks, and her fingers missed a chord. She wanted to feel those sparks again.

Rather than stay in her room running through the evening over and over again in her head while her sister slept, she'd pulled on her dressing gown and slippers and escaped.

Eleanor crept along the corridor with nothing but the low flicker of gaslights to light her way to the library. There at least she could find comfort and distraction among the books. Softly, she twisted the doorknob and let herself in. The dying embers in the fireplace warmed the room, and the pine garlands that hung along the mantle scented the air. She closed her eyes to breath in deep. "Peace."

"Is that what you've come looking for?"

Eleanor's eyes snapped open, and she watched, stunned as Michael unfold himself from a wing-backed chair facing the fire. He wore no jacket or necktie. His shirt was undone at the collar, the sleeves pushed up to reveal forearms corded with muscle from years of riding.

It was all utterly indecent and thoroughly tempting.

Eleanor knew that she should turn around, march back upstairs, and hide under the counterpane. Instead, she swallowed her propriety and closed the door.

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Michael had cursed himself when he'd been unable to separate Eleanor from her family at the end of the night. They'd tumbled upstairs in a ball of mirth, leaving him alone in the drawing room, her present still in his pocket.

But now she stood before him with her hair tumbling down her shoulders like a Burne-Jones painting, ethereal and angelic. She'd cinched her pale green dressing gown tight around her waist, but it gapped open a little at the top giving him a glimpse of the embroidered edge of a white nightrail. He wanted to slip his fingers along the edge and feel the smooth skin underneath.

He shook his head to clear the fog of lust clouding his mind. "Were you unable to sleep?" he started again.

"Perhaps I'm too excited for Christmas Day," she said.

He grinned. "At least you're wearing slippers this time. I remember one year you were caught creeping downstairs in bare feet to look at the tree."

Her nose scrunched up. "How was I supposed to know that your father would keep to his early riding schedule even on Christmas?"

"He was like that."

Her face softened, and she looked up at him through thick, black lashes. "I'm sorry to have mentioned him. It must be difficult."

He shook his head. "We miss him, but we have your family with us."

"And we make a cacophony loud enough to distract anyone. I do apologize," she said in a wry tone as she brushed an errant strand of hair away from her face.

They stood there, the air humming with unspoken tension. Her state of dress was just this side of respectable, and he wasn’t much better. It should be so easy to just kiss her and find out whether she welcomed it, but there was something he had to do first.

Screwing up his courage, he stepped forward. "Eleanor, I have something for you."

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Eleanor froze as she watched Michael picked something up off of a low table next to his chair. It was a small, flat package wrapped in red and gold striped paper. The same one she’d spotted that afternoon and hoped was from him.

He held the present out, standing close enough that she could see the shadow of his beard coming in. She wanted to feel the rasp of his whiskers against her fingers. She could too if only she reached across the gap between them.

"I’ve been waiting to give this to you, but we’re so rarely alone,” he said, saving her from herself.

Excitement bubbled up in her. "Michael—"

"Take it. Please."

She took the package, undid the gold ribbon bow that held the paper together, and opened the box. Nestled on a bed of white tissue was a thin golden twig with a pin affixed to the back of it. Her heart beat a little faster. He'd given her a broach. A lovely broach.

"Do you remember coming to Blackburn Manor one summer when you were just sixteen?" he asked.

She turned the piece of jewelry over between her fingers. "Of course."

"You used to sit under a pear tree and read," he said in a rush as though he, Lord Michael Hawley, was nervous. "The tree was dying and had to be removed this autumn, but I asked the gardener to keep a little bit of it for me. I had it made up into a broach because it reminded me of you."

She blinked in surprise, hardly knowing what to say. It was such a little thing, and yet for him to remember...

"Michael, it's beautiful," she whispered.

He looked almost bashful now. "I hoped that you might like it."

She let out a low, long breath. Then, before she could stop herself, she went up on her tiptoes to kiss him on the cheek. Her lips brushed his skin, and she started to pull back but his hand caught her around the waist. He gathered her to him, tilted his head just the slightest bit to the left, and finally—after years of hoping he would—he kissed her.

Michael's lips worked over hers as she melted into him. He tasted like nothing she'd imagined. He was cool and fresh, and she opened for him just a little more so he could run his tongue over hers. The sensation left her just a little drunk on something she didn't know the name of. When he finally let go of her she had to lean into him for support.

"Was that okay?" he asked, his thumb coming up to trace the line of her jaw. She nudged her cheek into his fingers until his palm opened.

"That was exactly what I wanted for Christmas."

A low chuckle rumbled in his chest. "I've waited far too long to do that." Joy filling her so fully that she felt as though she might float out of the room. "I think I've loved you from the moment I saw you eating berries with your book beneath that tree."

Her breath caught in her throat. He loved her? All of those nights wondering if he would ever look at her as anything but Julian's sister evaporated. Toying with the fabric at his collar, she confessed, "I've loved you from afar for so long."

He dropped a kiss to her forehead. "I wasn't so very far away."

Her fingers clutched at the fabric. "It didn't feel that way."

That earned her another kiss, this one as breathless as the last.

"I want to court you, Eleanor," he murmured against her lips. "I would marry you tomorrow if I could."

"On Christmas Day?" she asked with a smile.

He laughed. "Happily, but not without dragging the archbishop out of bed for a special license and risking gossip. I want everyone to know how proud I am to have you for my wife when we wed. I don't want there to be any doubts that this is a love match."

She tilted her head to one side, contemplating his proposal as he ran his finger down the length of her neck. "Julian will be horrified."

"Julian will learn to like the idea. He’ll have to,” he said pulling her even closer to him. "Tomorrow I will ask your father's permission, and if he agrees we can be engaged soon."

Eleanor shot him a look. "Don't believe for a second that Mother will stand for being left out of that conversation."

He chuckled. "I learned long ago to fear the wrath of Mrs. Morris' displeasure as much as my own mother's. I will ask both your parents and then you can make up your mind about me."

This. This moment was the happiest she’d ever been. All of the disappointment and waiting, the wondering and doubt fell away. All she knew was what it felt to be in the arms of this man—the man she loved.

She draped her arms around his neck and tilted her head back to smile at him. "Michael, I made up my mind about you a long time ago."

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Thank you so much for reading! This is the first day of the 12 Days of Christmakwanzakah Blog Hop. I'm sharing the day with the talented Falguni Kothari. You can read her story by clicking here.

To see a full schedule of the authors coming up on the 12 Days Blog Hop, just click here or follow #12DaysHop on Twitter.

For more stories like this and to keep up to date with release dates, sign up for my newsletter.

The 12 Days of Christmakwanzakah

12 Days Revision

[UPDATE: Brief summaries of the stories have been added to help recap the first week. The remaining stories will have their blurbs added daily as the hop continues!]

Welcome to the 12 Days of Christmakwanzakah Blog Hop! From December 8th to December 19th, more than a dozen of your favorite authors are publishing free short stories about the winter holidays. You can expect fantastic stories from contemporary, historical, M/M, NA, and YA authors.

Here’s a schedule of authors and links to their work. Check back throughout the blog hop for live links to each of the stories, and tweet along with us using #12DaysHop.

 

December 8

Falguni Kothari

Starstruck – Things heat up when publicist Tania Coelho escapes from an industry Xmas party only to get trapped on a slow elevator ride fwith her client’s “fiance,” Bollywood heartthrob Veer Rana. Veer’s engagement is a sham, but could what he feels for Tania be the real thing?

Story Website | Facebook | Twitter

Julia Kelly

Under the Pear Tree – Eleanor has given up on the hope that Lord Michael Hawley will ever see her as anything other than his best friend’s little sister. Michael believes that Eleanor sees him as nothing more than her brother’s friend. When they’re bought together for a family Christmas gathering, they find that their friendship may have planted the seeds for the best gift of all.

Story | Website | Facebook | Twitter

 

December 9

Audra North

Shine A Little Light – What could drive a Sunday school teacher to drink before noon on Christmas Eve? When everything Graceanne thought she knew about her life, and her fiance, is shattered, she finds more than a stiff drink waiting for her at the bar—she finds solace, and a new chance at love.

Story Website Facebook | Twitter

Alexis Anne

Under the Bright Morning Light  – a Storm Inside short story – Jake and Eve have been trying for a baby, but are they ready to deal with the outcome if the stick shows a plus sign? Eve isn’t so sure.

Story Website | Facebook | Twitter

Shari Slade

Christmas Mess – a The Opposite of Nothing short story – Callie is bringing Tayber home to spend the holidays with her family for the first time. The fear that her family will drive Tayber away gnaws at her, but he finds a naughty way to remind her that nothing can change how he feels about her.

Story Website | Facebook | Twitter

 

December 10

Kate McMurray

Let Your Heart Be Light – Living in New York City is Milo’s dream, but dreams don’t come cheap. Unable to fly home to visit his family, Milo is resigned to spending the holidays alone until a night of karaoke turns into a chance at holiday romance.

StoryWebsite | Facebook | Twitter

Lashell Collins

A Kinky Kelly Little Christmas a Kelly Family short story – Doms Storm and Payne are checking items off of their Christmas list. What can Payne get for his sub to let her know how special she is to him?

StoryWebsite | Facebook | Twitter

 

December 11

Amber Belldene

An Almost True Story – Amelia Scola looks like a bad girl, but even bad girls get into the holiday spirit. When in a rush to get to a hospital where she’s playing the role of Mrs. Claus, she’s pulled over for speeding by Vic Lopez, known as the softie of the police force. Can a bad girl gone good and a cop who isn’t afraid to cry find holiday love?

Story Website | Facebook | Twitter

Tere Michaels

Fathers of the Bride – A Faith, Love, & Devotion short story – Matt and Evan experience the emotional roller coaster of their daughter Katie’s wedding day. In the midst of a mix of apprehension and joy, the two rely on their love for each other and their family to carry the day.

StoryWebsite Facebook Twitter

Mary Chris Escobar

Kiss, Continued – Jeff and Annie met while participating in a filmed kiss between strangers, but when they discovered he was her advisor they decided to call the relationship off. But sometimes a kiss isn’t just a kiss, and a holiday drink could lead to a second chance at love. 

StoryWebsite | Facebook | Twitter

 

December 12

K.M. Jackson

Holiday Longings – In this roaring 20s-set short, Rosemary will do anything to make sure her family stays afloat, even if it means putting herself at the mercy of the only man she;s ever loved. When she steps into Stone Donnelly’s speakeasy, she’s ready to sing for her supper, but she’s not prepared to lose her heart a second time.

StoryWebsite | Facebook | Twitter

Tamsen Parker

A Thrill of Hope – Sophie doesn’t mind the tall drink of blue-eyed scruffiness who falls asleep on her during their flight to New Orleans; he’s a welcome distraction from her lack of anticipation at visiting her family. When her seatmate offers to take her out for a drink, she leaves the morose Sophie her family expects behind and takes a chance at love.

Story Website | Facebook | Twitter

 

December 13

Lindsay Emory

A Room at the Inn – Annie’s flight gets delayed in Reykajavik on Christmas Eve. When all of the hotels are full, she anticipates a night spent on the floor of an Icelandic airport. Instead, she meets rock star Cord DeBose. Being a rock star has its perks—like hotels offering you presidential suites. Cord has a room, Annie doesn’t. What could have turned out to be Annie’s worse Christmas ever quickly becomes one she’ll never forget.

StoryWebsite | Facebook | Twitter

Rebekah Weatherspoon

Blessed – a FIT short story – Violet is feeling more Scrooge than Tiny Tim when she breaks her ankle right before Christmas, but her boyfriend/Dom Grant is determined to draw out her holiday spirit, even if it means being naughty instead of nice. 

StoryWebsite | Facebook | Twitter

 

December 14

Recap Day

 

December 15

Lena Hart

StoryWebsite | Facebook | Twitter

Jenny Holiday

StoryWebsite | Facebook | Twitter

 

December 16

Alyssa Cole

StoryWebsite | Facebook | Twitter

Rebecca Grace Allen

StoryWebsite | Facebook | Twitter

 

December 17

A.L. Parks

StoryWebsite | Facebook | Twitter

Dina Haynes

StoryWebsite Facebook | Twitter

 

December 18

Alexandra Haughton

StoryWebsite | Twitter

Kathryn J. Benson

StoryWebsite Twitter

 

December 19

Amy Jo Cousins

Story | Website | Facebook | Twitter

T.J. Kline

StoryWebsite | Facebook | Twitter

"Concert Interruptus" & "That Damn Donna Reed"

The Gilmore Girls Project

Yep. This post is late. Late late late. Sorry about that. It'll probably happen again sometime in the future.

A little housekeeping. If you live in the New York metro area, Videology in Williamsburg is hosting a Gilmore Girls watch party tonight. Details are here if you are so inclined.

"Concert Interruptus"

Air Date: February 15, 2001

Written By: Elaine Arata

Directed By: Bruce Seth Green

Other than a strong sense of satisfaction I got from seeing two bratty teenagers get smacked down, this episode didn't do a huge amount for me. Perhaps that would be different if the following episode, "That Damn Donna Reed", hadn't completely messed with my head. Jury's still out on that one. Anyway, you're getting a pretty basic recap on "Concert Interruptus".

Stars Hollow is having a rummage sale for charity. Since Lorelai has volunteered to collect for it, her entire home is overrun with everyone's stuff. Conveniently, Rory gets assigned to a group project for her history class. They're going to Rory's house to plan for it because Madeline's brother has measles, Paris' mother is redecorating post divorce, and Louise's mother is having an affair (no one blinks when that last one is mentioned). The group project meets up on the day that Sookie, Lorelai, and Rory are supposed to be going to a Bangles concert (I love you Susanna Hoff). Louise and Madeline are being nice to Rory, so in the spirit of buying her daughter friends, Lorelai suggests that they take the great concert tickets. Lorelai and Sookie wind up all the way at the back of the theater while the girls stand up front. Conveniently, the only two single, straight, college-aged boys ever to willingly go to a Bangles concert ever are standing behind them. Louise and Madeline go off with them to a NYC apartment party (not all they're cracked up to be, trust me, ladies). Paris and Rory bond over their mutual decision to enjoy the concert and not openly defy Lorleai. When Lorelai finds out that the girls have gone off to a party at 1st and Waverly, she tracks them down and unleashes her kickass mom superpowers on the boys and the wayward girls. The episode closes on the rummage sale.

Favorite Quote

"Take heart, my dear. Suffer today, party tonight." -Lorelai to Rory

Random Thoughts

-Lorelai's casual style seems to be, "If you can spangle it, I'll wear it." This makes her sometimes resemble a seven-year-old who has gone wild with her first Bedazzler.

-Tristan creepily macks on Rory in History class and gets called on it by his teacher. Then he goes up to Paris and openly flirts with her in front of Rory. Rory doesn't seem all that disturbed by this, but Tristan clearly thinks he's making a point. I'm half convinced he's going to grow up to stalk women.

-Is there anything worse than a high school group project? Probably, but I can't think of one right now because I'm blinded by all of the awful group project flashbacks running through my head.

-There's a whole subplot in this episode that deals with Lorelai enraging Luke by wearing his ex-girlfriend Rachel's sweatshirt. She pokes and prods to find out more information about Rachel, and Sookie and Patty paint this picture of an adventurous photographer who traveled the world. Eventually we come to learn that Luke's attachment to Stars Hollow was a breaking point for the relationship.

-Miss Patty is quickly solidifying herself as one of my favorite secondary characters. I love that she donates to the rummage sale the drum set she danced on at the Copacabana in 1969.

-I've always loved the "Hey look, a random band that has a CD to promote/is getting paid for an appearance" moment in TV shows. It's even better when the writers attempt to work the band into a story line and it kind of falls flat on its face. Sheryl Crowe in GCBs was my favorite, a reference which I realize that like .02% of the population is going to understand so here's the video:

https://www.youtube.com/watch?v=yOQOZLlOfpU

-Just for accuracy's sake, I'm going to tell you that Waverly and 1st doesn't exist in New York City. Don't go looking for it, Gilmore Girls fans.

"That Damn Donna Reed"

Air Date: February 22, 2001

Written By: Daniel Palladino, Amy Sherman-Palladino

Directed By: Michael Katleman

Gilmore Girls, you were so, so close to warming my little feminist heart. Sadly, you dropped the ball in "That Damn Donna Reed".

The episode opens with Lorelai, Rory, and Dean watching The Donna Reed Show. The ladies are making fun of the ridiculous 1950s standards that Donna is held to on the show, but then Dean steps in it:

Dean: She looks happy.

Lorelai: She's medicated.

This reveals Dean's belief that it would be nice to have a wife to come home to with dinner. It's what his mother has done for his father for years. Both of the women (and I) stared at him in disbelief.

Let me stop for a second here and talk about my own feelings on gender expectations. I'm a feminist, a very proud feminist of the third-wave variety. If a woman wants to make dinner for her husband and be a Donna Reed-esque housewife and she has a choice to do that, that's fine with me. The key word here is choice. What Dean does not seem to understand is that the character of Donna Reed* didn't have a choice. The expectation was that, as a housewife, she would be making her home a beautiful, pleasant place for her husband. Her own desire to live in a beautiful, pleasant home was secondary. Her husband has no expectation of contributing to the household except to go out and work, something Donna can't do because it would undermine his masculinity. Plus, you know, no jobs were really available to women of her social status. Yipie! Essentially, Donna Reed the character was constructed to reinforce the idea that this was the ideal situation for the middle class, American family. It is such, such bull.

https://www.youtube.com/watch?v=U-uh3XbUMfY

Back to Gilmore Girls. Rory is more than a little horrified by the idea that Dean would expect this from the woman he eventually marries. Rightly so. Dean, being a straight, white, American, male teenager, assumes that this is the way things will be. That assumption? It sucks, and Rory calls him out on it.

So I'm watching along, thinking, "Goodness, this is pretty progressive for a WB TV show at the turn of the millennium. Good for Gilmore Girls." Then the wheels fall off the train. Rory dresses up like Donna Reed, cooks Dean dinner, and then agrees that it's pretty great doing this for her husband-like figure. Gee, big surprise that Dean agrees.

Okay, I try not to be a hypocrite so a caveat. Rory chooses to cook Dean dinner (there's that choice word again). Awesome for you, Rory. I can't be mad about that. I do wish that it didn't happen right after a fight in which your boyfriend didn't seem to understand the issues with expecting that his wife have dinner waiting for him at the end of the day, but I can't get picky.

Except I'm going to.

You see, while Rory learns that there are different ways to express and perform femininity,** Dean doesn't seem to learn anything from this episode. The writers make a weak attempt at showing that the real life Donna Reed was a producer on her show, making her one of the first TV executives in the business, but we don't see a real change in attitude from Dean. He doesn't grow, and that frustrates me. I want a female-centric show with a lead who defies social norms by being a proud single mother to do better.

The rest of the episode focuses on Lorelai getting close to Luke. She convinces him to paint Luke's which throws them into a lot of situations where they're alone. Then, after nearly kissing him while hiding in Luke's (for ridiculous reasons), Lorelai calls him to find Rory's chick that has gotten loose. Conveniently, Rory is next door dressed up as Donna Reed, so the house is empty. Unfortunately, she really did mean it when she told Luke over the phone that she needed his help finding an escaped chicken. Later Sookie finds out that Luke came over and tells Lorelai that she's got to figure her feelings out for this guy. Emily does the same before going scary, judgmental mother on her.

All is well and good and then a dude rides up on a motorcycle...and of course it's the elusive Christopher! Rory's father plays Cool Dad, telling his daughter that she should go for a ride on the back of his bike. Oh, and by the way, he's going to be staying for awhile.

Fantastic. So we're going to have Rory's dad around, mucking everything up.

*throws up hands and collapses on couch*

I don't even known what to do with this episode...

Favorite Quote

Lorelai: Excuse me, do you even know what stenciling is?

Luke: Does Martha Stewart do it?

Lorelai: Yes.

Luke: No stenciling.

Reasons Luke is Bound to Break Julia’s Heart

Luke kills Lorelai's horrible lemon lamp in the hunt for the chick. He is a defender of good taste. Also, I sat through most of this episode screaming, "Kiss her! Kiss him!" at the screen (when I wasn't being annoyed at Dean, of course).

Random Thoughts

-There's a hilarious subplot in this episode about Emily and Richard not being able to get their usual house in Martha's Vineyard for the spring season. It involves the most incredible shocked silence ever seen on TV over the suggestion that they might not fly first class to Europe in the fall. Richard and Emily sometimes remind me of two actors on an old 40s radio play.

-Not going to lie, my first reaction to Rory dressing up at Donna Reed and having Dean over for Donna Reed Night was, "Oh god, this is twisted. But I love her dress."

They also talk about snatching up Martha's Vineyard houses from dead people like New Yorkers speak about snatching up apartments from their dead tenants

-During a transitional shot, there's a random guy playing a guitar and singing into a portable microphone amp thingy strapped to him. Who are you and what is the place called Stars Hollow?

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*Who was a white, middle class, cisgender female TV character.

**I'm going to say right here that I strongly believe that choosing to wear pearls, lipstick, and heels doesn't make you any less of a feminist.

What I Should Have Asked My Agent

Getting an agent was a tiring, emotionally draining process. I wanted to make the right move for my career, but how was I supposed to do that? I did some research and went through all of the steps you’re supposed to. I looked over the contract my agent sent me and asked a lot of questions. That was good, but now that I’ve had some time to develop relationships with other authors at different stages of their careers and heard the stories—good and bad—I realize that I’d missed some major points. I’m fortunate that I lucked into a good agent whom I trust, but if I could do it all over again, I would tell myself to ask the following questions before signing just to make sure we were on the same page.

  • How does your agent-to-be handle non-compete and option clauses? If she doesn’t tell you straight off the bat that she will do everything in her power to fight them or change the language so that it is less restrictive on you, you might want to look elsewhere.
  • How does your agent-to-be handle rights? Not only do you want to make sure you can get your rights back if your publisher folds, she also should know how to handle digital, foreign, movie, and merchandizing rights. If she works with another agent or lawyer in those negotiations, who is that person?
  • What if you want to be a hybrid author? For many writers, a clear delineation between traditional and indie publication doesn’t make sense for their careers. They do both. How does your agent-to-be feel about you working on indie projects? Would she want a cut of an indie book that she does not represent? Is she supportive of you going solo for part of your career?
  • Can you break up with your agent if you need to? No one wants to think about an agent/author relationship going south, but sometimes it happens. Read the clauses of your contract dealing with separation very carefully. If you have any doubts about your ability to understand contract language, get a lawyer. You do not want to wind up stuck in a contractual relationship that’s soured.
  • What is your agent-to-be’s style, and what do you want from her? I think this is one of the most important questions to ask yourself. Some agents will do serious, line-by -line developmental edits. Others would rather you work with critique partners to get your manuscript in shape so they can focus on selling. Some are very friendly with clients while others keep clients at a more professional distance. You don’t have to be best friends, but you should be working with someone whose style fits yours.

Don’t feel ashamed about asking your prospective agent lots of questions openly. You’re doing what you need to in order to help protect the health of your career. Be polite, but also be informed.

And when in doubt, talk to your friends. There’s a good chance that someone in your chapter or in your personal network of authors knows someone else who is represented by a particular agent. Be discrete and gracious, but make sure to get the answers you need before signing.

The Fandoms That Made You

The other day I was catching up on email when I came across Gail Carriger's monthly newsletter. I'm always interested in what she has to say (and what she's been wearing recently), so I clicked on a link called Gail Carriger's Origin Story. In this article, she outlines the five fandoms that made her the person she is now. Turns out that she was influenced by this article from The Nerdy Girlie. I immediately messaged my sister, and we started to hash out the five fandoms that made us who we were. This is what I came up with (in no particular order).

1. Victoriana. 

I'm in the middle of writing a trilogy of Victorian historical romances right now. The manuscript I used to get my agent was set in 1881 London. I don't think it's very surprising that Victoriana has been one of the biggest influences on my life both as an author and a consumer.

It started when I was in high school. I read pretty much every 19th century novel I could get my hands on. Besides Jane Austen and Fanny Burney (who really is late 18th century but I consider her a strong precursor to Austen), most of my reading centered around the Victorians. Elizabeth Gaskell and Anthony Trollope are still favorites when someone asks who my favorite authors are.

And then I went to college. Declaring a history major very early on gave me the freedom to run wild in the Victorian era. I wound up focusing my study on Victorian female sexuality (through a post-structuralist lens... super pretentious, I  know).* From clothing to calling and courtship practices to prostitution, all of it was fair game. I loved reading about social history and getting my hands on primary source material. I became best friends with my college's temperamental microfiche machines.

I'm not a scholar any longer, but I still read widely about the Victorians.** When you study history, so much of how you look at the world is influenced by the work you do. I can strongly say that my ideas about and appreciation of feminism was strongly influenced by my study. And also my writing which leads me to...

2. Romance novels. I've written before about the first romance novel I ever read. It was cracktastic, and I loved it. I fell into reading as many romance novels as I could, and then graduated from sweet Kensington Zebra Historicals to more explicit books (many of them had kilted highlanders on their covers).

I read romance novels all through high school and college without really finding anyone who felt the same way about these books. I loved falling into the narratives and swimming around in the characters' messy emotions. From Regency to contemporary, I read everything I could get my hands on. I'm still doing that now because my love of those books has only grown as I've started to write my own.

3. The X-Files. My first fandom. I was babysitting my sister when I was in seventh grade and flipping around the channels trying to find something to watch. It was the top of the hour, and I landed on Fox. Since there was a cute guy on the TV, I stayed on the show and proceeded to lose my mind over the course of the hour. I had stumbled upon the a re-airing of season one, episode one of the X-Files. After the episode was done, another came on. I binged watched before binge watching was a thing.

I watched episodes new and old loyally until the show got unredeemably bad. However, in those few years, I was hooked. Everything was X-Files. I clipped out episode recaps, got the now-defunct fanzine, read the novelizations. I read fanfic (my first!). While most girls were head over heels for Devon Sawa (and would soon discover the wonder that was Titanic-era Leo), I had it bad for Fox Mulder. I know there are geek girls out there who feel me on this one.

4. Doctor Who. In 2007 I was studying abroad in the north of England, and I had a lot of downtime on my hands. British universities require far less class time and fewer (if any) regular assignments from students. Compared to the work I did at my college back in the US, I had loads of unstructured time--and that was after doing the recommended reading for my various classes. So what does a 21-year-old with a bad habit of waking up early no matter how late she stayed out at the clubs the night before do? Consume as much British TV through streaming websites as possible.

I found Doctor Who out of necessity. I'd blown through Black Books, The Mighty Boosh, and Spaced not to mention seen all of the movies at the local movie theater I had a pass to. I'd heard of Doctor Who, but I always assumed it was a children's show that my mother watched when she was growing up. However, I decided to give it a try and proceeded to binge watch five episodes of the Christopher Eccleston reboot that night. I became obsessed.

In 2007, very few people were watching Doctor Who in the US because the availability was extremely limited.^ I tried describing the series to my sister who started watching along with so at least I had her to talk to, however it wasn't until 2008 that the show exploded in popularity thanks to BBC America's airings. Suddenly we were all fans of the Doctor, and that was just fine with me.

My love of Doctor Who has not kept up with the show's schedule. I have major problems with Stephen Moffat and his portrayals of women on this show. I suspect I'm also suffering from overexposure as I have no desire to watch through the last Matt Smith season and into the Peter Capaldi years despite a deep love for Malcolm Tucker. But despite all of that, Doctor Who will always exert a strong cultural influence on the things I love.

5. Film noir. I'd grown up reading mysteries with content well outside of my age range. My seventh grade English teacher actually pulled my parents aside to ask if they knew I was reading The Big Sleep by Raymond Chandler and L.A. Confidential by James Ellroy (likely due to prostitution story lines in both novels and a certain incident with a garbage disposal in the latter). I remember my mother blinking and then saying yes. If I could understand the content of the book, I could read it.

Perhaps it's no surprise then that I gleefully dove into film noir later that year. I'd been watching classic movies for years, but this genre was eye opening to me. Double Indemnity, The Lady from Shanghai, The Maltese Falcon, The Big Sleep, Chinatown, L.A. Confidential, The Big Easy, The Sweet Smell of Success, Sunset Boulevard -- I loved it all. And then I found Laura.

https://www.youtube.com/watch?v=mYYLquxN2zQ

I'm going to get on my soapbox here and say not enough people in this world have seen this movie. Otto Preminger directs Dana Andrews and Gene Tierney in this 1944 masterpiece. It ticks all my boxes: a grouchy New York City detective, a career woman more suited to movies in 2014 than 1944, Clifton Webb as his most acerbic, great clothes, a haunting score, a romance, a young Vincent Price, and Judith Anderson being her usual flinty, badass self. This movie wormed its way into my brain and planted itself there. Just... trust me on this one and watch it.

Time to tell me about the five fandoms that made you. Leave a comment or write a blog post of your own!

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*I could nerd out very, very hard right now but I'll save you all of that squee. Also, hopefully by now you've figured out that this is where my propensity for footnotes comes from.

**And fight the urge about every six months to go back and get a PhD or at least a masters in History.

^Read: mostly viewed through highly illegal means.

"Rory's Dance" & "Forgiveness and Stuff"

The Gilmore Girls Project This week is crazy. I've got NaNoWriMo going at full tilt, Election Day madness at the day job, a friend coming into town with whom I want to spend as much time as possible, and a beta reading pile as tall as I am. Plus my doctor tells me that, although I'm in excellent health, I should be working out at least five days a week because of "preventative health care" and stuff. I'm struggling for time here, so when Tuesday morning rolled around and I had a delayed start at the day job, I thought, "I'll pop in some Gilmore Girls because that will be fun. Oh god, guys. The writers of episodes 9 and 10 are not interested in a fun, pleasant romp in Stars Hollow like the last couple of weeks. They want to pull my heart out and force me to confront all of the messy, teenage worries about disappointing my parents.

Shit got real on the Gilmore Girls.

 "Rory's Dance"

Air Date:  December 20, 2000

Written By: Amy Sherman-Palladino

Directed By: Lesli Linka Glatter

This episode starts out innocently enough. Chilton's having a winter formal, and Rory want to go but doesn't want to go. I knew this struggle well in high school. You don't want the bother of the dress and shoes and date but you kind of really do.

At first, minor problems are presented and solved quickly. Rory needs a dress; Lorelai will make one. Rory is uncomfortable about asking Dean to the dance; Dean agrees although it is clear he'd really rather be doing anything else. Rory goes to the dance and gets bothered by both Tristan and Paris; Dean stands up for Tristan but won't stoop to fighting him because, "it would be like fighting an accountant," while Rory puts that annoying pest Paris in her place.

Okay, I'm thinking. This is all lovely and predictable teen TV.

And it all comes crashing down!

Rory and Dean fall asleep in Miss Patty's dance studio. They're woken up at 5:30 AM by Miss Patty's yoga class. Nothing has happened but clearly Rory's going to be in deep trouble because...teen mother and all that.

Sure enough, Emily wakes Lorelai up (she's been at the house taking care of Lorelai who threw out her back) and the two panic. They get into a massive fight after Miss Patty calls to tell them that Rory is okay. Insults are hurled, and for the first time we hear them air the real grievances in their decades-long fight. Lorelai is an unfit mother because she's letting her daughter run wild the same way she did. Emily smothered Lorelai, and if she doesn't trust Rory she can get out of the house.

Of course, Rory hears her mother defending her. When Emily leaves, she goes to thank her mother. Only problem is, Lorelai turns on Rory. Finally, Rory (who we are learning is not the sweet spot at one might assume) stops her mother and tells her that she's not going to take the blame for Lorelai feeling rotten that's she's been caught doing something characteristically "bad mom" in front of Emily. The issue with Rory staying out past her curfew isn't so much about her staying out past her curfew. It's about making her mother look bad in front of Emily.

A few episodes ago I talked about the poorly written outburst Lorelai has about a sweater. This fight is so different. It feels claustrophobic and it gets under your skin because it's a universal fight. It's about parental disappointment and expectations. Knowing my parents are disappointed in me is of the worst feelings. It's rooted in guilt and expectations. It's knowing that you didn't live up to the ideal someone set out for you even when you know that those ideals aren't right for you and your life. In transferring that over to Rory, Lorelai is essentially doing the same thing to her daughter that her mother did to her. It's gut-wrenching to watch, and that is a sign that it is one of the best pieces of writing and character development we've see so far.

Book Nerd Moments

I'm going to take a moment here to nerd out over the fact that Rory is reading The Portable Dorothy Parker in this episode. She even takes it to the formal with her in her purse (you're my girl, Rory). Parker is worth looking up if you haven't read any of her, but for quick reference you might know this famous quip:
I like to have a martini, Two at the very most. After three I’m under the table, after four I’m under my host.

Pop Culture References

98 Degrees, Tom Waits, Blanche from Golden Girls, VIP, Barbara Stanwyck, the Lambada, Emily Post

Julia Feels Old Moment

Favorite Quote

“All I ever said to her about dances is that you go, you dance, you have punch, you eat, you take a picture, and then you’re auctioned off to a biker gang from Sausalito.” –Lorelai

“Oh, hey…” Moment

Sookie is maybe kind of a hypochondriac pill popper before prescription drug about became a major point of discussion in this country. Watching her pull Vicodin and Valium and Percocet out of her purse in a casual manner that was supposed to be funny was an odd experience looking at it through 2014 eyes.

Reasons Luke is Bound to Break Julia’s Heart

This episode was sadly Lukeless

Random Thoughts

-One of the things that underscores how upsetting the fight at the end of this episode was is the fact that it happens right after Lorelai and Emily actually bonding for the first time. The smart writer Amy Sherman-Palladino gets us invested in the growing relationship between mother and daughter by showing Emily take care of Lorelai. They bond over Barbara Stanwyck movies and a disgusting looking type of toast thing that Emily made Lorelai when she was sick as a little girl. Then it all comes crashing down.

-This is a bad episode for Tristan. First Rory turns him down when he asks her to the dance saying that it would be stupid for him to ask her when he knows that she would say no and, “You are not stupid. Slimy and weasly, but not stupid.” Then, later in the episode, Tristan and Dean get into it at the high school formal. When Tristan demands they, "Take this outside," in perhaps the lamest throwdown ever, Dean tells him, “I’m not fighting you. It would be like fighting an accountant.” Go home, Tristan.

-The only person who might be having a worse night at the high school dance is Paris who inadvertently tells then entire high school that she couldn't get a date and had to bring her cousin. The cousin, by the way, tries to pick up Rory in the scuzziest display of douchebaggery ever displayed by a preppy teenage boy. One day he will sidle up to unsuspecting women in bars across Manhattan, order a Jagerbomb, and then tell them he's in I-Banking. He will likely be wearing a Brooks Brothers suit his mother chose for him. More often than not, he will go home alone.

-Rory and Dean cutely/awkwardly have the, "Are you my boyfriend?" talk. It doesn't get anymore enjoyable as you get older, kids. Let me tell you that right now.

"Forgiveness and Stuff"

Air Date: December 21, 2000

Written By: John Stephens

Directed By: Bethany Rooney

This episode aired right after "Rory's Dance" and right before Christmas, presumably to keep those who celebrate from being profoundly depressed over the holidays (not a verified fact).

We pick up with Rory and Lorelai not really speaking. Lorelai and Emily are definitely not speaking except that Emily still manages to uninvite Lorelai from the family Christmas dinner. During that dinner, Richard collapses. Lorelai finds out while she's eating at Luke's, panics, and Luke drives her to the hospital. Despite obviously being concerned for her father, Lorelai can't bring herself to go into his hospital room. After the family finds out that Richard is actually okay, Luke calls Lorelai on her fear of seeing her father in a hospital bed. She goes into the room, and the two of them nearly have a moment before everyone bustles in and the opportunity is lost. Lorelai asks Luke to drive Rory back home, and she stays at the hospital with her mother. For now at least it seems that the two Gilmores have a truce.

This whole episode centers around forgiveness (clearly, it's in the name). In it we see Lorelai accept Dean's apology for keeping Rory out until all hours. There's the understood forgiveness between Rory and Lorelai when they realize that Richard is in danger. And then there's the moment of forgiveness that doesn't quite happen when Lorelai is about to say something to her father before being cut off. It's a nice, Christmasy message but it's not really the heart of the episode. That comes during a brief scene between Richard and Emily.

Emily is doing her typical Emily thing of being demanding and high maintenance. When she swaps out the pillows for Richard, however, we get the sense that something else is going on. She's upset and being Type A is her way of coping with her husband being in the hospital. At some point he stops her from what she's doing and insists on telling her where the key to the family safe and his will are. She tells him he is not allowed to die.

Emily: I did not sign on to your dying. That is not going to happen. Not tonight. Not for a very long time. In fact, I demand to go first. Do I make myself clear?

Richard: Yes, Emily. You may go first.

The look of understanding and indulgence he gives her is both tender and heartbreaking. You understand that while we may not like everything about Emily, Richard, and the choices they've made about their family, they are partners. Their love runs very deep, and they need each other in their lives. 

Book Nerd Moments

Metamorphosis by Franz Kafka

Pop Culture References

Jimmy Hoffa, every Christmas song ever

Julia Feels Old Moment

Rory rocks a red, velvet dress for the Christmas dinner. I too once had a red, velvet dress like that. I'm not entirely sure it was advisable.

“Oh, hey…” Moment

Jane Lynch plays the nurse that goes head-to-head with Emily at the hospital.

Reasons Luke is Bound to Break Julia’s Heart

When this episode is not ripping my heart out, it's mostly constructed around Luke and Lorelai flirting like 16-year olds. They are so adorable, I want to shout, "Come on, guys!" Apparently Emily agrees with me because once Richard is out of danger at the hospital, she corners Luke for this little exchange:

Emily: So what exactly is going on between the two of you?

Luke: Nothing. Really. We’re friends. That’s it.

Emily: You two are idiots.

I mean, the guy makes her a Santa burger, guys!

Random Thoughts

-Rory reads The Financial Times to Richard in the hospital, confirming that he is the mos ridiculous TV grandfather and I do love him.

-Lorelai gives Luke a new hat at the end of the episode. We shall see whether he will actually wear it or not.

First Draught Takes On NaNoWriMo

Hi all! I will not be there for tonight's First Draught, but Mary Chris Escobar and Alexis Anne have brought in a ringer to take my place. Lindsay Emory will be joining us for this month's discussion on NaNoWriMo (that's National Novel Writing Month). You can RSVP by clicking on this link, and be sure to be watching at 8:30 PM EST tonight for a great NaNoWriMo break or a little inspiration to start writing fearlessly!

I Went to the Death Becomes Her Exhibit at the Met

Death Becomes Her, The Metropolitan Museum of Art. This Sunday was Marathon Day here in NYC. I, like many New Yorkers, live right near the route. While I love the marathon, sometimes the crowds can get a little rough. This year I cheered on some of the runners earlier in the day and then left the neighborhood to do something I never do. Dear Reader, I went to the Met on a Sunday and took a boatload of photographs.

Normally the Metropolitan Museum of Art is a mess on the weekends (even more so when it's raining). I try to avoid it as much as possible, but I was determined to see the museum's new exhibit Death Becomes Her: A Century of Mourning Attire. Victorian fashion? Death? Mourning? This is pretty much right in my wheelhouse, so off I went to a delightfully empty Met thanks to all of the crowds being diverted to the marathon.

Arriving so early, I had the gallery mostly to myself which was an incredible experience. The exhibit is small but incredibly details and representative of several trends in mourning attire. The curator's notes addressed some major themes:

  • Women bore the brunt of the responsibility when it came to mourning. Rules for men were much more flexible, but women were strictly regulated in what they could wear and when as well as the social activities they could partake in while in mourning.
  • The stages of mourning and the way that fabrics mirrored the gradual coming out of mourning. The exhibit discusses the use of crepe as well as the incorporation of more lustrous fabrics like silk moire and taffeta in the later stages. Color also comes into play.
  • The tension between fashion and grief. Especially in the later examples of the dresses, the curator's notes emphasizes that the wearer, despite being in a deep state of mourning, was still at the cutting edge of fashion when it came to silhouette.

And speaking of silhouette, I was delighted to see that the exhibit shows the progression of the Grecian-inspired dresses of the 1810s-1820s through the bell-shaped crinolines of the 1850s all the way to the princess cut dresses of the lat 1870s to early 1880s and then into the very late Victorian period (there's even an Edwardian dress or two in there). Oh! And one of Queen Victoria's dresses is on display (which I sadly did not photograph because I was overwhelmed by seeing one of Her Majesty's dresses in the flesh)!

 

 

If you have the chance to see this wonderful exhibit, definitely do. Sadly there is no museum catalog for Death Becomes Her, and photographs do not do these works of art justice (all of the detailing gets lost on black fabric, and these are rich with details).

Death Becomes Her is on until February 1, 2015.