A Sneak Peek at The Governess Was Wicked

The Governess was WickedToday I'm sharing a sneak peek at The Governess Was Wicked which comes out in just one week on September 12! Here's a look at the back of book blurb: Elizabeth Porter is quite happy with her position as the governess for two sneaky-yet-sweet girls when she notices that they have a penchant for falling ill and needing the doctor. As the visits from the dashing and handsome Doctor Edward Fellows become more frequent, Elizabeth quickly sees through the lovesick girls’ ruse. Yet even Elizabeth can’t help but notice Edward’s bewitching bedside manner even as she tries to convince herself that someone of her station would not make a suitable wife for a doctor. But one little kiss won’t hurt...

And here we go!

“Any woman would be lucky to call you her husband,” she said quietly.

“Miss Porter . . .”

She looked up to find a smolder in his eyes that contrasted with the tightness in his jaw, as though he was holding himself back from doing something he knew he shouldn’t.

“Yes?” she asked, wishing that he’d just once act without thinking and not let another one of these long, fraught, lingering moments go by.

“You hardly know me.”“I know that you’re a gentleman who has done nothing but treat me with respect.”

“Except that sometimes I don’t want to play the gentleman,” he said, his voice taking on a gruff quality she’d never heard before. “Sometimes I think about doing things I shouldn’t.”

His words hung in the air, warming her blood and quickening her breath. It was deliciously wrong. It didn’t help that it would take just a half step for him to tower over her, her unbound breasts brushing his chest through her nightclothes.

She was so tired of stuffing herself into a little box and closing the lid. Everyone thought they saw Elizabeth Porter, but all they saw was the careful mask she’d adopted to survive. Somehow Dr. Fellows and all of his noble intentions had weakened her defenses. She wanted to let him in, to connect with him. After nine solitary years, she suddenly couldn’t control the impulse any longer.

“You should turn around and walk out of this kitchen,” he said quietly. “Go back upstairs and forget all about this, Miss Porter. A lady like you shouldn’t be compromised.”

A lady? Perhaps once she’d thought of herself as such, but no longer. Ladies were like Mrs. Norton—delicate, finicky things who spent their time making and receiving calls and planning what to wear at the next in an endless string of balls and suppers. Elizabeth was the unfortunate daughter of a reckless army captain and a mother who died in childbirth. A woman forced into taking a position. She had no claim on the word. Not anymore.

“I’m not a lady, I’m a governess.”

“You’re more of a lady than anyone I know,” he said, fierceness lacing his words. “I admire you, Miss Porter. You’re intelligent and beautiful in a way I would never be able to put into words, and I fear you’ve bewitched me.”

They were just words—a collection of letters strung together to form the simplest sentences—but to Elizabeth they were everything. Before she knew what she was doing, her hands were in the doctor’s hair, and her lips were on his. He froze, but overcame his apparent shock quickly, for his mouth slid over hers, angling to drink in her kiss.

The Governess Was Wicked is still available as a 99c preorder from all major ebook retailers:

Amazon | Amazon UKiBooks | Kobo | B&N

Grab 4 Romances for 99c Before They Go Away Forever!

Wyoming-One-Week-FB-003All good things come to an end, and so do anthologies. My very first book, One Week in Wyoming, is on sale until 9/7 for just 99c because my fellow authors and I have decided it's time to retire the ebook.

AmazoniBooks | B&N Kobo

Moving forward you'll be able to buy the individual version of my novella Seduction in the Snow and the three other books. However, One Week in Wyoming was a set of interconnected stories which means characters from one book popped up in the others (think Love Actually). If you want the full experience of reading this sexy wintery anthology, you've really got to read them all together!

Just a quick note, the paperback edition of One Week in Wyoming will continue to be available Amazon and CreateSpace. Wyoming-One-Week-SQUARE-005

5 Historical Fiction Favorites

I've been reading a lot recently, but because I'm in the middle of both historical and contemporary romance projects most of it hasn't been romance. During times like this, one genre I lean on heavily is historical fiction. I get the same transported-to-another-era effect that historical romance gives me, but the focus of the books is different enough that I don't worry about getting sidetracked while writing my own work. Here are five of my favorite works of historical fiction and why you should give the a shot:

Rules of Civility, by Amor Towles

I have a thing for books about single women living in New York City from the 1920s to the 1950s. I can't exactly explain it, but something about them draws me in every time. Rules of Civility  is one of the best examples about this. It follows Katey after she and her friend meet a handsome banker in a bar on New Years Eve, and that's about all I'm going to tell you because it's worth discovering for yourself why it's one of a handful of books I recommend every time someone is looking for something to read.

 

The Pursuit of Happiness, by Douglas Kennedy

The Pursuit of Happiness isn't that Will Smith movie you're thinking of. Instead it's a coming of age story that follows a young woman's move to New York City in the fall of 1945 (see, I told you I have a thing for these books). The book describes Sara's romantic involvements and career through several decades of her life, but mostly it's about her growing into herself as a woman. I adore it (and not only because I would love to own Sara's Upper West Side apartment).

 

Katherine, by Anya Seton

My mother gave me my copy of Katherine for Christmas a few years ago, and I gobbled it up in a couple sittings. Katherine Swynford was the married mistress of John of Gaunt and their love affair endures war, plague, and political machinations. It's one of those books I read with a family tree bookmarked on my phone because of the complexities of the relationships and shifts in power, and it's a wonderful way to sink into another era.

Wolf Hall and Bring Up the Bodies, by Hilary Mantel

Although I had to read these as they were released and waited years between between them, I think the deserve to be talked about as a unit. The books follow the rise of Thomas Cromwell at Henry VIII's court, particularly during the dissolution of the king's marriage from Catherine of Aragon, the establishment of the Church of England, and his marriage to Anne Boleyn. The language is exquisite and the ever-shifting relationships between characters are fascinating. Now it's your turn. I want to hear what your favorite works of historical fiction are and what I should read next!

Also don't forget to preorder my upcoming release The Governess Was Wicked for just 99c. It comes out on Sept. 12 and will be here before you know it!

Score 14 Free Steamy Contemporary Romances From Some of Your Favorite Authors!

Books are great, but FREE books are even better.

Instafreebie_Steamy_7x7 I'm giving away my Hawaii-set contemporary romance, The Wedding Week, but don't worry if you've already got it! I'm just one of 14 contemporary romance authors giving away from 14 different books for free!

Here's what you do to get your free books:

  • From now until Sept. 1 you can click on any of the titles below.
  • You'll be taken to the title's Instafreebie giveaway page. There you enter your email and select the type of file you want (.mobi for Kindle readers and .epub for everyone else).
  • Your book will be emailed to you along with easy instructions for getting it onto you eReader of choice.
  • Get reading! You've got lots of free books to enjoy!

Click on the title for a link to download for free:

The Wedding Week by Julia Kelly

Tease by Alexis Anne

Protecting His Heart by Dana Volney

Personal Geography by Tamsen Parker

Sass by Laramie Briscoe

Anywhere with You by Heatherly Bell

Tease by Tracy Reed

Dissident by Cecilia London

King Takes Queen by Monica Corwin

Stockholm Diaries, Caroline by Rebecca Hunter

Welcome to Cypress Corners by JoMarie DeGioia

Last Call by Jen Doyle

Wrecked (Studs in Spurs) by Cat Johnson

A Good Game by D. D. Shaw

Making Great Romance Novel Covers

Today I’m taking a moment away from getting ready for the release of The Governess Was Wicked (Sept. 12!) to brag about one of my very talented friends. In addition to writing romance, Alexandra Haughton has a business called Romanced by the Cover which provides beautiful custom and premade book covers to authors.

Last week, Alexandra wrote up a fantastic article for The Verbs about working with a cover designer to get a design that best reflects your book. In the article she broke down several different genres and created covers that reflected those genres’ demands. The coolest part is that she used my name and author brand for historical romance and mocked up four covers for a book I hadn't even dreamed up yet called Undressing the Duke.

The covers are pretty incredible. Alexandra did a wonderful job of not only finding stock photos (a frustrating challenge in historical romance because you’ve got to get the frocks right), but also matching the tone and look of the cover to the title. I'm also really fond of some of the fonts she picked, so much so that I actually asked Alexandra to use them when she made the cover for my Wattpad free read The Lady Always Wins.

The Lady Always WinsYou can check out all of the Undressing the Duke covers as well as covers for Alexis Anne (erotic romance), Lindsay Emory (cozy mystery), and Mary Chris Escobar (women's fiction) by clicking here. And be sure to check out Romanced by the Cover for more cover art as well as Alexandra’s latest release, The Last Plus One.

UPDATE: You can now read part 2 of Alexandra's series on working with a cover artists by clicking here.

Women and the Victorian-Era Tennis Dress

Tennis, anyone? It seems ridiculous to us today to look at fashion plates from the Victorian era and realize that some of those huge, voluminous dresses with full bustles and flounces were meant to be tennis dresses. In the modern era, tennis players look like this:

via GIPHY

So how do you get to Serena's nearly complete domination of the women's game for the last decade in a totally functional tennis dress (or skirt and top) from these ladies?

"Tennis-Costumes." 1889. Courtesy of The New York Public Library Digital Collections.

 

During the Victorian era an increasing number of women picked up a wooden racket and hit the courts (in full-length gowns of course). Women of the upper and middle classes began to take an interest in sport — croquet in the 1860s, tennis in the 1870s and 1880s, and the daring sport of cycling in the 1890s, according to Catroina M. Parratt in her article "Atheltic 'Womanhood:' Exploring Sources for Female Sport in Victorian and Edwardian England."

The growing popularity of sport among women came about during a time of hyper-masculinity among Victorian men.* But it was also a time when women's education reformers were pushing for healthful — although moderate — exercise for girls. They argued that girls could also learn lessons on the field much as boys did while playing cricket and rugby.

However, Parratt argues that womanhood and athletics were not necessarily compatible, and so sporting women had to find a way to reconcile those two things by "project[ing] an image of moderation and becoming femininity." While women who supported Victorian dress reform might have tried to argue that shorter skirts and bloomers would have been more rational uniforms for playing tennis, feminine modesty won out. Reformers couldn't rock the boat too much by putting girls in functional athletic clothing, so instead women continued to swathed themselves in the hyper-feminine dresses of the era while playing sport. As Parratt puts it, the sporting woman's experience was "at one and the same time, a liberating and constraining one."

"Lawn-Tennis Gowns, Swiss Belt, Yoke Jersey." 1888. Courtesy of The New York Public Library Digital Collections.

 

"Toilette De Tennis." 1895. Courtesy of The New York Public Library Digital Collections.

"Woman And Girl With Tennis Rackets." 1895. The New York Public Library Digital Collections.

 

*The Victorians were remarkably preoccupied by masculinity, especially in relation to the empire. There's a ton of scholarship that's been done on this topic, particularly about male education and masculinity, that's worth tracking down if you're interested.

Baking Bread and the Art of Nostalgia

I've been feeling rather nostalgic lately. I'm not entirely sure why but I think it has something to do with all of the extra work I've been doing in the run up to the release of the Governess series in September. In times of high stress, I find myself turning to the familiar. I read books I've read before and watch movies that I've seen so many times I could recite the lines back (I'm looking at you Ten Things I Hate About You and Ang Lee's Sense and Sensibility). I also cook comfort foods that are really familiar like my mother's beef stew and roast chicken or my father's ground beef/tomato/rice casserole dish that has never had a name but kept him fed through grad school.

I suppose that's why it makes sense that around the end of July I've started baking bread.

My father is the baker in the family, and he's wonderful at it. I remember waking up on Sunday mornings to find him in the kitchen of the little Altadena bungalow we once lived in, his hands covered in flour as he kneaded bread dough. To a small child, bread dough was magical. All you had to do was leave it alone in its ceramic bowl and it would turn turn puffy and warm under its plastic wrap.

My favorite time of the weekend, however, was Sunday nights when Dad would head up the oven with its heavy pizza stone and bake the loaves he shaped earlier that day. The whole house would fill with the most delicious, yeasty bread smell, and if I was really lucky he'd let me cut off the heel. The bread was so warm that it would melt the butter I'd slathered on right into the crumb.

Now I live in New York. Fairway Market makes wonderful breads that are priced reasonably-ish (for New York City), but recently I've found myself missing the scent of bread in the house. I wanted the real thing, and I wanted to do it myself. I've baked bread before (especially when I was dirt poor and paying $4 or $5 for a loaf was way out of my budget), so I pulled out my laptop, looked up a bread recipe, and got baking.

After this weekend I've got a sourdough starter bubbling away in my fridge and a loaf of sourdough sandwich bread and sourdough boule on my cutting board. The results are good but I'm looking to improve, including getting a crisper crust on my boule.

Freshly baked with a brand-new sourdough starter! #bread #sourdough #baking

A photo posted by Julia Kelly (@juliakellywrites) on

I also pulled out my phone, called Dad, and got some advice from a man who has been doing this for more than two decades. We talked about why he started baking bread (what was available around where we lived at the time wasn't very good) and how maybe he'll start baking regularly again (I'd like to think this is all inspired by my good influence).

If you want to try your hand at baking too, this is a good place to start because it doesn't require the learning how to knead bread:

Late-to-the-Party No-Knead Bread from Big Girls, Small Kitchen

If you're a little more advanced, I gave a Martha Stewart cinnamon raisin bread recipe similar to this one a go last weekend. I wasn't completely happy with this bread and I find her recipes to be a little inconsistent so I'm on the hunt for a better one:

Cinnamon Raisin Bread from Martha Stewart

And this is what I made this weekend with my sourdough starter:

Beginner Sourdough Sandwich Loaf from The Kitchn

If you want more like this from Julia, sign up for her newsletter. She sends one out once a month and whenever there are big updates about new releases, cover reveals, and exclusive content that only her newsletter subscribers can get access to!

PHOTOS: A Walk-Through ‘Manus x Machina’ from The Met’s Costume Institute

Last weekend I spent the day at the Metropolitian Museum of Art's "Manus x Machina" exhibit from the Costume Institute. The exhibit, which focuses on the marriage of machine produced fabrics and effects with handworking in couture and high fashion — is grouped into themes like lace and sequins rather than being ordered chronologically. That means you'll see a wedding dress from 1870 next to a dress from 2015 which makes it easy to see silhouettes and styles reflected over and over in the garments even as eras changed.

There's nothing like seeing an exhibit like this in person, but if you can't  make it to New York City, here's a walk-through of some of the dresses.

If you want to see more dresses from "Manus x Machina," you can check out the exhibit album in my Facebook group, Really Old Frocks, which celebrates historical fashion in all its forms.

What I Learned at RWA 2016

It’s been just over a week since I came back from the Romance Writers of America National Conference. That means I’ve had some time to process, and I have some takeaways to share.

I’m not going to be wrapping up RWA. There are other people who do that much better than me (and if you read Lindsay Emory’s wrap-up you’ll get a pretty good idea of what my conference was like right down to the half-naked man posing on a bar because we spent a lot of time together). Instead, I’m going to share a few things that I took away from RWA both as a writer.

I Need a Business Plan

Here’s how I feel about business plans:

 

via GIPHY

Clearly there are many things I’d rather do than write one including but not limited to walking over hot coals, being audited by the IRS, and eating pickles (ugh, can’t stand the things). However, after years of putting it off I’ve come to realize that it’s time for me to suck it up and act like the pro I think of myself as.

I’m still working my way through a formal business plan (hey, they take time to write and research), but I’ve done two things in the week since I’ve been back home from the conference. One was fill out Mel Jolly’s 2016 Game Plan Template. She breaks down professional, personal, and financial objectives for the year and then asks you to list the actionable steps you’re going to take to actually make your goals happen.

While it’s scary sometimes to write down concrete things that we want, it’s also really powerful. It helps focus what you’re doing and helps you bring everything you do professionally back to one question: “Is what I’m doing helping me meet my objectives?”

The other exercise — which was a lot more enjoyable because I got to shamelessly dream big — was Ally Carter’s lists from her blog post "A Letter to Baby Author Me (Circa 2004)." She advises writers to jot down five things that would make you really happy in your career, five "best case scenario" things that could happen in your writing career, and five of your wildest dreams. I did that, and now I’ve got the document living in my cloud storage so that I can pull it out once a year and check on my progress.

You Need an Author Branding Plan

One of the big, scary objectives on my 2016 Game Plan was “Create an author branding plan.” What I’m looking to do is develop a consistent look and feel for all of my social media and web platforms — including this website and blog — that reflects what readers will find in both my historical and contemporary books.

It’s harder than you’d think to narrow down the themes that run through your books and your online persona, but Alisha Rai and Courtney Milan gave a great workshop at RWA about starting to narrow down your brand. If you’re an author who attended and bought the conference recordings, their workshop was called “It’s All About the Audience: How to Find Readers and Build and Keep Your Audience.”

Focus Your Energy on Newsletters

Sarah Wendell and Mel Jolly did an excellent workshop on newsletters for authors. While a lot of the information was advice I’d heard before, getting it all at once in one session helped synthesize it and make things stick. One of my takeaways was consistency. It also helped to hear someone tell me that although I might feel like I'm pestering people with my newsletters once a month, these are people who've specifically asked to receive news.

I’m a believer in building and owning your newsletter if you’re a publishing professional because I’ve seen dramatic changes at social media sites in the last year. If you invest all your growth into sites where you don't have direct access to readers, you're risking losing control of your primary marketing tool. Facebook reach and page accessibility is completely dependent on what Facebook’s developers want to with the algorithm. Twitter and Instagram have also undergone changes recently. The only thing you have complete control over is your newsletter list (which you should be exporting once every three months to make sure you have all of those addresses in case your newsletter provider folds).

Sometimes Old School Is Better Than New School

I had a fantastic time signing books during the Pocket and Gallery open house at RWA. I got to meet a bunch of readers, and give away a lot of books which always makes me happy. However, I wound up with a stack of about 300 postcards left over from the signing.

Ready to sign @pocket_books #RWA16 open house!

A photo posted by Julia Kelly (@juliakellywrites) on

What I decided to do was to reach out old school. I bought a bunch of A7 envelopes, stuffed them with postcards, and mailed them to every family member, friend, romance reader, and giveaway winner I’ve ever run into. Now, as this post goes up, there should be postcards dropping into people’s mailboxes across the country as well as Canada, the U.K., Martinique, and the Netherlands.

I like old school snail mail as a marketing technique for a few reasons:

  • I personally love getting mail, and I suspect that it’s a nice thrill for readers to get something other than magazines, bills, and junk mail.
  • It’s another way you can touch readers and put your books in front of them.
  • It’s a reminder to people who haven’t preordered your book yet that it’s coming out.
  • It’s a way to make sure that all of that beautiful paper swag you have hanging around actually gets used!

I still have dozens of post cards, but I did send some along to Colleen Hoover’s Bookworm Box donation address. If you’re able to send books or swag, it’s a great program.

Lots of snail mail going out to readers this week!

A photo posted by Julia Kelly (@juliakellywrites) on

Connecting With Other Authors Is Worth the Conference Expense for Me

Probably the most important thing about going to conferences for me is getting to see the incredible, intelligent, talented women I only see once a year.

It’s hard to describe the reasons why RWA is so important to someone who isn’t a writer — not to mention not in the romance industry — because it’s such a foreign concept to most people. The best thing way I can try to explain it is that RWA and conferences like it is all about a community of readers, writers, and industry professionals who all speak the same language of books and genre coming together. I have a great group of core friends as well as many acquaintances whose friendship I value. They’re also unendingly generous and knowledgable, and it's good for my career to hang out with them.

Finally but Most Importantly

Romance and the larger publishing industry still has a lot of growing to do in terms of welcoming and respecting authors of color, different abilities, and sexualities. I was thrilled to see two LGBTQ romances win RITAs this year — For Real: A Spires Story by Alexis Hall and Him by Serena Bowen and Elle Kennedy — but I both heard about and witnessed microaggressions and outright hostility toward some members of the community.

Everyone should feel like they have a place at RWA and in the larger industry. That starts with welcoming people into the community; supporting authors of color and LGBTQ authors who tell stories about characters of color, LGBTQ characters, and characters with different abilities; and demanding the industry value those people in the way it currently values white, het, cis gender authors and stories.

Romance can do better.

Meet Me at RWA

SigningMy apartment is a disaster right now. An unmitigated disaster. My kitchen table is covered in books, shoes, dresses, and more. The struggle is real. But you know, what? That's okay because I'm packing right now ahead of my trip across the country to the Romance Writers of America national conference in San Diego. Now I just have to figure out how I'm going to cram everything into one carry-on bag (I'm a determined light packer).

I'm really looking forward to RWA this year, especially because I'm going to be doing my first signing for Pocket! I will have bound copies of The Governess Was Wicked available and I would love to sign one for you!

Here are the important details:

Gallery & Pocket Signing at RWA Friday, July 15 4 p.m. to 5:30 p.m. Marriott Grand Ballroom 3-4

If you're interested in copies of Seduction in the Snow and The Wedding Week, I will also have a limited number of paperbacks with me at the conference.

So please, say hi and introduce yourself!

A Sneak Peek of The Wedding Week

The Wedding Week CoverI've had a couple of historical posts recently, so I wanted to change it up this week because I've got a big contemporary release coming out in just eight days (hey, my motto's "Sexy in every century" for a reason).

Today I'm sharing the first chapter of my book The Wedding Week (which first appeared as a novella in One Week in Hawaii). It's a sexy, fun contemporary romance set in beautiful Hawaii. In it you'll meet Annie Kalani, a no nonsense wedding planner, and the man who makes her want to break all the rules, Chris Benson.

If you like what you read, you can preorder The Wedding Week for $2.99:

Amazon: http://amzn.to/1Ov3VvP Amazon UK: http://amzn.to/1WAO7zr iBooks: http://apple.co/1NvcnAf Kobo: http://bit.ly/24TSVkY B&N: http://bit.ly/1TQWsZi Smashwords: http://bit.ly/1WAOiKY

And without further ado...

Chapter One

Don’t panic.

Annie Kalani wedged her iPhone between her shoulder and her ear as she readjusted the tower of boutonniere boxes under her left arm. “How does a bridesmaid lose an earring in a three-room suite? It must be there somewhere.”

Her assistant Jemma’s voice came thin and high through the phone’s speaker. “She may have snuck a cigarette behind my back while I was coordinating the big reveal.”

Annie stopped dead in her tracks. “What?”

“I know, I know. There are so many people in this bridal suite, she just got out.”

She closed her eyes for a brief second and sent up a prayer to the wedding gods. It was the Friday evening before Memorial Day—the official kickoff of Wedding Week at the Kuhio Resort & Spa, and the start of the busiest three months of her year. Stapling a surly bridesmaid to a caterer’s chair was not how she wanted to ring in the season, but she would do it if she needed to.

“Was she wearing her dress while she was smoking?” she asked, keeping her voice as calm as she could. Couples paid a premium to have her orchestrate their big day. If she panicked, they panicked, so she never panicked. Visibly.

Jemma let out a little huff of relief. “She had a bathrobe on, thankfully.”

“At least we won’t have to Febreze the dress. Just her. There’s some dry shampoo that deodorizes in the kit. Get Johnny to give her a once-over with that, and then swap out her earrings for the pearl studs. They should be in a tiny Ziploc in the front pocket of the kit.”

“Johnny’s almost packed up,” Jemma fretted. The temperamental hairstylist was the best in Oahu, and he knew it. Experience told Annie that love and a little ego stroking was the best way to get him to do what she wanted.

“If he gives you a problem, send him my way,” she said, mashing the elevator’s up button with her pale pink, manicured finger. “And it wouldn’t hurt to mention that we have the booking for Jessica McCreedy’s wedding next May. The budget is unlimited.”

“I’ll let him know.” She could hear the grin in Jemma’s voice.

They said goodbye just as the elevator’s door slid open. With the boxes wedged against the wall, Annie let the phone slide down her arm, catching it in her hand to end the call. Alone in the quiet, she breathed deeply. One mini crisis a wedding. That was all she would tolerate, and the future Mr. and Mrs. Mark Liu just had theirs.

Wedding Week was all about putting out fires as fast as they sprang up. Celebrations at the Kuhio had two-a-day bookings for weddings Saturday, Sunday, and Monday, a fiftieth wedding anniversary dinner Wednesday, a Thursday rehearsal dinner, and five events the following weekend. Things would go wrong—they always did—but Annie would be there to fix them. The groom was late? No problem. The father of the bride got drunk? It’s handled. The flowers didn’t show up? On top of it. Being a planner was like juggling fourteen flaming torches while standing en pointe, and she loved it.

The elevator dinged, and she was out in the hall—boxes and all—in seconds flat. Things were running a few minutes behind schedule, but the buffer time she had built in should take care of that, so long as they didn’t slip any further.

At least the groom hadn’t presented any problems. Yet.

As she approached the groom’s suite, the door opened, and Josh, the wedding photographer, walked out while tucking a lens into his camera bag.

“You’re moving fast, Kalani,” he said with a jerk of his chin at the boxes in her hands. “Boutonnieres?”

“Late boutonnieres. I know we all run on island time, but remind me to kill the florist next time I see him.”

Josh laughed as he ran a hand over his shaved head. “You can’t do that. He’s the only florist you like. Besides, the groom’s good to go.”

Her eyebrows shot up. “Really? He didn’t seem like the type to be ready on time.”

Josh grinned as he passed her. “Got you.”

With a sigh, she shifted the boxes back under her arm so she could knock. The door swung open to reveal a groomsman—this one called Dan—with a drink in hand. “Hello, wedding planner!”

She gave him a once-over and nudged through the door. “Your tie is undone.”

He looked down and tugged at one of the bow tie’s ends. “We were just trying to figure it out on YouTube. Gary’s got his done, but everyone else is struggling.”

She lifted the boxes. “Let me put these down. Then I’ll help.”

Dan led her over to a sideboard that also served as a bar. She eyed the levels on the decanter of scotch she’d checked on that morning. About half gone. Calculate that across half a dozen groomsmen plus the man of the hour and it wasn’t too bad. She’d certainly seen more sauced bridal parties on both ends of the gender spectrum before.

She glanced around the richly appointed room. Two groomsmen she’d met at the rehearsal sat on a plush, pale blue couch in front of a Dodgers game. Gary shook his head as he tried to show Dan and Andrew how to take one bold step into manhood and tie a real bow tie. And one man stood with his back to all of them, on his phone. That must be Chris, the late groomsman. She had a dossier on all of the wedding party, but what was on paper often didn’t tell her the whole story. Like the fact that Chris, a Los Angeles chef, hadn’t been able to get away from his restaurant until the morning of the wedding. That meant Annie had spent a good part of the early hours of setup tracking his flight, praying there would be no delays. Now that he was here, all she cared about was that the man was dressed and on time for the actual ceremony.

She would deal with him when he got off the phone. For now, she had tie-struggling groomsmen to put out of their misery.

A movement at the edge of her field of vision caught Annie’s attention. She turned on her nude three-inch high heels and found herself staring at a naked groom.

Well, not naked—wrapped in a towel—but that meant he was wearing a lot less tux than he was supposed to be.

She raised an eyebrow. “Mark, you aren’t dressed.” Before the wedding day, she tried her best to be accommodating, understanding. On the day? Not so much. Her job was to make sure Mark Liu and Karen Curen got to the gauze-covered bamboo pergola that would serve as their altar and said, “I do.” To do that, Mark needed to be clothed. Now. No excuses. No exceptions.

“I was a little late getting in the shower,” he said as he sheepishly ran a hand through his wet hair. Hair that should be pomaded and swept into a perfect, sixties-esque side part, per Karen’s instructions. Time for Mark to learn how to use a hair dryer.

Eric, Investment Banker Groomsman, had detached himself from the Dodgers game long enough to pour a couple of tumblers of Macallan 18. Ice cubes clinked in the glass that he started to hand to the groom.

“Oh no.” She surged forward to intercept the scotch. “Dress now. Drink later. You get married in twenty-six minutes.”

With her free hand squarely on Mark’s shoulder, she pushed him toward the bedroom. “Don’t forget the shirt studs.”

The groom dutifully trudged into the bedroom, sending only a brief, wistful glance at the baseball, booze, and bro time waiting for him in the living room.

When she turned back, she found Frat Boy Dan eyeing her and the glass of scotch in her hand. “Are you going to drink that?”

She could sense the slight edge in his voice. A bossy woman intruding on Man Time. No, not just a woman. A wedding planner, the kind of woman who made her living thinking about lace versus satin. Runners or full tablecloths. Venetian hour or plated desserts. She was the enemy, an intruder, and sometimes groomsmen gave her a hard time. What Dan didn’t know was that her job demanded that she be able to put him in place with ruthless efficiency, all while wearing a pastel, flowered Karen Millen sheath dress and a smile.

For now, however, she’d start with a friendlier approach. “I would like this scotch more than you know,” she said, putting the glass down, “but someone’s got to drive these stilettos. Now, why don’t I help you guys with your bow ties?”

Five minutes later, five groomsmen’s bow ties were in perfect order. The sixth was still pacing back in forth in front of the massive windows looking out over the water to Diamond Head.

Annie planted her hands on her hips, ready to order Late to the Party Chris to grab his tie and get in line, when the man hung up his call. He turned a pair of intense, soulful eyes on her, and he lifted a hand to scrape over the faint trace of a beard. “Are you going to tie me up too?”

The innuendo flowed through her, thick and sweet as golden honey that came to pool between her legs. Oh, this was bad. This was very, very bad.

He was a handsome man in a rugged sort of way. He wore his tux well, but something about him told her that this man was more comfortable in jeans and a t-shirt—broken in and comfortable. Pair that with his short black hair and the loose, confident way he stood with his left hand thrust in his pocket, and he was all sorts of gorgeous.

He was looking at her expectantly, his head cocked, and Annie realized that she was checking out his lean body rather than answering his question. She cleared her throat. “Do you need help?”

His grin was a little lopsided as he set his phone down on a table and picked up either end of his bow tie. Slowly he wove them together, manipulating the black silk into a perfect knot. His fingers would be elegant if it wasn’t for the white slashes of healed scars that were visible even from where she stood. An image flashed through her head—those fingers playing over the smooth skin of her breasts—and a fierce blush exploded over the back of her neck, rushing to her cheeks.

“How did I do?” Chris asked, tugging at the tie to straighten it before letting his hands fall to his side.

He was flirting with her. It wasn’t exactly uncommon behavior for a groomsman, especially when you threw alcohol into the mix, but this was different. This time, Annie wanted to flirt back.

No. You have rules.

“You look fine,” she said, pushing away the throb of arousal that rolled through her. “Are you planning on stowing that cell phone for the ceremony?”

He glanced at the phone on the table. “Will you take it away from me if I say no?”

Her eyes narrowed, her expression frosty where his was teasing. “If I need to. Confiscating technology is part of the job.”

“Then I guess I’ll turn it off.” He swept the phone up as he walked by her, hesitating only to whisper, “But it would have been more fun if you took it from me.”

Heat shot through her, and she glanced around to see if anyone had just witnessed that exchange. All of the men were fixated on the Dodgers game.

She blew out a long, steady breath. This Chris guy was just messing with her—his own version of a test the way that Dan had challenged her about the Macallan. Nothing more.

Behind her, the bedroom door flew open, and Mark burst out dressed in everything but his tuxedo jacket. “How do I look?” he asked, a mile-wide grin plastered on his face.

“Like a man who’s about to lock himself to a ball and chain,” said Eric with a laugh.

Annie allowed herself the tiniest of eye rolls. “Okay, Mark, time to walk down to the ceremony. This wedding gets going in twenty minutes.”

The groom nodded. “My jacket’s in the bedroom. Hold on.”

He turned back and… Rip!

Everyone froze as the rending of fabric echoed through the room. All of the color drained from Mark’s face. His hand flew to his shoulder, and he pulled at his shirt. “Shitshitshit. Karen’s going to kill me.”

Annie strode across the room, gripped Mark’s shoulder, and spun him around. A three-inch rip gaped at the back of his fine cotton tuxedo shirt.

Fuck.

“How bad is it?” asked the panicking groom as he tried to twist to look.

“Do you have a backup?” she demanded.

His lips pressed into a thin line. “Karen doesn’t like it. It doesn’t fit as well.”

Of course it didn’t. She looked at her watch. Nineteen minutes to ceremony. “Take it off.”

The groom and his party all stared at her.

“I have a sewing kit in here,” she explained, fighting to keep the exasperation from her voice. “Take the shirt off, and I’ll sew it back together. But someone’s going to need to iron the backup just in case.”

Mark started to unbutton the torn shirt as she looked around the room at more blank faces. “Not a single one of you can iron?” she asked.

Gary, the New York lawyer, shrugged. “Camilla won’t let me near the iron after I burned a hole in my brand new Brooks Brothers shirt a couple years ago.”

“I can do it.”

Chris stepped forward and unbuttoned his tuxedo jacket, letting it slide down his arms. She was one hundred percent positive that if she peeled his shirt off him she’d find strong, wiry muscle underneath there. Muscle she might have let herself indulge in thinking about if it wasn’t for the clumsiest groom in Hawaii.

“Good,” she said with a sharp nod. At least one of them could fend for themselves. Her mother always said that a real man was one who could cook, clean, and keep a house. A man who was the opposite of her father—often drunk, sometimes incarcerated, and rarely present.

She took Mark’s torn shirt, but not before fixing the other groomsmen with a hard stare. “You will each take a boutonniere. Then you will go to the ceremony location. You will stay at the ceremony location. No detours. No stalling. No more drinks until after the wedding vows are exchanged. Is that clear?”

The men murmured their agreement and shuffled out of the hotel room. She half expected them to hold hands, pairing off into field trip buddies like little kids.

She moved to her kit, a suitcase she’d planted in the room that morning. “Mark, how much have you had to drink today?”

“I had a scotch a couple hours ago,” he said shakily. “I was too amped up for anything else.”

“Good. Pour yourself another—a small one—and watch the game. I’ll be done with this in a moment.”

The groom shot her a grateful look and scuttled over to the couch.

She pointed at Chris. “You come with me.”

She moved fast, ripping the dry-cleaning bag off the backup shirt that hung in the closet and sliding it from its hanger. When she turned back, Chris had the ironing board out and was in the bathroom filling the iron’s water chamber.

They worked in silence for a couple of moments, her repairing the shirt with tiny stitches and him moving methodically to iron the backup crisp and smooth.

“You’re good at that,” she said, tipping her head in his direction.

His crooked smile slid over his face again. “Courtesy of my first job. I did all the grunt work at my stepfather’s restaurant. If I was late or broke a dish, I got stuck ironing napkins. He wanted sharp corners, the same way every single time.”

“Is spending all that time in the restaurant what made you want to be a chef?” She didn’t know why she asked it. After tonight, she wasn’t going to see this guy again, but he was helping her. Asking felt right.

“Mark mentioned that I’m a chef?” he asked, flipping the shirt so he could do the second front panel.

“I have a file on all members of the wedding party.”

His eyes widened. “That’s not sinister at all.”

She shrugged. “During one of the first weddings I ever planned, I didn’t realize that one of the bridesmaids had an ex-husband and an ex-boyfriend in the wedding party. The men started brawling during ‘The Cha Cha Slide.’”

He barked a laugh—a sound as rich as chocolate and just as sinful. “You’re kidding?”

The beginnings of a smile tugged at her lips. “The bridesmaid wound up sobbing into my lap in the bathroom. That’s why I try to find out as much about you guys as I can beforehand.”

“So what else do you know about me?” he asked. The question should have been casual, but the low rumble of his voice made it sound like a promise of so much more.

She squeezed her thighs tight. She was at work. That meant no lusting after guests.

“I know enough about you,” was all she said.

“That’s a cop-out.”

“I’m like the CIA. If I told you what’s in the dossier, I’d have to kill you.”

He put the iron down. “And what’s the CIA’s policy on dancing with a guest? Hypothetically speaking, of course.”

Annie nearly jabbed herself in the thumb with the needle. There was no way she was going to dance with this man. She wouldn’t survive the feeling of his body pressed up against hers no matter how much she wanted it.

“Generally the CIA frowns on such activities,” she said stiffly.

“Generally?” The look he sent her might have scorched the panties off her if she hadn’t held herself back. Because she needed to hold back. She could never let herself slip. No matter how much she wanted to.

“Exceptions are made if the man asking is a widower over the age of seventy-five.”

“You’re a tough sell.”

She concentrated on the shirt in her hands. “I’m not looking to buy.”

Oh, but she wanted to. He smelled like he’d just gotten out of the shower, with a hint of salt and masculine spice underneath the soap. Her whole body hummed with awareness, and she couldn’t help but want to know what it would be like to have those full lips on her skin. She had rules, yes, but this man was ice cream on a diet. TV on a school night.

Trouble.

This was getting out of hand. She wasn’t a bridesmaid cliché looking for a wedding fling with one of the groomsmen. She was one of the most in-demand wedding planners in Hawaii, but a long time ago, she’d realized that she needed to be smarter, sharper, better than everyone else. She didn’t have the connections that some planners had. She didn’t have the bred-in taste or knowledge of etiquette of the ones who had old Hawaiian society roots. Instead, she had hard work, grit, and determination. That was how she’d made it this far, and it was how she was going to stay at the top of her game. Men like Chris? They weren’t in her plan. She would not throw herself at a man just because he had some scruff and scars and talked a good game.

After putting in the last stitch on Mark’s shirt, she tied the thread off and snipped it. Barely a seam. “Not too bad.”

Chris turned off the iron and rounded the board. “Let’s see.”

Before she could hand the shirt over, he ran his finger over the thin seam of stitches, pressing the fabric into her open palm. She fought a shiver as he said, “Looks good to me. I think you’ve saved Mark from passing out from stress.”

She scooted along the bed and pushed up to standing a few feet from Chris. “Time to get the groom dressed. Again.”

Chris laughed. “Are you going to use that schoolteacher voice on him?”

“What do you mean?” she asked with a frown.

He closed the gap between them until she had to tilt her chin up to look into those deep blue eyes of his. “You marched those men out of here like they were five. You get shit done, Annie Kalani. I like that.”

Then he took that slow, delicious smile of his and walked straight out of the room.

Again, if you like what you read, you can preorder The Wedding Week:

Amazon: http://amzn.to/1Ov3VvP Amazon UK: http://amzn.to/1WAO7zr iBooks: http://apple.co/1NvcnAf Kobo: http://bit.ly/24TSVkY B&N: http://bit.ly/1TQWsZi Smashwords: http://bit.ly/1WAOiKY

"The Girls She Left Behind"

I've talked before about my love for fashion plates, but sometimes when I'm rooting around in the New York Public Library's digital collection I stumble upon something I've just got to talk about. For 10 cents in September of 1919, you could buy a magazine with a pretty remarkable-looking cover. Check it out.

"The Girls She Left Behind Her." 1919. Courtesy of The New York Public Library Digital Collections.

The cover is entitled "The Girls She Left Behind Her," and it's pretty stunning. Not only do we have a young lady in what was traditionally a man's riding kit — boots, jodhpurs, and all — she's standing in front of at least six female figures, all dressed in historical garb.

From what I can tell we start with a woman in Elizabethan dress on the far left and progress through the 18th century to the Georgian empire waist dresses all Jane Austen period drama fans know so well. Barely visible in green behind the main figure is what looks like the full bell skirt of a dress spread over a cage crinoline (mid to late 1850s) and then the mutton sleeves of the mid 1890s. Topping it all of with her back turned to us in a stunning pink dress is a woman wearing the fashions of the first decade of the twentieth century.

This is a little early for the extreme changes in fashion that the flappers brought with them, and so the magazine cover is in a way even more remarkable. You can see just how aware the editorial staff of this magazine must have been about the opening up of social conventions regarding dress — and also a woman's place in society — when the central figure of a fashion plate is wearing trousers. Even more interesting, I don't read any censure in this drawing. Rather than a fearful cartoon of how society would fall apart just because a woman pulled on a pair of pants, the artist seems to be making a statement: this is how it is.

I won't go so far as to say this image was intentionally feminist. The illustrator still calls her a girl, and we've got to remember that this pretty white woman who represents beauty ideals of the time is meant to move magazines. Besides my old college professors would scold me for not contextualizing what feminism would have meant in 1919 and instead projecting my own modern ideas onto it. Instead I'll just say that this magazine cover is a fascinating sign of its times.

Now if someone could make me that white skirted riding coat and find me a pair of those boots I'd be a very happy lady.

A Most Fashionable Facebook Group

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Happy Monday everyone! I'm almost one week out from heading on vacation and I'm itching to grab my passports and go, so it's going to be a short post today.

I wanted to let you know about an incredible and growing group of readers that have joined me on Facebook in the last couple weeks. I started a group called Really Old Frocks that's all a celebration of everything we love about historical fashion. Historical romance readers are especially welcome, but the group is also for costumers, history nerds, and period movie aficionados who want to gush over the beautiful gowns and accessories we all love!

I'm starting to put together some documents in the file section with recommendations about resources for writers or curious fashion fans, and we've got some great themed days like #MovieMonday, #20sTuesday, #RogueFriday, and #SinfulSaturday to look forward to.

So head on over to Really Old Frocks and join our little growing community! I post regularly (even on vacation, I promise), and I'd love it even more if I could see what you guys have got!

Exploring Victorian Fashion Plates

It's no surprise that I love libraries. I'm an author, it's kind of what we do. But my love of the New York Public Library runs deep for a lot more reasons than just accessibility to books. The NYPL is an incredible resource for writers, especially those of us focusing on historical writing. The digital collection isn't entirely open (ie there are some resources you can only access while at a library location and with a valid library card), but enough of it that it's an incredible tool.

One of my favorite places to start rooting around for inspiration while I'm writing books is the digital collection's listings of fashion plates. If you're interested in the history of 19th-century fashion, this is the place for you. Godey's Lady's Book and La Mode Illustrée are both well-represented in the collection, and clicking through will give you a pretty good idea of how fashion (especially silhouettes) changed throughout the 1800s.

 

"Costume Parisien." 1807. Courtesy of the New York Public Library Digital Collections.

London Fashionable Evening & Full Dresses.

"An Equestrian Fashion Plate." 1849. Courtesy of The New York Public Library Digital Collections.

"Toilettes de Mme. Breant-Castel." 1870 - 1870. The New York Public Library Digital Collections.

"Soirée toilette." 1883-01. The New York Public Library Digital Collections.

"Spring mantles." 1883-05. Courtesy of The New York Public Library Digital Collections.

"Blackwell's Durham Fashion Doll [paper doll with dress]" Courtesy of The New York Public Library Digital Collections.

A Special Treat for Newsletter Subscribers

I'm doing something special as a big thank you to my most dedicated readers. If you sign up for my newsletter, you're going to get a serialized short story sent straight to your inbox — all for free. Here's how it works...

• Sign up here for news and freebies from me: http://eepurl.com/Z83_T

• On the first Monday of the month you'll get a chapter of my short story The Lady Always Wins. It's a total rewrite of a Wattpad story I wrote for the XOXOConfessions writing competition last fall, so don't worry you'll be getting brand-new story every month. And even better, it's set in the same world as my new Governess series, so you'll get some character cameos no one else will know about!

• Here's a look at what the story's all about:

Miss Catherine Milford is an unashamed spinster with no intention of living a quiet life of obscurity. Sir Ian Randall is one of London's most notorious rakes-and bored to tears of the ton. Neither of them are looking for love, but a bet, a ball, a balcony, and a deliciously seductive kiss are all it takes to make them question everything.

• And that's it! If you miss a month or sign up for my newsletter a little late, you'll be able to catch up on Wattpad. Here's the thing to remember, Wattpad's going to be a month behind because this is a special offer for my newsletter subscribers to get a taste of some sexy, smart historical romance before anyone else.

7 Things I Learned When I Went Through My Old Writing

For the first time since Labor Day, I don't owe anyone anything. I've met all my deadlines, and I'm project-less (at least I am until copyedits come back on two of my books). It's glorious. I've been taking this rare free time to read, cook, catch up on Outlander, and do some serious spring cleaning. But while I was totally on board with deep cleaning my apartment and sorting clothes for donation, I kept ignoring the big task that's sat on my to do list for years: cleaning out my box of old writing.

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About seven years ago, when I moved into an apartment with my friend on the Upper East Side, I bought myself a huge plastic filing bin and a bunch of folders. I printed off all the old ideas that had just been sitting on my laptop, and started organizing. I filed away a whole bunch of concepts, character sketches, plot maps, synopses, and in some cases partial manuscripts of up to 45,000 words. Then I never looked at anything in that box again.

I'm sad to say, that box moved with me and has been sitting on top of the cabinets in my studio for five years.I'm not even sure I opened it up to add things. Sunday night, I decided that enough was enough. I had to sort through every piece of paper in there and figure out what to keep and what to toss.

I learned a lot in the two hours it took for me to sort everything in my box. I haven't had a chance to read everything in it (there's only so much wine in the world and I can't drink it all in one nostalgia-laden, cringe-worthy old writing session). I do plan to read everything, however, because among all of the — sometimes very — rough sketches in there are some ideas. Some good ones. Ones that could at some point become books.

So, here's what I learned when I made myself look at all of the ideas I thought were good enough to write down seven years ago.

Be prepared.

Yeah, you should probably be ready for a few "Why did I write that?" and "Wow, that's better than I thought" moments, but that's not what I'm talking about here. To go down nostalgia lane, you need to be properly prepped with tools. I dragged out a trash bag, mixed myself a Negroni, put on Hasley's BADLANDS, and set to work.

 

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I like organization...and that's not necessarily a great thing.

The first thing that jumped out at me when I started attacking my mound of paper was that I like organization. Like really like it. My box of concepts was stuffed full of neatly printed, binder clipped paper. Everything was grouped with its appropriate project (some of them have amazing names, but more on that later). Things were split into folders that I'm sure made plenty of sense seven years ago. Everything looked neat.

Same goes with the content of those files. I always thought of myself as a pantser until I buckled down and started writing really serious. Now I will not start a project without at least a synopsis and often a few notes on character, plot, timeline, etc. mostly because I can't remember the details of what I pitched if it's not written down. If my agent sells a series, I need to remember months down the line what books two and three are supposed to be about. I thought I'd become a plotter because of professional survival.

I once knew how to read this plotting tool. I now have no clue what I'm looking at.

Turns out, I loved plotting when I was starting out. I had notes. I had deeply detailed character descriptions. I had synopses. I was all over the organization...

...so where are all of the manuscripts that should have come from such excellent plotting?

Some just didn't work. It happens. Not every idea becomes a book. Some manuscripts can be fixed, but I've also written a few that couldn't.

What concerned me a lot more was that I could see a bad pattern developing in this box. I used plotting as a crutch. If I broke a plot down in every possible way I could think of, I could tell myself that I was still doing work even if I wasn't producing workable, completed drafts. But look! I had all of this paper. I was working.

Nope. That's busywork and not productive work.

Breaking out of the habit of constantly researching and making notes is another long blog post, but suffice it to say I did it out of necessity. I made deadlines and forced myself to stick with them. Suddenly I couldn't spend days ripping apart a manuscript that wasn't even close to being complete. Making myself put together a manuscript and start submitting it to agents changed a lot of things.

I'm an office supply junkie.IMG_5470

I pulled a lot of binder clips off of duplicate manuscripts. A lot. I have so many hanging and regular folders, I shouldn't be allowed into a Staples unattended ever. Same goes for stationary stores. How many legal pads does one woman really need?

My sister was a pretty good editor when she was 20. 

It's generally not good when someone unequivocally hates your main character. It's generally great when they tell that to your face and don't let you write a bad book that no agent or editor is going to want to buy because of an odious heroine.

And yes, I did read that the first chapters of that manuscript. My heroine was pretty horrible. My sister will be so pleased to hear me tell her she was right (she's also now in a publishing grad school program so good call, baby sis).IMG_5476

A lot of it is bad, but it's still my work and that's pretty cool.

I wasn't as embarrassed as I thought I'd be going through this box. I actually kind of wish one of my close friends was with me so we could comb through the pages. I think it would have been fun.

Don't get me wrong — a lot of what was in this box was bad. Like cringe-worthy bad. But most of it was also straight from brain to paper. It was rougher than a rough draft, and that's okay. What I had was a box of fresh ideas that I was excited about enough to jot down and store away.

I'm looking forward to going through my box of ideas slowly and seeing what's in there. Maybe nothing is usable. Maybe something becomes a book or a series. It's the promise of possibility that's exciting.

Writing makes you a stronger writer.

Someone I was once close with used to love Malcolm Gladwell and his 10,000 rule. The short version is that Gladwell argues it takes 10,000 of practice to become an expert at something whether it's hockey, piano, whatever.

While I don't completely buy into Gladwell's argument, I do think that consistent, conscious engagement with writing will make you a stronger writer. You've got to be open to learning and mentoring and criticism, but if you put in the time consistently your writing will change over time.

This box represents lots of hours and lots of writing. Butt in chair, hands on keyboard writing. Is all of what I wrote in 2008 good? Nooooo. But did I get better? Yes.

When I told my old roommate I was digging through my writing from when we lived together and that some of it was "utterly awful stuff," she said something really smart:

"We all do this. We all look back on old work and think it's terrible. It means you're growing!

And you'll grow until you stop."

She's a pretty brilliant lady.

You'll find some gems.

If you're like me, you'll uncover some gems while digging around in your own box of concepts. I found four rejections from when I submitted a literary short story to a bunch of journals. Those make me laugh now, but the thing that made me happiest was finding an old photo from college. It was taken on move-in day of my freshman year with my roommate who would go on to become one of my two closest girlfriends in college.

So enjoy this photo of me as an 18-year-old with a ribbon belt (thanks, 2004), and I hope you'll be kind to your past self when you tackle your own spring cleaning.

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My Favorite Romance Novels of 2016 (So Far)

Ever have one of those starts to the year where you feel like you're running and running and never quite catching up? That's me right now. I've been working my butt off getting three books ready for release this fall (as well as a re-release of my novella The Wedding Week in June), and I've been working through some special work projects for my day job. I hate falling back on the cliche excuse, but I've been busy. Still, I try to make time to read even if it's not quite as much time as I'd like. So here's a highly unscientific list of what I've been able to read* and enjoy so far this year:

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So Sweet, by Rebekah Weatherspoon

So here's the deal. I know Rebekah Weatherspoon's incredibly smart and funny on Twitter, and I was fortunate enough to have been introduced to her at RWA last summer so I got to see all that in person. This means I should have realized her novella So Sweet was going to be just the right sort of funny-sexy-give-me-more-now-damnit but apparently I wasn't thinking straight because it was reallyfunny-sexy-give-me-more-now-damnit. Now everyone please go buy this book so we can all talk about Kayla and Michael. #okaythanksbye

Amazon | iBooks | Kobo | B&N

 

 

 

51kXbNdEUYL._SX314_BO1,204,203,200_Stay With Me Forever, by Farrah Rochon

I want to apologize. This is the first Farrah Rochon book I've read of the several that have been stacking up on my TBR, and I feel like I've let all my friends down in not evangalising for her books before this. Stay With Me Forever is sharp and smart and sexy—just the sort of book that reminds me why I fell in love with category romance so many years ago. The hero is delicious, but the tough-but-noble heroine really steals this Louisiana-set book. Also, can I just say that this has nothing to do with the book but isn't that a gorgeous cover?

Amazon | iBooks | Kobo | B&N

 

 

Rushing to Die, by Lindsay Emory

Margot Blythe's back for another sorority sisters' mystery! I was thrilled when Lindsay announced there would be a sequel to her Sisterhood is Deadly and—true to form—I gobbled it up in an afternoon. Fun, funny, and sharp with a sexy police officer to boot, I absolutely love this cosy mystery series and can't wait to find out what happens next.

Amazon | iBooks | Kobo | B&N

 

 

 

619mS0eE2kL._AA300_No Good Duke Goes Unpunished, by Sarah Maclean

I'm going to pivot to audiobooks for a moment. I might not have had a huge amount of time to read this winter, but I did have to do some mundane things like commute and cook. Enter audiobooks. This was my first, and for about a week afterward I heard my own revisions in narrator Rosalyn Landor's delicious voice. I love the Rule of Scoundrels series (the second is still my favorite) and was happily surprised to find listening to the book a delightful experience.

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The Splendour Falls, by Susanna Kearsley

This book isn't a romance but what RWA would have called a novel with "strong romantic elements" until they did away with that category at the RITAs (RIP). I picked The Splendour Falls up at an RWA long ago, and it took me until February to finally read it. I'm so happy I did because it fits this lovely subgenre of books about inevitably English women going somewhere charming like France, meeting a bunch of interesting characters, solving a low-stress mystery, and dealing with some link to the past. This is sink into an armchair with a cup of tea reading.

Amazon | Kobo | B&N

*Sadly I can't talk about a couple really enjoyable RITA judging books I read in February because of contest confidentiality. Maybe one day I'll be able to innocuously slip them into a roundup and no one will be the wiser.

Meet the Governesses!

I'm thrilled to finally be able to reveal the gorgeous covers for my new Governess Series, coming this fall!

This delightfully charming and saucy historical romance series features three best friends employed as governesses for different families, who all find themselves wanting loves they can’t have.

All of the books are now available for preorder from your favorite ebook retailer.

The Governess was Wicked

Elizabeth Porter is quite happy with her position as the governess for two sneaky-yet-sweet girls when she notices that they have a penchant for falling ill and needing the doctor. As the visits from the dashing and handsome Doctor Edward Fellows become more frequent, Elizabeth quickly sees through the lovesick girls’ ruse. Yet even Elizabeth can’t help but notice Edward’s bewitching bedside manner even as she tries to convince herself that someone of her station would not make a suitable wife for a doctor. But one little kiss won’t hurt...

The Governess was Wicked releases September 12, 2016

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The Governess was Wanton

Mary Woodward is London's own "fairy godmother," known for her expertise in transforming awkward, shy girls into marriageable society belles. Her new position teaching the daughter of Eric Bromford, the Earl of Asten, should be just another job — until she meets Lord Asten. He's just the sort of man to tempt her to break all her rules, and she does just that when she dons a mask and spends a moonlight night in a garden with the earl. Torn between the temptation of passion and the security of her position, Mary must risk it all for love in this retelling of Cinderella that gives the fairy godmother her happily ever after.

The Governess was Wanton releases October 10, 2016

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The Governess was Wild

Governesses aren't supposed to lose their charges, but that's exactly what happens when Jane Ephram wakes up and realizes that her pupil, Lady Margaret, has eloped from their inn room as they're traveling. Even worse, Lady Margaret's taken Sir Nicholas Hollings's horse, and the disarmingly handsome gentleman is hell-bent on getting the beast back. Racing against time, Jane and Nicholas take to the road again, determined to find the errant Lady Margaret — and maybe even love — along the way.

The Governess was Wild releases November 14, 2016

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Valentine's Rewind

Thanks for stopping by and celebrating the unofficial holiday of romance novelists — Valentine's Day. This year, more than 20 authors have joined together for the Valentine's Rewind blog hop. Today I'm revisiting Chris and Annie, my couple from "The Wedding Week" in One Week in Hawaii. I hope you enjoy!

 

♥♥♥
"A Day All Their Own"

February 13

Annie Kalani stood in her kitchen, coated in flour, and wondered what the hell she’d been thinking. In front of her lay the scraps of her second failed attempt at handmade pasta. The first was half on the floor and half in the brushed stainless steel trashcan that sat to the side of her island.

She pushed a hand through her hair, no doubt leaving streaks of white through her haphazardly pulled back ponytail that was starting to escape its elastic. It had looked so easy when Chris had made her pasta last Valentine’s Day. He’d kneaded the dough with smooth, confident strokes and fed it through the hand-crank machine almost lovingly. Food seemed to come to life in his hands.

The same couldn’t be said for her.

Annie was a competent cook—she’d give herself that much. On nights when Chris worked late at his restaurant and she was too tired to drive down to join him for a meal at one of the tiny back tables, she could whip up something for one with the usual efficiency she employed in the rest of her life.

But apparently she needed more than competence to make what was supposed to be a stunning Valentine’s meal.

Annie braced her hands against the island’s glossed stone countertop. “Okay, you win,” she muttered, admitting defeat. She had a backup plan — steaks grilled on the little barbecue that sat on her balcony — she just hadn’t wanted to use it. But Annie could tell when she’d been beaten.

Her hands were full of broken pasta strands when she hear keys jangling outside her door. Her eyes darted to the clock. How was it ten already?

She dumped the pasta in the trash and brushed her hands off on her apron as best she could as Chris pushed the door open. He hadn’t even crossed the threshold when he stopped, his eyes fixed on her.

She spread her arms wide, more than a little sheepish. “Dinner may be a disaster.”

Without breaking his gaze, he set his keys down in a bowl on the side table and let the messenger bag she knew would be packed with his clothes for the next day fall to the floor. He closed the gap between them in a few steps, and her whole body flushed with warmth. After a year and a half he could still make her blush like a sixteen-year-old girl with a crush.

His hands slid around her waist, and she tilted her chin up to catch his lips. He kissed her like he hadn’t seen her in months, his tongue slipping between her lips. She tasted sweet basil and the sharp tang of vine-ripened tomatoes, the ghosts of the dishes he’d been preparing at the restaurant.

Annie sighed against his chest, the tension in her shoulder relaxing just a little. This was where she wanted to be. Always. This was where she belonged.

“Hi,” he whispered against her lips as he smoothed a lock of her hair back behind her ear.

She closed her eyes and leaned her forehead against his. “Hi. How was work?”

“Busy. We’re getting ready for the big day tomorrow.”

They’d long ago reconciled themselves to the fact that theirs was never going to be a conventional Valentine’s Day. Chris was a chef and she was an events planner. Love was good for business, and they’d both be working at least a sixteen-hour day on Valentine’s. He would man the kitchen at the restaurant, and she would be caught up in coordinating a seemingly effortless romantic wedding at one of the island’s resorts a Los Angeles-based couple. If Chris and Annie were lucky, the might stumble into bed at the same time the following night.

That’s why February 13th was their day—a fake Valentine’s that meant so much more because they had it all to themselves.

“So what’s this disaster?” he asked, pulling back to peer over her shoulder.

“Remember that beautiful saffron-infused pasta you made me last year?”

He nodded.

“Apparently I’m not very good at making pasta. It keeps flaking and breaking apart,” she said.

He reached up and brushed a thumb over her tawny beige cheek. “I’ve always liked my women covered in flour.”

She swiped at her cheeks and her forehead. “Damn, I thought it was just in my hair.”

He laughed. “Babe, it’s everywhere.”

She stuck her tongue out at him.

“Are you hungry yet?” he asked.

“I’m not starving yet, but I could get steaks going if you are.”

“And give up on this? Not a chance. We’ll need to let the dough rest, but if you don’t mind a midnight dinner—”

She laced her fingers through his. “I’m not tired.”

“Come on.” He tugged her by the hand toward the island. “Let’s do this together."

Chris reached for the oversized mason jar of flour Annie kept on the counter and began mounding flour in front of them. “How about beating a few eggs?”

She nodded and pulled three eggs out of the refrigerator, cracked them into a bowl, and whipped a fork through them until they were a uniform golden yellow. Then she handed him the bowl and watched as he poured the eggs into a well he’d made in the flour. Keeping one hand clean, he mixed and gradually pulled more and more flour into the eggs until the dough formed.

“Could you take over kneading for a minute?” he asked, throwing a glance over his shoulder. “I’m just going to change my shirt. I smell like a kitchen.”

She raised an eyebrow. “If you think you can trust me not to destroy the pasta.”

He brushed his lips against her cheek as he switched spots with her. “Always.”

She focused on kneading, enjoying the slightly giddy sensation of happiness that had wrapped itself around her. The dough was already silky to the touch, the apartment smelled like cooking and food and home, and Chris was here with her. It was enough.

Annie was so wrapped up in her thoughts that she didn’t realize he was behind her until his arms circled her waist. Instinctively, she let her head fall back to his shoulder as he dropped a kiss to her collarbone.

“You’re good at that,” he said with a nod to the pasta dough in her hands.

“Now you’re just flattering me because it’s almost Valentine’s Day.”

A laugh rumbled through his chest.

“Besides, do you know how much pressure it is cooking for a chef?"

“Even in your own kitchen?” he asked.

“It’s easier here than at your place,” she admitted. “At least I don’t feel like I’m invading your space.”

His left hand stroked down over the soft cotton of her top and along the side of her stomach, just glancing over the hem. “What if your space was my space?”

Her hands paused. “What do you mean?”

He held up his right hand and uncurled his fingers. Two brass keys hung from a simple silver key ring. Her stomach jumped to her throat in anticipation.

“So I’ve been thinking—”

“You’re asking me to move in with you?” she asked in a rush, spinning in his arms and planting two doughy hands on the front of his shirt. He didn’t seem to care.

“I know we haven’t talked about it much, but I have a patron at the restaurant who’s a real estate agent. He’s been keeping an eye out on the market for me and took me around to see this place before prep today.” He let out a breath and shook his head. “Annie, it’s amazing but if you don’t like it we can have him keep looking. That is, if you want to live together.”

She looked from him to the keys and back again. Her new business, his restaurant, their growing relationship — things had been going so well for the last eighteen months that she hadn’t wanted to disturb their flow. But now Chris was standing before her with keys in his hand. Moving in with him would be a huge leap of faith but, in some ways, hadn’t they already done that? She’d given up the security of her wedding coordinator job at the Kuhio Resort & Spa and he’d walked away the opportunity to man a five-star restaurant at the same hotel. In some ways, they’d committed to one another before they’d even said “I love you.”

“Where is this dream apartment?” she asked.

“Kolohala Street.”

Her brows shot up. Kolohala Street ran through the heart of Waialae Kahala — an affluent neighborhood of older Hawaiian homes and newly built beachfront mansions. It was the sort of place where people put down roots. Where people started families and carved out lives together.

“Really? A rental in Waialae Kahala?” she asked.

Chris cleared his throat. “It might be a rent-to-buy property.”

“Is that right?”

He shot her a sheepish grin. “And I should probably warn you, it’s actually a dream house and not a dream apartment.”

“And when do we have to let your friend know?” she asked, inwardly smiling at how much he was trying to reign in his enthusiasm and failing.

“We have the keys until Monday. I figured since both of us will be off, we could drive over in the morning.”

It was all so simple. So straightforward. She could imagine them driving up, looking at the house, and just knowing. There would be paperwork and budgeting and all of the complications that came along with moving, but in some ways none of that mattered. She was already sure of one thing: Chris.

“Well then,” she said with a smile, “it looks like we’ve got a hot date to see a house.”

“Really?” he asked, practically vibrating with excitement.

She looped an arm around his neck and brought him down to her. “I’d be happy to move in with you, Chris Benson.”

He grinned a little wider. “This dough has to rest for at least an hour. Want to go makeout?”

She brushed her lips to his. “I think we can get a whole lot more creative with an entire hour ahead of us. Besides, it’s Valentine’s Day.”

♥♥♥

Thanks for reading, I hope you enjoyed revisiting Chris and Annie, failed pasta making and all! If you want more stories like this, be sure to sign up for my newsletter. The next stop on the hop is the wonderful Rebekah Weatherspoon. Be sure to comment on each story to be eligible for the massive giveaway at the end. Thanks for joining us for #ValentinesRewind! ♥

TBR Buster: Holiday 2015 Edition

I was having a drink with Tamsen Parker and Suleikha Snyder on Sunday (just as you've suspected authors do get together to hang out and it's the most fun), and we were bemoaning the fact that we don't read as much as we used to. Writing is wonderful and we love it, but it does eat away at those long afternoons when all you do is sit on the couch or in bed and read. Despite the fact that I will be writing over this holiday season, I will have a lot more time on my hands because I won't be working. Growing up in a family of readers means that we're all happy to sit around and read quietly in each other's company, so I plan to get a lot of reading done and catch up on my to be read pile—especially when it comes to historicals.

Here's a look at what's waiting for me on my Kindle:

Once Upon a Marquess, by Courtney Milan

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Fool Me Twice, by Meredith Duran

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Cold-Hearted Rake, by Lisa Kleypas

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A Virtuous Ruby, by Piper Huguley

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What Happens Under the Mistletoe, by Sabrina Jefferies, Karne Hawkins, Candace Camp, and Meredith Duran

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Under the Sugar Sun, by Jennifer Hallock

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 Claiming the Duchess, by Sherry Thomas

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Love and Other Scandals, by Caroline Linden

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